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              <text>DIG IT&#13;
CAN YOU&#13;
DIG IT&#13;
&#13;
Follow us on Facebook and Twitter @GGLPArchaeology or see the Events or Can You Dig It pages on&#13;
www.gallowayglens.org for more details. All events are FREE, thanks to our HES and NHLF funding. All&#13;
events must be booked in advance through the Galloway Glens events page or www.eventbrite.com.&#13;
Group numbers will be limited to ensure compliance with current COVID guidelines.&#13;
&#13;
Walking tour of the&#13;
Woodhead Lead Mines&#13;
&#13;
Test Pitting event at Threave:&#13;
The Return&#13;
&#13;
Walking Tour of Castle Douglas&#13;
&#13;
Guided tour and fieldwalking&#13;
taster at Clatteringshaws&#13;
&#13;
22nd July, 2pm&#13;
Anna Campbell will be joining us for a&#13;
reasonably strenuous walk out to this deserted&#13;
mining settlement. It will be fascinating!&#13;
Where: Meet near Carsphairn&#13;
&#13;
28th July, 10am&#13;
Join Claire and Louise as they take you back&#13;
in time through the varied urban history of&#13;
Castle Douglas.&#13;
Where: Meet in Castle Douglas&#13;
&#13;
Bus Tour of the Lost&#13;
Wells of Galloway&#13;
&#13;
3rd August, 10am&#13;
This will be a whistle-stop tour of some of the&#13;
amazing wells uncovered by our volunteer&#13;
researchers. Some off-road walking involved.&#13;
Where: Meet in New Galloway&#13;
&#13;
3rd and 4th September,&#13;
10am – 3pm&#13;
Back to Threave for more test pitting for lithics&#13;
to find out about the pre-history of the estate.&#13;
Where: NTS Threave Estate&#13;
&#13;
29th September, 10am&#13;
Join Tom and the Rathmell team to find out&#13;
more about the varied history of the area and to&#13;
learn the skills of fieldwalking on the foreshore.&#13;
Where: Clatteringshaws&#13;
&#13;
Galloway Hoard exhibition opens&#13;
in Kirkcudbright Galleries&#13;
&#13;
10th October&#13;
It’s here for 6 months, so don’t panic, but don’t&#13;
miss your chance to see this amazing Hoard for&#13;
yourself - found right here in the Galloway Glens!&#13;
&#13;
Test Pitting event at Threave&#13;
&#13;
6th and 7th August, 10am – 3pm&#13;
We’re working with the NTS Archaeologists to&#13;
see what we can find on Meikle Wood Hill on&#13;
the ancient Threave Estate. Come and learn&#13;
new skills!&#13;
Where: NTS Threave Estate&#13;
All bookings through www.gallowayglens.org/Events&#13;
or Eventbrite - search for Galloway Glens.&#13;
Spaces are limited so do book early. Full joining instructions will be&#13;
issued after booking. All events are free to attend.&#13;
&#13;
Coming in SeptemberA real-life&#13;
Viking Encampment!&#13;
&#13;
Watch this space for more details!&#13;
&#13;
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              <text>July august 2020&#13;
july 1st&#13;
2pm&#13;
&#13;
galloway glens viking tales&#13;
&#13;
july 7th&#13;
7.30pm&#13;
&#13;
webinar - Fertilizer, Dung and Defecation!&#13;
&#13;
Join an actual Viking* for tales of how they used to live in the Galloway&#13;
Glens area. Gather the family for this one! *Not an actual Viking.&#13;
&#13;
Join Archie McConnel from the Dumfries Archival Mapping Project and&#13;
Professor Robert Marrs as they explore the relationship between land&#13;
and fertilizers in days gone by.&#13;
&#13;
in conversation:&#13;
&#13;
july 15th&#13;
7.30pm&#13;
&#13;
David Devereux discusses his work on the extensive Tongland&#13;
Abbey excavations and the history of this fascinating site.&#13;
&#13;
july 29th&#13;
2pm&#13;
&#13;
WEbinar - folklore of the galloway glens&#13;
&#13;
Aug 12th&#13;
7.30pm&#13;
&#13;
webinar - the wrecks of kirkcudbright bay&#13;
&#13;
Dr Peter Hewitt from Stewartry Museum discusses the intersection&#13;
of material culture with our folklore tradition.&#13;
&#13;
Join our friends from the SCAPE Trust for a talk about the maritime&#13;
history of Kirkcudbright Bay and the Fauna &amp; Monreith wrecks.&#13;
&#13;
All online events are free, but require booking through Eventbrite.&#13;
Go to www.eventbrite.co.uk and search for ‘Galloway Glens’. Or see the Can You Dig It&#13;
section of our website, www.gallowayglens.org, or the Events page on our Facebook&#13;
Page @GGLPArchaeology. All events are broadcast over Zoom - access this for free&#13;
through www.zoom.us&#13;
For more details about how to take part in individual projects, contact Helen on&#13;
&#13;
helen.keron@dumgal.gov.uk or 07827 306866&#13;
&#13;
@GGLPArchaeology&#13;
&#13;
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              <text>[1] Welcome, my name is Thomas Rees and this evening I’m going, hopefully, to give you&#13;
a summary of the first 12 months of the Can You Dig It project in the Galloway Glens.&#13;
&#13;
1&#13;
&#13;
[2] The discoveries and works I’m going to dash through this evening are all part of the&#13;
Galloway Glens Landscape Partnership – Landscape Partnerships are a National Lottery&#13;
Heritage Fund initiative, with the partnerships seeking to deliver public benefit focused&#13;
on Access, Natural Heritage and Cultural Heritage.&#13;
&#13;
2&#13;
&#13;
[3] Each partnership is defined as a geographic area – in our case the amazing Ken and&#13;
Dee rivers from source to sea. Galloway Glens is supporting at least 35 projects over 4&#13;
years within this landscape covering a series of key themes.&#13;
&#13;
3&#13;
&#13;
[4] Can You Dig It is one of these 35 projects - our community archaeology project – and&#13;
I’m going to discuss the work that has been undertake by local volunteers over the past&#13;
year and the discoveries they have helped to make about our past. To deliver this&#13;
programme Galloway Glens secured match funding from Historic Environment Scotland.&#13;
We have also received great assistance from landowners like the Forestry &amp; Land&#13;
Scotland, National Trust for Scotland and the Forrest Estate. Dumfries and Galloway&#13;
Council have also helped throughout.&#13;
&#13;
4&#13;
&#13;
[5] At the start of this 12 month dash we promoted the opportunities from Can You Dig It&#13;
through a series of lectures – explaining that we structured activities around a series of&#13;
sub projects that were seeking to investigate specific aspects of the historic occupation&#13;
of our landscape.&#13;
&#13;
5&#13;
&#13;
[6] Each of these subprojects was underpinned by a Research Design developed from&#13;
community consultation during the development phase of Galloway Glens. We do not&#13;
just launch ourselves at sites, we approach them with a structured series of questions&#13;
and undertake works that – we hope – will start to answer them.&#13;
&#13;
6&#13;
&#13;
[7] One of our earliest field projects was test pitting within the outer bailey of&#13;
Castledykes in Kirkcudbright.&#13;
The first documentary mention of the castle at Kirkcudbright was in 1288, when John&#13;
Comyn, sheriff of Wigtown, was noted as being the guardian of ‘the castle and lands&#13;
which belonged to the King’. The castle came to prominence during the first phase of the&#13;
Wars of Independence, Edward I evidently intended Kirkcudbright as a supply port when&#13;
his fleet lay off the Dee estuary in 1300 with the castle held by the English.&#13;
&#13;
7&#13;
&#13;
[8] From this aerial image you can see the core of the castle – this is a protected&#13;
Scheduled Monument. The defences of the outer bailey had disappeared but previous&#13;
investigators presumed they would have been built on a stockade principle and, if so,&#13;
that no trace of them would remain.&#13;
&#13;
This is the area we sought to investigate over two days of test pitting. Previous work&#13;
nearby had failed to find any significant material – so we were hoping to discover&#13;
whether there was archaeological information surviving outwith the central earthworks.&#13;
&#13;
8&#13;
&#13;
[9] It is important to appreciate that these test pits are very limited in size – and hence&#13;
so is the volume of sediment tested. They are very much a taster of what may be present&#13;
in the Outer Bailey and there is the potential that very localised activities can be missed&#13;
by such an array. Our volunteers excavated the test pits using hand tools and then sieved&#13;
the contents to recover artefacts.&#13;
&#13;
9&#13;
&#13;
[10] The dominant material recovered were later 19th and early 20th century ceramics&#13;
including brown-glazed red earthenwares, glazed white earthenwares (mostly plain, but&#13;
with some blue-and-white transfer-printed sherds present), stonewares and slipwares.&#13;
Some of these modern fabrics derived from wheel-thrown brown-glazed coarseware jars&#13;
whose manufacture spans much of the 18th and early to mid-19th centuries – so we have&#13;
clear evidence of the discard or dumping of relatively recent domestic material, which&#13;
may reflect disposal of night soil from the burgh on neighbouring agricultural fields.&#13;
&#13;
10&#13;
&#13;
[11] From our ten small test pits we also recovered 20 sherds of medieval ceramic. All of&#13;
the sherds were of small size and often heavily abraded, which meant that form and&#13;
decoration were absent, making a comparison with other assemblages difficult.&#13;
However, on the basis of fabric alone, it was clear that the material recovered was&#13;
consistent with those from the earlier excavations within the main castle.&#13;
Roughly half of the medieval assemblage comprised a soft, pinkish-red fabric, sandy in&#13;
texture with quartz and mica inclusions. This pottery has been interpreted as a local&#13;
ware. Pottery from this same ware has been recovered from other medieval sites in&#13;
Dumfries and Galloway, including Caerlaverock Old Castle in the east and Whithorn in&#13;
the west. Outwith Scotland, this same ‘local’ ware has been found in Carlisle.&#13;
This local ware is thought to have first been used in the early to mid-13th century –&#13;
finding this material in the Outer Bailey suggests that the use of the Castledykes site may&#13;
stretch back towards the 1220s rather than the 1280s attested by documentary sources.&#13;
We have also shown that there is medieval material surviving within the outer bailey that&#13;
may be able to enrich our understanding of the use of this area.&#13;
&#13;
11&#13;
&#13;
[12] Kirkcudbright has more than one castle - tradition holds that Fergus, Lord of&#13;
Galloway, had a timber castle on Moat Brae in the 12th century – before the use of the&#13;
Castledykes site - certainly the Lords of Galloway sustained a powerful naval presence in&#13;
the Irish Sea and the Dee offers the best natural harbor on the Solway coast, supporting&#13;
this narrative for an early castle.&#13;
The burgh itself is only first attested to in 1330 but there is a presumption that even if&#13;
the burgh dated from around this time, there may well have been pre-burgh settlement.&#13;
&#13;
12&#13;
&#13;
[13] Over three days we sought to test the Moat Brae mound around Greyfriars to&#13;
consider whether we could find any hint of 12th century activity that could be associated&#13;
with the Lords of Galloway, or the growth of the burgh from the 14 th century onwards&#13;
including the 15th century friary.&#13;
&#13;
The intensification of use of the surrounding area in the 18th and 19th centuries was also&#13;
expected to be evident, especially the ship building yard that overlay the eastern half. So&#13;
we set out two trenches, Trench 1 to test the ground that appears to lie open since the&#13;
16th century and Trench 2 to examine the area that became a ship building yard.&#13;
&#13;
13&#13;
&#13;
[14] While we didn’t identify any structures, we did recover nearly 400 sherds of modern&#13;
pottery or ceramic from the trenches, many of the sherds were extremely small. More&#13;
than half comprised sherds of plain, glazed white earthenware with no decoration&#13;
evident. Occurring in much more modest quantities were sherds derived from transferprinted table wares and tin-glazed plain white earthenwares. Small quantities of sherds&#13;
from brown-glazed white earthenware and brown-glazed red earthenware vessels&#13;
(mostly teapots) were also present.&#13;
The dominant wares and colourways present are typical of the period spanning c.1820 to&#13;
1860, and while this does not necessarily imply that they were deposited or even&#13;
manufactured during this narrow time frame, it is interesting to note that pottery types&#13;
typical of the first few decades and the last few decades of the 19th century were much&#13;
more poorly represented.&#13;
&#13;
14&#13;
&#13;
[15] Within the assemblage were a 17 fragments from clay tobacco pipes, comprising ten&#13;
stem fragments and seven bowl fragments. All appeared to derive from the shortstemmed ‘cutty’ types that were popular throughout much of the 19 th and early 20th&#13;
centuries.&#13;
&#13;
One of the bowl fragments derived from a pipe with a decorative bowl which resembled&#13;
a stave-built barrel, while six of the ten stem fragments retained evidence of stamps or&#13;
maker’s marks. Two were adjoining: these comprised adjacent fragments of stem from&#13;
trench 1, with the maker’s stamp ‘W White’ on one side, and the place of manufacture&#13;
‘Glasgow’ on the other.&#13;
A further bowl fragment bears the fragmentary legend ‘BE(I)’ and ‘CUT’ stamped within&#13;
an oval or circular cartouche featuring a central design of superimposed lozenges. It is&#13;
not possible to establish the identity of this pipe with confidence, but it could possibly&#13;
represent a ‘Belgium’ type cutty, a form which is named (but not illustrated) in a&#13;
Christie’s catalogue dated to c. 1900s.&#13;
&#13;
15&#13;
&#13;
[16] Two buttons were recovered, one of which was a small circular button, stamped&#13;
with the legend ‘R McConchie Kirkcudbright’ around its circumference. The centre was&#13;
depressed, with four perforations for attachment to the host garment. The name, ‘R.&#13;
McConchie,’ is cited in 1878 as one of the tailors gathered as part of the Incorporated&#13;
Trades at the firing of the ‘Siller Gun,’ and it is possible that the button formed part of a&#13;
garment manufactured by McConchie at around this time.&#13;
&#13;
16&#13;
&#13;
[17] By far the most intriguing part of the collection were nine slate pencils, recovered&#13;
from both trenches and occurring mainly in topsoil and made ground. The pencils may&#13;
well derive from the use of the former church as a school during the 18 th century.&#13;
&#13;
17&#13;
&#13;
[18] A small group of 11 medieval sherds and one sherd of post-medieval reduced ware&#13;
present (originating in the period spanning the 15th-early 17th centuries).&#13;
Of the medieval sherds, six were sherds of gritty wares, similar either to red or white&#13;
gritty fabrics that spanned the mid- to late 12th to early 14th centuries. The balance of the&#13;
medieval ceramics comprised sherds of‘ local green-glazed wares which span a date&#13;
range from the mid-13th century to the late 14th century. The preponderance of unglazed&#13;
sherds, probably derived from cooking pots, might suggest an origin earlier in the&#13;
sequence, as cooking pots tend to fall out of use during the 14th century as metal vessels&#13;
become more widely available.&#13;
We have not found a castle – the Moat Brae is clearly now a more distinct landscape&#13;
feature than it was in the past – but from within the lowest deposits in Trench 1 we have&#13;
recovered pottery from the range of mid -12th to 13th century … suggesting activity at this&#13;
location earlier than the documented 1330 presence of the burgh.&#13;
&#13;
18&#13;
&#13;
[19] Our largest excavation was on the Threave estate at Little Wood Hill where we&#13;
stripped a portion of the summit of the hill to undertake an open area excavation with&#13;
the help and assistance of the National Trust for Scotland.&#13;
&#13;
19&#13;
&#13;
[20] Little Wood Hill is the site of a most enigmatic feature, as sub-circular D shaped&#13;
enclosure on the western half of the summit of the hill. This ditch is visible as a&#13;
cropmark, a darker line formed by the differential ripening of the overlying crop. This site&#13;
was tested by small trenches in 2014 by NTS when they identified the line of the ditch&#13;
and, with a radiocarbon date from charcoal recovered from the ditch, dating its use to&#13;
within the last century BC and the 1st century AD.&#13;
&#13;
20&#13;
&#13;
[21] The hilltop is an amazing location with views across the Dee, Threave Castle and up&#13;
river towards Glenlochar. This is a very notable location that stands out in the landscape.&#13;
&#13;
21&#13;
&#13;
[22] To save the backs of our volunteer archaeologists, given that this has been an arable&#13;
field, we machined off the ploughsoil to open up a large area covering roughly a quarter&#13;
of the enclosure.&#13;
&#13;
22&#13;
&#13;
[23] Within this open area we identified the line of the ditch and started to excavate slots&#13;
across the ditch to understand its form, and the terminals of the ditch at the entrance&#13;
into the site. The terminals, being next to the access into the enclosure, are the most&#13;
likely to contain artefacts discarded or lost during the use of the enclosure.&#13;
&#13;
23&#13;
&#13;
[24] And to maximize our chances of finding artefacts, we undertook a lot of sieving of&#13;
the ditch fills – not always in the best weather!&#13;
&#13;
24&#13;
&#13;
[25] This low level aerial image may help you better recognise the entranceway and the&#13;
run of the bounding ditches. Though we found a couple of small pits within the interior,&#13;
we did not find evidence for clear structures. Indeed the pits lie tight to, or slightly under,&#13;
where the upcast sediment from the ditch would have formed the interior banks.&#13;
&#13;
25&#13;
&#13;
[26] Given that we know the enclosure was active in the 1st century BC or AD from the&#13;
work of the NTS, it was a surprise to us that nearly all the artefacts recovered were a&#13;
modest assemblage of stuck flint. These small blades and flakes are more typical of the&#13;
late Neolithic and early Bronze Age, thousands of years prior to the date we have for the&#13;
enclosure. This suggests that Little Wood Hill had long been a desirable location next to&#13;
the Dee - with this artefacts surviving in the topsoil as residual material.&#13;
&#13;
26&#13;
&#13;
[27] We also recovered evidence of later use, with metal detecting enabling us to safely&#13;
recover an un-fired musketball from one of the ditch fills. Typically these are dated from&#13;
the 16th to 18th century … which has not helped with understanding what the enclosure&#13;
was created for, but does hint that the enclosure may have been a focus for later activity&#13;
while their form could still have been found as earthworks on the hilltop – perhaps even&#13;
during 1640 when the covenanters besieged the royalist garrison of Threave Castle who&#13;
surrendered on the orders of Charles I.&#13;
&#13;
27&#13;
&#13;
[28] But for all this work showing much earlier and later use of the hill we have struggled&#13;
to explain our Iron Age bank and ditch enclosure. We remain asking the question, why&#13;
did the Iron Age communities form this defendable site on the summit of Little Wood&#13;
Hill?&#13;
&#13;
28&#13;
&#13;
[29] Our activities over the year have not been limited to excavations, small or large. We&#13;
have also been running a series of workshops to develop the archaeological skills of our&#13;
volunteers – in this case we undertook practical surveying skills at Kelton Kirk in Mid&#13;
Kelton.&#13;
&#13;
29&#13;
&#13;
[30] Workshops have also been run on finds recognition and interpretation.&#13;
&#13;
30&#13;
&#13;
[31] As all the fieldwork is undertaken by volunteers of all ages and abilities supported by&#13;
professional archaeologists - our workshops provide skills so participants generate more&#13;
of the information gathered by the project&#13;
&#13;
31&#13;
&#13;
[32] Workshops have also covered web-based archive research to discover more about&#13;
our historic landscapes&#13;
&#13;
32&#13;
&#13;
[33] There are amazing resources readily available online such as this town plan of&#13;
Kirkcudbright from the 1840s showing Moat Brae – split in half between open ground&#13;
behind Greyfriars and the ship building yard&#13;
&#13;
33&#13;
&#13;
[34] Or first edition Ordnance Survey mapping from the 1850s … in this case giving us the&#13;
layout of the farmstead at Upper Gairloch, a farming settlement on the Raiders Road.&#13;
You can see the still active farm from the mid 19th century as well as many ruins and&#13;
abandoned field systems surrounding it.&#13;
&#13;
34&#13;
&#13;
[35] Upper Gairloch was another one of our survey and excavation targets, looking at the&#13;
later rural settlement of the Galloway Glens. The farmstead shown as in use in the 1850s&#13;
was found ruinous and overgrown.&#13;
&#13;
35&#13;
&#13;
[36] The volunteer archaeologists cleared many of the central areas revealing the fallen&#13;
walls that formed the farmstead – often built incorporating the most massive stones&#13;
within the fabric of the farm.&#13;
&#13;
36&#13;
&#13;
[37] Not only did the walls remain, but targeted excavation revealed a series of flagstone,&#13;
rubble and cobble surfaces and floors survived across the farmstead.&#13;
&#13;
37&#13;
&#13;
[38] Overall a plan began to emerge that showed two distinct floored rectangular&#13;
structures set within a walled rectangular courtyard that was also surfaced. A very&#13;
appealing small improvement courtyard farm from the early to mid 19th century.&#13;
&#13;
38&#13;
&#13;
[39] A broad range of finds were recovered from the excavations, these included&#13;
transfer-printed pottery in blue, black and purple colourways - these appear to be mostly&#13;
wares produced from the 1840s to 1860s and represent domestic tableware.&#13;
&#13;
39&#13;
&#13;
[40] Another portion of the assemblage was a collection of sherds from 'slipware‘ vessels&#13;
- these are more likely to come from kitchen items as opposed to those used at the&#13;
table. The top left and bottom right sherds appear to be from dairy bowls, while the&#13;
bottom left is from a jar, also known as a 'crock'. Crocks appear from the late 18th&#13;
century, while dairy bowls appear from the 1820s; both continue in use until the early&#13;
20th century.&#13;
&#13;
40&#13;
&#13;
[41] As well as pottery we also recovered a range of metalwork – both structural and&#13;
artefacts. Two quite distinctive pieces were this large iron rasp or file, and the socketed&#13;
iron head of a fork. The size of the fork is quite small and flat so appears unlikely to have&#13;
been used for any agricultural purpose. It is possible that it was for raking out a fire, or&#13;
that these were the tools of a blacksmith or farrier?&#13;
&#13;
41&#13;
&#13;
[42] A range of glass fragments were also recovered from site. Most of these were 19th&#13;
century in origin, like the fragment on the left which is from an aerated drinks bottle&#13;
from later in the 19th century. In contrast, the fragment on the right is a large base&#13;
fragment from an 'onion' type bottle, a squat form in use from the late 1600s until the&#13;
early 1800s. These were eventually replaced by the cylindrical upright bottles which&#13;
could be stacked in larger numbers for transport and storage.&#13;
This is one of our few earlier finds, joining two sherds from a pearlware teacup that date&#13;
from the late 18th. As finds that are reasonably earlier than the farm buildings at Upper&#13;
Gairloch they may be treasured family items brought here by the tenants – or are they&#13;
the hints of an earlier iteration of this farm?&#13;
&#13;
42&#13;
&#13;
[43] We know that many of the settlements on Raiders Road have origins from well&#13;
before the 19th century, this is Bleau’s map of the area from 1654 which shows O. (over)&#13;
Gairlarr – our Upper Gairloch. So we do have an earlier farm somewhere nearby.&#13;
&#13;
43&#13;
&#13;
[44] One of the structures shown as a ruin on the 1850s Ordnance Survey was also&#13;
investigated – this proved to be a kiln barn. A single structure that combined a kiln for&#13;
drying cereal grain – the circular structure in the foreground of this image – and a&#13;
rectangular barn.&#13;
&#13;
44&#13;
&#13;
[45] One of the ways we have helped volunteers understand the structures they are&#13;
working on is by producing 3D models from conventional site photographs. Here is the&#13;
same kiln barn where you can more readily see the two core elements of the site. We&#13;
also ran workshops on 3D Modelling to help develop these recording and&#13;
communication tools&#13;
&#13;
45&#13;
&#13;
[46] These workshops included a session recording by 3D model the Kirkyard gateway at&#13;
St Cuthberts in Kirkcudbright, purportedly built from the stones taken from the&#13;
dismantled town gate – the Meikle Yett – combined with the 1644 Ewart wall&#13;
monument.&#13;
&#13;
46&#13;
&#13;
[47] This workshop also looked at using a 3D model to create true vertical images of&#13;
table graves without the need to physically get above the grave – such as this slab for&#13;
William Hunter and Robert Smith. These covenanters were captured by John Graham of&#13;
Claverhouse at Auchencloy in 1684 and were taken to Kirkcudbright Tolbooth, where&#13;
they were held prior to their trial and execution.&#13;
&#13;
47&#13;
&#13;
[48] In combination fieldwork and workshops develop archaeological skills while&#13;
engaging participants with the heritage of their landscape – which raises the issue of&#13;
accessibility, how do we enable people to volunteer&#13;
&#13;
48&#13;
&#13;
[49] There are some easy steps we have followed, choosing locations that are readily&#13;
accessible with every possible activity, even one day surveys, having toilet access&#13;
&#13;
49&#13;
&#13;
[50] Providing shelter, seating, tea, coffee &amp; biscuits&#13;
&#13;
50&#13;
&#13;
[51] Making practical adaptations on site so that volunteers are able to focus on the&#13;
archaeology&#13;
&#13;
51&#13;
&#13;
[52] And that extends to working patterns that promote access not conformity with an&#13;
arbitrary schedule&#13;
&#13;
52&#13;
&#13;
[53] With the assistance of the Galloway Glens team, postcards are printed and&#13;
circulated locally to promote opportunities&#13;
&#13;
53&#13;
&#13;
[54] These communicate procedural and practical issues through Accessibility&#13;
information and promote a stable contact into the Galloway Glens team&#13;
&#13;
54&#13;
&#13;
[55] The reality is that much of the practical aspects of archaeology are outdoors and&#13;
suffer from the vagaries of the weather – we cannot control this!&#13;
&#13;
55&#13;
&#13;
[56] And however hard we try, we are shown the fragility of the structures we are using&#13;
to cope with the great outdoors.&#13;
&#13;
56&#13;
&#13;
[57] Even with this positive approach to accessibility we need to reach those who cannot&#13;
physically be involved through online information and video packages.&#13;
&#13;
57&#13;
&#13;
[58] We’ve also looked at promoting Can You Dig It through tie-ins with Scottish&#13;
Archaeology Month and the Dig It project.&#13;
&#13;
58&#13;
&#13;
[59] We’ve trialed a vlog tour on Facebook, in this first attempt we traveled through the&#13;
Galloway Glens looking at multiple Royal Observer Corps posts to look at the role of this&#13;
important service in tracking and monitoring military aircraft and then, as the Cold War&#13;
changed, nuclear blasts. This is one of the nuclear monitoring bunkers from the 1960s,&#13;
set just behind Dalry.&#13;
&#13;
59&#13;
&#13;
[60] The locations of the bunkers are known – you can see the string running from&#13;
Carsphairn down to Kirkcudbright on this military plan – but their current condition is&#13;
very varied.&#13;
&#13;
60&#13;
&#13;
[61] For instance the Castle Douglas bunker has been grubbed out, though a visible&#13;
earthwork remains in the field where this once lay.&#13;
&#13;
61&#13;
&#13;
[62] We also have some survival for the post-war 1950s orlit posts in Galloway Glens –&#13;
these prefabricated structures were installed when the role of the ROC was still that of&#13;
aircraft monitoring, before their descent into the bunkers. The promotion of these&#13;
intriguing sites was well received and we were delighted that it prompted Border Life to&#13;
film a similar package for broadcast in the near future.&#13;
&#13;
62&#13;
&#13;
[63] All the work of Can You Dig It is supported by a branded Facebook site and Twitter&#13;
feed – this is a locally controlled asset where you can find out what we are doing, what&#13;
we’ve found and how you can get involved.&#13;
&#13;
63&#13;
&#13;
[64] we also use these sites to promote historic excavations in the area through&#13;
Facebook Notes, in the case of these images they came from the 1911-13 excavations at&#13;
Castledykes.&#13;
&#13;
64&#13;
&#13;
[65] As a part of the larger Galloway Glens landscape project we have also flexed our&#13;
activity to connect and support with other projects – for instance we undertook an&#13;
extended survey workshop at Polmaddy to link in with a walking tour on the new&#13;
Glenkens path and a poetry project.&#13;
&#13;
65&#13;
&#13;
[66] This enabled us to look at deserted settlement at Polmaddy which was first&#13;
recorded in 1505, surviving through to the early 19th century. Our particular focus was&#13;
the Inn which lay beside the pack road passing through Polmaddy.&#13;
&#13;
66&#13;
&#13;
[67] And from the survey work we generated the first plan of the Inn, believed to have&#13;
been the last inhabited structure in the village, since it was originally surveyed in 1971.&#13;
&#13;
67&#13;
&#13;
[68] We also made use of the paths created by access improvements to hike up the&#13;
Corserine.&#13;
&#13;
68&#13;
&#13;
[69] In this case to survey a series of high ground wrecks – aircraft crash sites from WWII.&#13;
This is the site where a Mosquito crashed in 1944 to the east of the summit at the Scar&#13;
of the Folk&#13;
&#13;
69&#13;
&#13;
[70] Another one of the sites we recorded was the crash site of the Avro Anson from&#13;
1942 to the north of the summit. All these crashes involved the loss of lives by the&#13;
aircrew involved, often during night time navigational training.&#13;
&#13;
70&#13;
&#13;
[71] These surveys were in part about communicating the idea that the whole landscape&#13;
has been occupied and used by human communities and that the traces of our shared&#13;
heritage can readily be found even on the summit of our highest hills.&#13;
&#13;
71&#13;
&#13;
[72] We have also supported the delivery of a Historic Woodland Assessment as a&#13;
subproject at Barhill Wood by Kirkcudbright. Here surveyors looked at how a historic&#13;
woodland is created, shaped and used.&#13;
&#13;
72&#13;
&#13;
[73] Identifying some of the structures from the original late 18 th century planting of&#13;
poorer ground by the Earls of Selkirk including an array of early stone dykes, quarries and&#13;
roadways.&#13;
&#13;
73&#13;
&#13;
[74] And identifying elements of the original 1780-s planting such as this sweet chesnut&#13;
stool in Janet’s plantation – with the report and tours provided by the specialist&#13;
surveyors from Dendrochronicle enabling the community to better understand the&#13;
resource they were gaining control of.&#13;
&#13;
74&#13;
&#13;
[75] In many ways Can You Dig It is also about linking people with assets already there –&#13;
like HES providing tours of Threave while we dug on the NTS estate&#13;
&#13;
75&#13;
&#13;
[76] Visiting the Stewartry Museum during our fieldwork at Castledykes to see a display&#13;
of historic finds from our site that are being curated by the museum.&#13;
&#13;
76&#13;
&#13;
[77] And becoming an asset for other community initiatives like running a subproject as a&#13;
station on the Kirkcudbright Arts &amp; Crafts Trail&#13;
&#13;
77&#13;
&#13;
[78] Or providing staff so the local Scotlands Rock Art Project team had the first aid cover&#13;
needed to lead a public tour&#13;
&#13;
78&#13;
&#13;
[79] As you can see from this summary we have been very active over the past 12&#13;
months and have made a series of discoveries that enrich tour understanding of the&#13;
historic Galloway Glens – I hope you will agree that we are acting as a positive force&#13;
enabling the community to explore their archaeological heritage both through&#13;
discovering new information and from rediscovering what we already have.&#13;
&#13;
79&#13;
&#13;
[80] Can You Dig It will not stop here – our hope and intent over the coming years of the&#13;
Galloway Glens landscape partnership is to push further to build skills in our&#13;
communities, supporting more targeted project work on archaeological sites and seeking&#13;
to promote our archaeological heritage.&#13;
&#13;
80&#13;
&#13;
[81] If you are interested in continuing or becoming involved this year – please get in&#13;
touch.&#13;
Take this opportunity – give us feedback on sites or issues you want to see addressed,&#13;
email us to hear about volunteering opportunities and stay in touch!&#13;
&#13;
81&#13;
&#13;
</text>
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                  <text>The ‘Can You Dig It’ Community Archaeology Programme was a four year Galloway Glens Landscape Partnership project, providing engaging and educational archaeology activities, which ranged from community digs and community driven research projects, to dual-language archaeology inspired poetry.</text>
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’&#13;
Community Archaeology Project&#13;
2019 End of Year Report.&#13;
1. Background&#13;
The Can You Dig It community archaeology project started in earnest on the 4 th February 2019,&#13;
when the contract for delivery was let to Rathmell Archaeology Ltd by the Galloway Glens scheme.&#13;
Our previous End of Year Report, dated the 26th March 2019, details the work that was carried out&#13;
in February and March 2019, and this report completes the reporting, covering the period from&#13;
April 2019 to March 2020.&#13;
&#13;
2. Executive Summary&#13;
Can You Dig it is a 2-year Historic Environment Scotland and National Lottery Heritage Funded&#13;
Community Archaeology project managed by the ‘Galloway Glens’ Landscape Partnership Scheme&#13;
and delivered by Rathmell Archaeology Ltd. This funding period ended in March 2020.&#13;
The archaeology of the Galloway Glens area in rural SW Scotland is varied and fascinating, ranging&#13;
from the Neolithic to settlements deserted in the 19th Century, and the project aimed to introduce&#13;
as much of the resident community to their local built heritage as possible.&#13;
The project had a twin focus on community engagement and communication, and inclusion and&#13;
accessibility. It pioneered a new inclusion technique in the form of ‘Accessibility Postcards’ for&#13;
events. This technique, coupled with a consistently welcoming and engaging presence through&#13;
email, social media and fieldwork, has resulted in the introduction of many new people to their&#13;
local heritage. It has also resulted in an engaged and interested ‘community of interest’, which will&#13;
be taken to the next level of technical expertise in the coming years of Can You Dig It 2 delivery.&#13;
A Partnership approach was key to the success of this project, with the Galloway Glens bringing its&#13;
detailed knowledge of local networks and context and Rathmell bringing technical expertise. In&#13;
addition, the recruitment of a small but technically-skilled Steering Group from the local community&#13;
kept the strategic delivery of the project on track. Siting a Community Archaeology project within a&#13;
Landscape Partnership Scheme undoubtedly brings benefits to both that are more than the sum of&#13;
their parts.&#13;
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3. Introduction to Galloway Glens and Can You Dig It&#13;
The Galloway Glens Landscape Partnership Scheme is a 5-year National Lottery Heritage Fund&#13;
(NHLF) scheme with the primary aim of connecting local people with their natural, cultural and built&#13;
heritage. It covers an area in SW Scotland that follows the course of the Rivers Dee and Ken from&#13;
their source in the uplands above the Glenkens, down past Castle Douglas and out to the sea at&#13;
Kirkcudbright. Both Castle Douglas and Kirkcudbright are rural towns of about 3,000 population.&#13;
The Glenkens contains 4 small remote-rural villages, including Carsphairn and St John’s Town of&#13;
Dalry.&#13;
&#13;
The Galloway Glens scheme began in April 2018 after a 2-year Development phase and will run until&#13;
April 2023. The NLHF funding is given as matched funding to 35 headline projects that together&#13;
make up the overall scheme. Each project has a different partner, ranging from national&#13;
stakeholders such as RSPB or NTS to mid-sized local charities to small grass-roots voluntary&#13;
organisations. In most cases, our partners are delivering the projects, but some projects, such as&#13;
this one, are managed in-house by the Galloway Glens staff.&#13;
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A Community Archaeology project was one of the flagship projects identified in the Development&#13;
stage, and we were delighted to be offered £50,000 of funding by HES in 2018 towards the first&#13;
stages of the project. Named ‘Can You Dig It’, the project’s core aims were to:&#13;
•&#13;
•&#13;
•&#13;
•&#13;
&#13;
Increase enthusiasm and general knowledge amongst local residents for their built heritage&#13;
Upskill enthusiasts further with a wide range of modern archaeological techniques&#13;
Offer work experience / Skills passport opportunities to people looking to enter the field.&#13;
Engage with a wide range of people and minimise barriers to participation.&#13;
&#13;
In addition, it was identified that the project should&#13;
•&#13;
•&#13;
•&#13;
&#13;
Cover as wide a range of eras as practical&#13;
Cover the Galloway Glens geographic area in an equitable manner.&#13;
Build on previous community engagement with more work to ensure that the project meets&#13;
the needs and expectations of the local community.&#13;
&#13;
4. Governance&#13;
To ensure that these aims were met, a Steering Group for the project was created. The members of&#13;
this group are currently:&#13;
•&#13;
•&#13;
•&#13;
•&#13;
•&#13;
&#13;
Andrew Nicholson, Dumfries and Galloway Council (DGC) Archaeologist&#13;
David Devereux, local historian and archaeologist&#13;
Dr Kevin Grant, HES&#13;
Dr Deirdre Cameron, HES&#13;
Helen Keron, Galloway Glens Education and Community Engagement Officer&#13;
&#13;
With thanks as well to Dr Lisa Brown, Kevin’s predecessor on the Steering Group.&#13;
The Steering Group meets, together with representatives from Rathmell Archaeology, every 2&#13;
months, with interim updates and advice being discussed via email.&#13;
In addition, the Galloway Glens has its own Board structure for governance. Board members are&#13;
mostly representatives from national or regional stakeholders. HES is represented by Dr John&#13;
Raven. The Galloway Glens Board meets quarterly and provides strategic direction and assurance&#13;
for all Galloway Glens projects.&#13;
The Galloway Glens scheme also sits within the formal structure of Dumfries and Galloway Council.&#13;
Although externally funded and governed as above, DGC is our legally accountable body and we use&#13;
their insurance, financial management and procurement systems as required for project delivery.&#13;
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5. Timeline&#13;
Dates&#13;
&#13;
Activity&#13;
&#13;
Notes&#13;
&#13;
2015-2017&#13;
&#13;
Galloway Glens 2-year Development phase.&#13;
&#13;
April 2018&#13;
&#13;
Galloway Glens Delivery phase begins. Some&#13;
staff in place.&#13;
&#13;
Resulting in a detailed&#13;
bid to Heritage Lottery&#13;
for £2.7M of matched&#13;
funding.&#13;
HES confirms offer of&#13;
£50,000 funding for Can&#13;
You Dig It over 2018/19&#13;
and 2019/20.&#13;
&#13;
November 2018&#13;
&#13;
Galloway Glens Education and Community&#13;
Engagement Officer in post. Steering Group&#13;
for Can You Dig It appointed. Terms of&#13;
reference for the project created.&#13;
DGC Procurement system used to put&#13;
£100,000 Community Archaeology contract&#13;
out to tender.&#13;
&#13;
December 2018&#13;
&#13;
4th Feb 2019&#13;
Feb-Mar 2019&#13;
April-June 2019&#13;
&#13;
July-Sept 19&#13;
Oct-Dec 2019&#13;
&#13;
Jan-Mar 2020&#13;
&#13;
26/03/2020&#13;
&#13;
Rathmell Archaeology confirmed as&#13;
successful bidder for the contract.&#13;
Rathmell Archaeology immediately begins on&#13;
delivering the 2018/19 outcomes.&#13;
2019/20 outcome delivery commenced:&#13;
Research Designs completed; 1 x Exploration&#13;
held; 2 x surveys carried out, 2 workshops&#13;
held.&#13;
4 x Excavations / Explorations completed, 1 x&#13;
survey completed; 3 x workshops held&#13;
3 x workshops held; 2 partner events&#13;
supported, 5 Community Engagement events&#13;
held including a VLOG, lectures and schools&#13;
work. Technical reporting and Planning for&#13;
CYDI 2 (2020 – 2022).&#13;
5 Community Engagement events held&#13;
including a VLOG, and lectures. Community&#13;
consultation on CYDI 2 targets.&#13;
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Contract published on&#13;
PCS.&#13;
9 parties registered an&#13;
interest, 2 submissions&#13;
received.&#13;
&#13;
More details below&#13;
(Section 6).&#13;
&#13;
More details below.&#13;
More details below.&#13;
&#13;
More details below.&#13;
&#13;
4&#13;
&#13;
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6. 2019/20 Delivery&#13;
6.1. Complete 2 Excavations and post-excavation analysis to agreed standards.&#13;
Date&#13;
&#13;
Event&#13;
&#13;
Attendance Post-Ex&#13;
(personanalysis status&#13;
days)&#13;
&#13;
28-30&#13;
Upper Gairloch (Raiders 21&#13;
March 2019 Road) deserted&#13;
settlement exploration&#13;
19-20 July&#13;
Castledykes test18&#13;
2019&#13;
pitting, Kirkcudbright&#13;
1-3 August Moat Brae trenches,&#13;
28&#13;
2019&#13;
Kirkcudbright&#13;
&#13;
14-17 &amp; 2124 Aug&#13;
2019&#13;
10-14 &amp; 1721 Sept&#13;
2019&#13;
&#13;
Upper Gairloch&#13;
deserted settlement&#13;
exploration&#13;
Little Wood Hill&#13;
enclosure large&#13;
exposure, Threave&#13;
Estate&#13;
&#13;
Notes&#13;
&#13;
3-D model created of&#13;
exposed kiln barn.&#13;
Area around the scheduled&#13;
monument.&#13;
Being part of the&#13;
Kirkcudbright Arts and&#13;
Crafts Trail led to additional&#13;
public interest.&#13;
Repeat visit to uncover the&#13;
farmstead associated with&#13;
the kiln barn.&#13;
Building on previous work&#13;
by NTS archaeology.&#13;
&#13;
29&#13;
&#13;
66&#13;
&#13;
These activities have been delivered with the help, support and resources of Forestry &amp; Land&#13;
Scotland, Dumfries &amp; Galloway Council and the National Trust for Scotland, with the corporate&#13;
archaeologists from all these organisations assisting in design and delivery – our thanks to them.&#13;
&#13;
March 2019: Upper Gairloch Kiln Barn – Day 1&#13;
&#13;
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Beginning to take shape&#13;
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&#13;
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August 2019: Families at Moat Brae, Kirkcudbright&#13;
&#13;
August 2019:&#13;
Intergenerational working at Upper Gairloch.&#13;
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Sept 2019: Little Wood hill, Threave Estate&#13;
&#13;
Welfare facilities were important.&#13;
&#13;
DSRs have been produced for all of the fieldwork above, and are published on social media and&#13;
www.gallowayglens.org/resources, and are added to the HER through the Regional Archaeologist.&#13;
The main focus of Can You Dig It was always community engagement and involvement, but some&#13;
interesting finds have been made during the 2019 fieldwork programme:&#13;
•&#13;
&#13;
•&#13;
&#13;
The work on the deserted settlement of Upper Gairloch on the Raiders Road uncovered a&#13;
kiln barn, and then the associated farmhouse was shown to have an unusually well-finished&#13;
courtyard and yard surfaces of local granite, and the intriguing incorporation of large granite&#13;
glacial erratics into key wall junctions.&#13;
The Castledykes trial-pit excavations showed a range of medieval and post-medieval finds,&#13;
indicating activity beyond the core scheduled area of the castle. A piece of Northern French&#13;
white ware, similar to Saintonge Ware, suggests the sort of trade links we should expect&#13;
from a port town.&#13;
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&#13;
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•&#13;
&#13;
•&#13;
&#13;
Excavations at Moat Brae in the middle of Kirkcudbright confirmed that elements of the&#13;
mound were man-made, with a basal layer of clay-bonded river cobbles lying above the&#13;
natural estuarine silty clay. Medieval pottery finds could date as early as the 12th century,&#13;
which would place the motte and bailey construction into the timeframe for the early&#13;
Lordship of Galloway under the House of Fergus.&#13;
The work on Little Wood Hill on the Threave Estate uncovered some flints and a musket ball,&#13;
showing continuity of settlement from the Neolithic to the late 18th century and extending&#13;
the work undertaken by the NTS in 2014.&#13;
&#13;
Upper Gairloch 2-level cobbled floor&#13;
(lower level only just seen)&#13;
&#13;
Sherds of medieval pottery from the 12th-15th centuries AD,&#13;
Castledykes&#13;
&#13;
Neolithic flint found at Little Wood Hill,&#13;
Threave Estate&#13;
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&#13;
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6.2. Complete the planned programme of non-invasive surveys.&#13;
This work was extended to include Technical Workshops (Outdoor surveying, 3-D modelling and&#13;
Web-based research) and some organically evolved Partnership Working as well as Non-invasive&#13;
surveys.&#13;
i.&#13;
&#13;
Non-invasive surveys&#13;
&#13;
Date&#13;
&#13;
Event&#13;
&#13;
Attendance Reporting&#13;
(personstatus&#13;
days)&#13;
&#13;
Notes&#13;
&#13;
14-15 June&#13;
2019&#13;
&#13;
Historic Woodland&#13;
Assessment, Barhill&#13;
Woods, Kirkcudbright&#13;
Guided visual survey of&#13;
the high ground wrecks&#13;
on Corserine, above&#13;
Dalry&#13;
Guided visual survey of&#13;
the high ground wrecks&#13;
on Corserine, above&#13;
Dalry&#13;
&#13;
25&#13;
&#13;
First day technical survey;&#13;
second day public event&#13;
&#13;
20 June&#13;
2019&#13;
&#13;
25 July&#13;
2019&#13;
&#13;
8&#13;
&#13;
7&#13;
&#13;
Repeat of first walk&#13;
&#13;
June 2019: Historic Woodland Assessment, Barhill Woods&#13;
•&#13;
•&#13;
&#13;
Sam Kelly’s video of the public event:&#13;
https://www.youtube.com/watch?v=6QEfcEQ4V3Y&amp;feature=youtu.be&#13;
https://dendrochronicle.co.uk/blog/ for other details.&#13;
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&#13;
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June and July 2019: Corserine High-ground wrecks survey&#13;
These activities have been supported by Rob Asbridge, a volunteer for the Kirkcudbright&#13;
Development Forum and principal actor behind the Barhill Woods community development, and&#13;
the Forrest Estate Manager – our thanks to them, as well as to Dr Coralie Mills of Dendrochronicle,&#13;
who carried out the Historic Woodland Assessment with support from Peter Quelch.&#13;
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&#13;
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ii.&#13;
&#13;
Technical workshops – outdoor surveying skills.&#13;
&#13;
Date&#13;
18 June&#13;
2019&#13;
17-18 July&#13;
2019&#13;
&#13;
31 July&#13;
2019&#13;
&#13;
Location&#13;
Mid-Kelton&#13;
Churchyard, near&#13;
Castle Douglas&#13;
Polmaddy deserted&#13;
settlement, near&#13;
Carsphairn&#13;
&#13;
Skills Focus&#13;
Plane table and&#13;
tape offset&#13;
survey skills.&#13;
Plane table and&#13;
tape offset&#13;
survey skills.&#13;
&#13;
Attendance Notes&#13;
8&#13;
&#13;
St Cuthbert’s Kirkyard,&#13;
Kirkcudbright&#13;
&#13;
Plane table and&#13;
tape offset&#13;
survey skills.&#13;
&#13;
2&#13;
&#13;
June 2019: Mid-Kelton Survey workshop&#13;
•&#13;
&#13;
7&#13;
&#13;
The Project Officer of&#13;
another Galloway Glens&#13;
project, the Ken Words&#13;
writing project, attended&#13;
in order to extend her&#13;
knowledge of and hence&#13;
creative response to the&#13;
deserted settlement.&#13;
Members of the&#13;
Kirkcudbright History&#13;
Society attended at the&#13;
end to give participants a&#13;
better insight into the&#13;
Kirkyard’s history.&#13;
&#13;
July 2019: St Cuthbert’s Kirkyard, Kirkcudbright&#13;
&#13;
Sketchfab model of the John Ewart Monument above: https://sketchfab.com/3dmodels/john-ewarts-1642-monument-e72a57a5042b4d70bfcd06ebb6866754&#13;
&#13;
Our thanks to Jane McBeth, the Ken Words Project Officer, and the Kirkcudbright History Society, in&#13;
particular Helen Bowick and David Devereux, for their interest in and support of these activities.&#13;
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&#13;
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iii.&#13;
&#13;
Technical workshops – indoor skills&#13;
&#13;
Date&#13;
28 June&#13;
2019&#13;
26 July&#13;
2019&#13;
22 October&#13;
2019&#13;
21&#13;
November&#13;
2019&#13;
28&#13;
November&#13;
2019&#13;
&#13;
Location&#13;
Kirkcudbright&#13;
&#13;
Skills Focus&#13;
Web-based&#13;
Research&#13;
3-D modelling&#13;
&#13;
Glenkens&#13;
Castle Douglas&#13;
&#13;
Attendance Notes&#13;
8&#13;
Canmore etc&#13;
2&#13;
&#13;
Web-based&#13;
research&#13;
Kirkcudbright Galleries Finds Handling&#13;
workshop&#13;
&#13;
4&#13;
&#13;
Kirkcudbright Galleries Finds Handling&#13;
workshop&#13;
&#13;
5&#13;
&#13;
6&#13;
&#13;
The National Museums of Scotland have supported these activities with guidance, while the&#13;
Dumfries &amp; Galloway Council Museums Service has made their collections available, in particular&#13;
delivering displays linking to the activities in Kirkcudbright. Our thanks to them.&#13;
&#13;
Finds handling workshop, Kirkcudbright&#13;
&#13;
26/03/2020&#13;
&#13;
Visiting the Stewartry Museum displays, Kirkcudbright&#13;
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iv.&#13;
&#13;
Partnership working&#13;
&#13;
Date&#13;
4-7 Oct&#13;
2019&#13;
&#13;
Location&#13;
Kirkcudbright Bay&#13;
&#13;
Skills Focus&#13;
Marine&#13;
Archaeology&#13;
&#13;
17 Nov&#13;
2019&#13;
&#13;
Kirkcudbright&#13;
&#13;
Pre-historic&#13;
Rock Art&#13;
&#13;
Partner&#13;
Solway Firth&#13;
Partnership&#13;
and SCAPE&#13;
&#13;
Notes&#13;
We promoted SFP /&#13;
SCAPE’s coastal&#13;
archaeology project&#13;
focussed on the wreck of&#13;
the Fauna, and some of&#13;
our CYDI community&#13;
attended.&#13;
Kirkcudbright We partnered with the&#13;
branch of&#13;
local ScRAP volunteers to&#13;
Scotland’s&#13;
put on a tour of some of&#13;
Rock Art&#13;
their findings and&#13;
project&#13;
promote their work. 13&#13;
attendees.&#13;
&#13;
Our thanks to Nic Coombey of the Solway Firth Partnership and Lisa Allen, volunteer coordinator of&#13;
the Kirkcudbright branch of Scotland’s Rock Art Project, for inviting the Can You Dig It community to&#13;
see their fascinating projects.&#13;
&#13;
November 2019 – ScRAP Rock Art day, Kirkcudbright&#13;
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6.3. Complete the programme of community engagement events.&#13;
Date&#13;
April 2019&#13;
&#13;
Event&#13;
Publications&#13;
&#13;
10-10-19&#13;
&#13;
VLOG tour of ROC posts&#13;
&#13;
21-10-19&#13;
&#13;
‘Border Life’ ITV interview&#13;
about the ROC posts&#13;
Lecture on CYDI&#13;
programme&#13;
Case Study submitted to&#13;
‘Re-imagining Scottish&#13;
Archaeology’&#13;
Schools event&#13;
&#13;
13-11-19&#13;
07-12-19&#13;
&#13;
11-12-19&#13;
&#13;
5&amp;6-02-20&#13;
&#13;
26-02-20&#13;
&#13;
28-02-20&#13;
03-03-20&#13;
&#13;
Summary Presentations&#13;
of CYDI, introduction of&#13;
consultation on possible&#13;
future targets.&#13;
Drop-In exhibition of the&#13;
work done to date and&#13;
consultation on possible&#13;
future targets.&#13;
VLOG tour of Covenantor&#13;
history&#13;
Attendance at the&#13;
Galloway Glens&#13;
‘Jamboree’ with all other&#13;
GGLP projects.&#13;
&#13;
Ongoing&#13;
&#13;
Facebook feed&#13;
&#13;
Ongoing&#13;
&#13;
Twitter feed&#13;
&#13;
Ongoing&#13;
&#13;
SketchFab page&#13;
&#13;
Ongoing&#13;
&#13;
Galloway Glens webpage&#13;
– CYDI section&#13;
&#13;
26/03/2020&#13;
&#13;
Notes&#13;
Balmaclellan Community Council, History Now and&#13;
Galloway News all requested articles re the Upper&#13;
Gairloch / CYDI plans.&#13;
Published live on Facebook and Twitter, supported by&#13;
live posting of research and photos.&#13;
Broadcast 02-03-20&#13;
Requested by Kirkcudbright History Society. 41&#13;
attendees.&#13;
Information about CYDI as a Community Archaeology&#13;
project was presented at the Scottish Archaeology&#13;
Strategy ‘Aim 1’ Workshop (Glasgow).&#13;
An afternoon session in Kells School, New Galloway,&#13;
teaching P1-P7 about ‘Changing Technologies’ and&#13;
‘Changing Settlements’.&#13;
Held in the Glenkens and Kirkcudbright. 16 and 48&#13;
attendees respectively, good interactions.&#13;
&#13;
Useful feedback solicited.&#13;
&#13;
Published live on Facebook and Twitter, supported by&#13;
live posting of research and photos.&#13;
Useful to make / re-affirm links between other&#13;
Galloway Glens projects, such as the Place Names&#13;
project, Ken Words writing project (Polmaddy focus),&#13;
the improvement of the Pilgrims Way to Polmaddy and&#13;
the 4 new Heritage Hubs.&#13;
@GGLPArchaeology.&#13;
See Section 8.1.2 for more details.&#13;
@GGLPArchaeology.&#13;
See Section 8.1.2 for more details.&#13;
sketchfab.com/GGLPArchaeology&#13;
See Section 8.1.2 for more details.&#13;
www.gallowayglens.org/Resources has all the DSRs&#13;
published on it, plus Technical Notes, Lecture slides,&#13;
Workshop notes and the Historic Woodland&#13;
Assessment of Barhill Woods.&#13;
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Ongoing&#13;
&#13;
Technical Notes&#13;
&#13;
Ongoing&#13;
&#13;
Training Workshop and&#13;
Lecture Notes&#13;
&#13;
Ongoing&#13;
&#13;
Emails&#13;
&#13;
Ongoing&#13;
&#13;
Galloway Glens webpage&#13;
– CYDI section&#13;
&#13;
7 Technical Notes have been published on the Galloway&#13;
Glens website and social media in order to promote&#13;
previous archaeological endeavour in the Galloway&#13;
Glens area. Topics are: Polmaddy, Threave Castle,&#13;
Glenlochar, Carminnow, Castledykes, Moss Raploch and&#13;
Park of Tongland.&#13;
3 Training Workshop Notes have been published on&#13;
social media covering Web-based Heritage Research,&#13;
3D Models from Photographs and Survey Skills. These&#13;
complement the respective workshops. The slide&#13;
presentation given in February 2020 as a summary of&#13;
CYDI has also been amplified and published.&#13;
We have 146 people on our mailing list, all gained&#13;
organically through positive sign-ups. We have emailed&#13;
them 10 times through 2019, all with quality updates of&#13;
the work achieved to date, plus advertising of&#13;
upcoming events. Feedback to the emails has been&#13;
good, with people enjoying reading them.&#13;
www.gallowayglens.org/Resources has all the DSRs&#13;
published on it, plus Technical Notes, Lecture slides,&#13;
Workshop notes and the Historic Woodland&#13;
Assessment of Barhill Woods.&#13;
&#13;
Supporting evidence:&#13;
&#13;
October 2019: VLOG Tour of the ROC posts - video supported by real-time research posts.&#13;
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&#13;
Link to the ‘Border Life’ interview on the ROC posts:&#13;
&#13;
https://www.itv.com/news/border/2020-03-02/catch-up-with-border-life-02-03-2020/&#13;
&#13;
December 2019 – Afternoon session with Kells School, New Galloway&#13;
&#13;
February 2019 – Summary presentation, Dalry Town Hall, Glenkens.&#13;
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February 2020: VLOG Tour of Covenantor Sites.&#13;
&#13;
March 2020 – Screenshots of Galloway Glens website with published DSRs and Technical Notes. See&#13;
also Section 6.8.&#13;
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6.4. Complete improvements to excavation sites as appropriate.&#13;
The Upper Gairloch deserted settlement (kiln barn and farmhouse) were completely covered in&#13;
undergrowth and almost unrecognisable. The work done by our volunteers through Can You Dig It&#13;
has left both structures clear and clean. See Section 6.1 above for before and after photos of the&#13;
kiln barn. With some interpretation, they would form an engaging addition to the heritage tourism&#13;
offering of the area.&#13;
&#13;
3-D Model of the exposed kiln barn, created by Liam McKinstry of Rathmell Archaeology.&#13;
•&#13;
&#13;
SketchFab link to 3-D model: https://sketchfab.com/3d-models/kiln-barn-raiders-roadbdb1d9077a16457eb6775192c88d8e21&#13;
&#13;
September 2019:&#13;
Upper Gairloch Farmhouse almost fully covered. Walls and a cobbled floor revealed&#13;
The other excavations (Castledykes, Moat Brae, Threave Estate) were reinstated to their previous&#13;
state post-excavation.&#13;
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6.5. Create a temporary exhibition of all findings and display at a local venue.&#13;
Our drop-in exhibition on the 26th February 2020 featured all of our finds, plus display boards&#13;
summarising all of the work done to date. This is an excellent resource of local history /&#13;
archaeology, and we are considering how to use it in the future more widely.&#13;
We also used this event as a chance to consult with our community about the plans for CYDI 2.&#13;
&#13;
February 2020: Full display and example board.&#13;
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6.6. Deliver a phased training programme for volunteers.&#13;
•&#13;
•&#13;
&#13;
We supported a student in gaining archaeological experience to support her studies in&#13;
History and Archaeology at Edinburgh University&#13;
We have issued Skills Passport for 2 attendees and signed off skills in them.&#13;
&#13;
Throughout the course of Can You Dig It, we identified that our primary demographic was older&#13;
people in term-time and families in holidays / weekends. Neither of these demographics are&#13;
typically interested in formal certification. However, we have supported those people that are&#13;
interested, and have formulated Can You Dig It 2 (2020 – 2022) such that a more structured training&#13;
programme (if not certified) will form the core of the programme. See Section 7: Assessment and&#13;
Section 8: CYDI 2 for more details.&#13;
6.7. Create school resources compatible with Curriculum for Excellence.&#13;
Access to schools has proved somewhat difficult, due to congested timetables. However, a vbisit to&#13;
Kells School, New Galloway proved very rewarding, both for the pupils and the Can You Dig It team.&#13;
See Section 6.3 for photos of our visit to the school.&#13;
We have remodelled our approach to delivery of teaching resources and have built into our&#13;
planned booklet ranges (see Section 6.10) a section on archaeological learning approaches to the&#13;
sites linked to Curriculum for Excellence. These have been developed to produce a robust and&#13;
enduring resource for schools, families and lifelong learning.&#13;
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6.8. Reporting: DSRs, Survey reports, Documentary research&#13;
Data Structure Reports (DSRs) for all of our explorations (sub-projects) are now complete and are in&#13;
the process of submission through OASIS to both the local HER and the NRHE. They are also&#13;
published on the Galloway Glens website, www.gallowayglens.org/resuorces - scroll down to Can&#13;
You Dig It.&#13;
The full list of these reports is:&#13;
•&#13;
•&#13;
•&#13;
•&#13;
•&#13;
•&#13;
•&#13;
&#13;
Upper Gairloch, Raiders Road – clearance and investigation of the Kiln Barn&#13;
Castledykes, Kirkcudbright – excavation of test pits&#13;
Moat Brae, Kirkcudbright – evaluation trenching&#13;
Upper Gairloch, Raiders Road – clearance and investigation of the Farmhouse&#13;
Little Wood Hill, Threave – excavation of the Iron Age enclosure&#13;
The Corserine, Glenkens – survey of high ground wrecks&#13;
Barhill Woods, Kirkcudbright - Historic Woodland Assessment&#13;
&#13;
These reports were prepared in keeping with the relevant Chartered Institute for Archaeologists&#13;
Standards &amp; Guidance. Where the site involved the recovery of artefacts, the report was extended&#13;
to include specialist assessment of this report. In a similar manner, where the sites encompassed&#13;
social history resources, we have undertaken provisional reviews of these resources to deepen and&#13;
broaden the information within the report compared to the conventional product.&#13;
All of the sub-projects were also informed and shaped by Research Designs (RDs) which have also&#13;
been made available by common means with the DSRs.&#13;
6.9. Assessment/ lessons learned report&#13;
See Section 7 for a full report.&#13;
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6.10.&#13;
&#13;
Progress report on life-long learning activities&#13;
&#13;
Three strands were developed for lifelong learning through the Can You Dig It project:&#13;
•&#13;
•&#13;
•&#13;
&#13;
Informal promotion and engagement through social media and lectures&#13;
Formal training workshops&#13;
On-the-job training during sub-projects.&#13;
&#13;
The informal social media strand (see 7.1.2 below) has been more successful than anticipated. This&#13;
has led to additional resources being deployed into promoting recurring initiatives that collaborate&#13;
with others (like #FolkloreThursday #FindsFriday #LoveDandG). Formal training workshops have&#13;
developed core archaeology skills (see Section 6.2 ii &amp; iii above) which has reinforced on-the-job&#13;
training on-site. A good crossover has been noted with multiple individuals using both the workshops&#13;
and attending sub-projects.&#13;
Only two individuals chose to commence skills passports (which were supplied to them at no cost)&#13;
though all volunteers were briefed on them and shown examples.&#13;
A recent addition to the life-long learning activities has been the incorporation of some of the CYDI&#13;
findings into a planned series of Galloway Glens booklets. The final range of booklets will cover&#13;
many of the technical findings of the Galloway Glens projects, but CYDI will feature heavily. First&#13;
plans are to cover the Barhill Woods Historic Woodland Assessment, and then an edition based on&#13;
the Corserine High-Ground Wrecks.&#13;
6.11.&#13;
&#13;
Proof of archiving&#13;
&#13;
OASIS forms have been completed for all sub-projects, with the completed DSRs uploaded as grey&#13;
literature reports. These grey literature reports have been pre-circulated to the receiving Historic&#13;
Environment Record (HER). Structured archives have been prepared for each sub-project as have&#13;
notifications for the Treasure Trove Unit (TTU) of artefacts recovered. The former will be submitted&#13;
to the National Record of the Historic Environment (NRHE) once the TTU decision is known. At the&#13;
same time, the artefacts will be supplied to the receiving institution.&#13;
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7. Assessment of Can You Dig It&#13;
Can You Dig It is primarily a Community Engagement project, and as such, our twin focus has been&#13;
on building a community of interest through communication and engagement, and on accessibility&#13;
and inclusivity.&#13;
7.1. Communication and Engagement&#13;
7.1.1. Branding&#13;
We created our own brand for Can You Dig It, related to but distinct from the Galloway Glens, in&#13;
pursuit of creating a new community of interest with a clear identity.&#13;
&#13;
This has been very well received and the branding is now well recognised across our community of&#13;
interest.&#13;
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7.1.2. Social Media results&#13;
We created a Facebook page, Twitter feed and SketchFab page with the Can You Dig It brand, and&#13;
have had increasingly good interaction there, as the volunteers have got to know each other and&#13;
the team. We have used Facebook Live and videos as very effective ways of engaging with people&#13;
and increasing our reach.&#13;
•&#13;
&#13;
Twitter @GGLPArchaeology.&#13;
&#13;
In the 13 months to late March 2020, we have tweeted 425 times, generating 2579 profile&#13;
visits, 344 followers, 311,300 tweet impressions and 167 mentions.&#13;
•&#13;
&#13;
Facebook @GGLPArchaeology.&#13;
&#13;
Our Facebook page has 390 followers, which includes a smaller core of enthusiasts who&#13;
Comment and Like regularly. The page has reached 18,000 people and 3,500 engagements /&#13;
month when popular posts are shared, and individual popular posts typically reach 10,000&#13;
people, generating 1,200 engagements.&#13;
In the 13 months to late March 2020 we have posted 590 photos, as well as 7 Technical Notes, 2&#13;
VLOGS, lecture notes, the DSRs and the Historic Woodland Assessment, in order to provide&#13;
quality content.&#13;
•&#13;
&#13;
Sketchfab (GGLPArchaeology)&#13;
&#13;
The twelve models uploaded by late March 2020 have generated 628 views, the most popular&#13;
one being the aerial model of the deserted settlement at Polmaddy. https://sketchfab.com/3dmodels/deserted-settlement-at-polmaddy-36aa9a5ecebf498c96ae44d559c49481&#13;
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Some recent Twitter chat:&#13;
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Some Facebook engagements:&#13;
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7.2. Accessibility and Inclusivity&#13;
7.2.1. Planning for inclusion&#13;
We knew we didn’t want just ‘the usual suspects’ for Can You Dig It, but instead consciously set out&#13;
to identify and then remove barriers that other people might feel about getting involved.&#13;
With this in mind, the roles and responsibilities of Can You Dig It were clearly outlined from the&#13;
start:&#13;
•&#13;
•&#13;
&#13;
•&#13;
&#13;
Rathmell Archaeology provided technical design and delivery of the programme.&#13;
Galloway Glens used their deep and broad community knowledge to:&#13;
o Help inform target identification such that they would be likely to be of wide interest&#13;
o Market the events in a way likely to appeal to local communities&#13;
o Identify and remove likely barriers to attendance.&#13;
o Identify individual and communities of interest that would benefit or could support&#13;
the programme.&#13;
A Steering Group consisting of HES representatives, the Regional Archaeologist (Andrew&#13;
Nicholson) and a local historian /archaeologist (David Devereux) was formed and met 2monthly in order to support programme design and provide assurance that it was meeting&#13;
technical and community requirements.&#13;
7.2.2. Accessibility postcards&#13;
&#13;
In order to remove barriers to attendance, we created printed Accessibility Postcards for each&#13;
event in order to give as much information as possible about expectations of outdoor work, toilet&#13;
location, nature of the group and so on.&#13;
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7.2.3. Inclusivity Outcomes&#13;
We have also been consistently inclusive and welcoming in the tone of our social media feeds and&#13;
emails, plus of course the friendly welcome and excellent camaraderie at events. This has paid&#13;
dividends in a number of specific cases.&#13;
Attendance at all our events has been very varied, and we have been delighted to welcome a wider&#13;
audience than the ‘early retired’ that such projects typically attract in the Galloway Glens area&#13;
(although they have been awesome too!)&#13;
We had a lot of young (Primary School-aged) families along to the digs over the summer holidays.&#13;
We have had older families along at the weekend digs and guided walks, with some repeat&#13;
attendance.&#13;
We supported a student in gaining archaeological experience to support her studies in History and&#13;
Archaeology at Edinburgh University&#13;
We have issued Skills Passport for 2 attendees and signed off skills in them.&#13;
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7.3. Participant feedback&#13;
A selection of feedback from participants via email:&#13;
“I found the Rathmell staff to be really friendly and approachable. They took me asking cheeky&#13;
questions really well and asked for our ideas on the site to bring our local knowledge into&#13;
interpreting the site.” – Upper Gairloch Participant, April 2019&#13;
“It gave me a good introduction to an aspect of 3-D modelling of which I knew nothing. Liam clearly&#13;
set out the Photogrammetry software packages that were available and gave a good assessment of&#13;
their pros and cons. On the practical side, there was a useful discussion about what were the&#13;
optimal photographic conditions required to achieve best results, what were the pitfalls; and how&#13;
many shots and angles required.” – 3-D Modelling workshop participant, April 2019.&#13;
•&#13;
&#13;
•&#13;
•&#13;
&#13;
Tom and Liam [Rathmell] were great in sharing their broad knowledge of different aspects&#13;
of archaeology, so the whole day was more interesting. Can't really think how it could be&#13;
improved!&#13;
It was a lot more than I expected. I loved being shown the low tech, accessible skills for&#13;
surveying and now feel fairly confident that I could do a passable survey of an area.&#13;
Tom and Liam were brilliant, we couldn’t have asked for more enthusiastic, informative,&#13;
encouraging and engaging people, they get five stars from us.&#13;
&#13;
Participants in Mid-Kelton outdoor survey skills workshop, June 2019.&#13;
“That does look like a good day out, Helen - as does the one to look at rusty metal on the hills. I’ve&#13;
attached a photo taken in 1989 of my son Euan and the remains of the De Havilland Mosquito on&#13;
Corserine. It might be interesting for the people who take part to compare this with the few scraps&#13;
of material still there thirty years later.” – In response to an email about upcoming Corserine HighGround Wreck surveys.&#13;
“I was really impressed by how the team took time to explain things and processes. I have been on&#13;
community digs before where there was a definite them and us feeling and nothing was explained.”&#13;
– Retired archaeologist, Castledykes test pitting, July 2019&#13;
“I had a fantastic time at the Threave dig, and feel quite sad that it's over. I met lots of lovely&#13;
people and the folk from Rathmell (otherwise known as "The Orange Vests") were brilliant professional, keen to share their knowledge, and very willing to have a laugh. The camaraderie&#13;
made even the toughest jobs seem like fun. I cannot praise them enough - especially Jack, who put&#13;
up with an awful lot of good natured teasing along the way!” - Participant in Threave dig, August&#13;
2019.&#13;
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“Just wanted to say that I am really liking having the videos on Twitter of the ROC post tour that&#13;
Tom did yesterday. I couldn't make it along on the day due to working but has been really&#13;
interesting catching up this evening and plan to go and have a look at some of the sites myself.&#13;
Having the what 3 words locations is a really good idea to help with getting the right spot.” October&#13;
2019.&#13;
“Heartfelt thanks to Helen, Tom, Claire (and anyone else who knows me.............) for the wonderful&#13;
Galloway Glens Project - and all its bits - during 2019. It has been a real pleasure to participate in a&#13;
variety of awesomely different "events" (HIGHLIGHT the Corserine survey on the hottest day of the&#13;
year, but I'm also now looking at Moths [a different Galloway Glens project!] with total respect!),&#13;
and I shall look forward to more fun in 2020!!!” – Regular participant, December 2019&#13;
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7.4. Lessons Learned&#13;
We actively encouraged our participants to give us constructive feedback in order to improve our&#13;
delivery of events. Most of the suggestions for improvement were concentrated on the workshop&#13;
delivery rather than the outdoor skills / excavations.&#13;
Suggestions made and acted on included:&#13;
•&#13;
•&#13;
•&#13;
•&#13;
•&#13;
•&#13;
&#13;
•&#13;
&#13;
More Rathmell support at ‘Web-Based Resources’ workshops, in order to support basic IT&#13;
skills as well as access to Canmore etc.&#13;
Adjusting the format of the 3-D modelling workshops so that the flow was smoother, with&#13;
less waiting on computer processing time.&#13;
Giving as much notice as possible for events, and scheduling some for weekends.&#13;
Publicising events via email as well as Facebook.&#13;
Taking time to set all survey / excavation events in the context of the wider historical /&#13;
archaeological events connected with the site.&#13;
Creating a bus tour of the sites, to allow people with restricted mobility to get a sense of the&#13;
Can You Dig It programme - this was planned for April 2020, now postponed due to Covid-19&#13;
restrictions.&#13;
Making it clear in our event advertising that there were non-digging options available, such&#13;
a cataloguing and drawing finds.&#13;
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In addition, we learned through observation and reflection that:&#13;
1. There are a limited number of people in the Galloway Glens area who want to learn survey&#13;
skills / 3-D modelling, and those that do are prepared to travel for it.&#13;
Due to our initial commitment to spread events fairly across the geography of the&#13;
Galloway Glens, we held duplicate workshops on each subject in the Glenkens,&#13;
Castle Douglas and Kirkcudbright areas. The first workshops in all cases were well&#13;
attended, and numbers then dropped off. In future, holding fewer workshops in&#13;
Castle Douglas would appear to be acceptable to all participants.&#13;
2. For some reason, our participants prefer smaller digs to the longer ones.&#13;
Attendance at the Moat Brae and Castledykes digs was noticeably higher per day&#13;
than the Threave dig, which we thought would be a big draw. Perhaps newcomers&#13;
were intimidated by the prospect of a ‘big dig’, or thought they had to commit more&#13;
time. We can incorporate this learning into CYDI 2.&#13;
3. Participants very much appreciate the personal nature of our communications and project.&#13;
The fact that all the emails come from the same named person within the Galloway&#13;
Glens team (Helen Keron), and that all the events are delivered by a small team from&#13;
Rathmell Archaeology means that people feel confident to get in touch with issues,&#13;
ideas and feedback, increasing participation and engagement significantly.&#13;
4. Embedding Can You Dig It within a Landscape Partnership Scheme has had significant&#13;
benefits.&#13;
The project has benefited from the breadth of projects and networks that the&#13;
Galloway Glens supports. The interactions between these has added richness and&#13;
depth to our residents’ understanding of all aspects of their heritage.&#13;
The Galloway Glens has benefited from the technical heft that the project has&#13;
brought to the scheme – it has been a real anchor project, as well as a link. The links&#13;
through CYDI to HES and the regional archaeologist has allowed Galloway Glens to&#13;
(hopefully) influence practice on a regional and national level.&#13;
&#13;
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8. Can You Dig It 2: 2020-2022&#13;
We were delighted to hear that we had been successful in our application to HES for continuation&#13;
funding for a further two years of work on Can You Dig It.&#13;
Can You Dig It will end in March 2020 under the current funding regime, and we are reluctant to&#13;
leave our newly-inspired community without the wherewithal to follow up on their new interest.&#13;
We therefore propose a second phase of Can You Dig It which will focus on three main themes:&#13;
1. Creating new active self-directing volunteer groups by providing them with the skills to:&#13;
• Research and select appropriate targets of interest&#13;
• Secure appropriate permissions&#13;
• Have the skills and knowledge to operate a group safely&#13;
• Organise and execute digs or explorations, open to the general public, to high (semiprofessional) standards&#13;
• Record their findings appropriately&#13;
• Work with other similar groups in the area to share learnings and best practice.&#13;
2. Creating a different volunteer group that will bring a deserted settlement into active&#13;
custodianship. Maintain, improve and interpret it with a real sense of ownership.&#13;
3. Holding a series of public talks that will set the archaeology and built heritage of the area in&#13;
a wider context, increasing knowledge in the wide public and encouraging them to value it&#13;
more.&#13;
&#13;
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9. Conclusion&#13;
We have been delighted by the success of Can You Dig It, especially in the compressed February&#13;
2019 – March 2020 timescale. We feel that our partnership approach in planning set us off in a&#13;
strong strategic direction, and that the operational delivery has achieved many of the stated core&#13;
aims. To re-cap, these aims were to:&#13;
•&#13;
•&#13;
•&#13;
•&#13;
&#13;
Increase enthusiasm and general knowledge amongst local residents for their built heritage&#13;
Upskill enthusiasts further with a wide range of modern archaeological techniques&#13;
Offer work experience / Skills passport opportunities to people looking to enter the field.&#13;
Engage with a wide range of people and minimise barriers to participation.&#13;
&#13;
In addition, it was identified that the project should&#13;
•&#13;
•&#13;
•&#13;
&#13;
Cover as wide a range of eras as practical&#13;
Cover the Galloway Glens geographic area in an equitable manner.&#13;
Build on previous community engagement with more work to ensure that the project meets&#13;
the needs and expectations of the local community.&#13;
&#13;
It is hoped that this report demonstrates that this project has been planned and executed in such a&#13;
way that those aims have been fully met. We have of course had challenges along the way, but our&#13;
requests for and responses to community feedback mean that we have been able to be nimble in&#13;
our evolution of the programme.&#13;
We’d like to thank all the many supporters of the programme, both those mentioned in Section 6&#13;
above and also the private landowners who have given permission. Particular thanks are due to our&#13;
funders, the NHLF and HES, without whose support we would not have been able to offer these&#13;
activities for free. Cost is a major barrier to participation for some key demographics, so this&#13;
support was most welcome.&#13;
&#13;
Helen Keron&#13;
Education and Community Engagement Officer,&#13;
Galloway Glens Landscape Partnership Scheme&#13;
26th March 2020&#13;
&#13;
26/03/2020&#13;
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CYDI – END OF YEAR REPORT&#13;
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OFFICIAL&#13;
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37&#13;
&#13;
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              <text>PUBLIC&#13;
&#13;
Galloway Glens Landscape Partnership&#13;
Can You Dig It – Community Archaeology Project&#13;
&#13;
Update – August 2019&#13;
As we come to the end of the summer, it’s a good time to look back on the work we’ve done as part&#13;
of our Community Archaeology programme in July and August 2019. Thanks to our funders, Historic&#13;
Environment Scotland and the Heritage Lottery Fund, we’ve been able to make all of these learning&#13;
experiences free for our volunteers. Big thanks are also due of course to the volunteers, who are&#13;
making this into a fabulous programme, full of hard work, fun and finds, and also to Rathmell&#13;
Archaeology, whose team remain most professional and enthusiastic, even in the face of some&#13;
rather challenging weather conditions!&#13;
The Polmaddy survey in mid-July was undertaken on two such ‘challenging’ days, but the&#13;
volunteers persevered undaunted and created an excellent survey of the inn of the deserted&#13;
settlement, which will hopefully add a lot of value to any further interpretation or exploration of&#13;
the site.&#13;
&#13;
21/08/2019&#13;
&#13;
CYDI update – August 2019&#13;
PUBLIC&#13;
&#13;
1&#13;
&#13;
PUBLIC&#13;
&#13;
This was followed by the Castledykes excavation – our first proper dig! There were ‘finds galore’&#13;
and also the chance to see a special exhibition put on for us at the Stewartry Museum from the&#13;
1910s Castledykes excavations – fabulous to see our work set in a wider context.&#13;
&#13;
We then had a second very successful guided walk up Corserine to survey the remains of the WWII&#13;
high-ground wrecks there – a fascinating aspect of our more recent history, and also a chance to&#13;
see the Galloway Glens from a new perspective!&#13;
&#13;
21/08/2019&#13;
&#13;
CYDI update – August 2019&#13;
PUBLIC&#13;
&#13;
2&#13;
&#13;
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&#13;
A third Survey Skills workshop was held in St Cuthbert’s Kirkyard at the end of July, including the&#13;
chance to join in on the regular guided tours of the Kirkyard hosted by the Kirkcudbright History&#13;
Society – thanks for inviting us along guys!&#13;
&#13;
In August, we were delighted to be a venue at the Kirkcudbright Arts and Craft Trail for our Moat&#13;
Brae excavation – we certainly got lots of interested visitors as well as volunteers, which was&#13;
excellent to see. We’ve also been really pleased this summer holiday to have plenty of family&#13;
groups along – it’s never too soon to recruit the next generation of enthusiasts!&#13;
&#13;
21/08/2019&#13;
&#13;
CYDI update – August 2019&#13;
PUBLIC&#13;
&#13;
3&#13;
&#13;
PUBLIC&#13;
&#13;
Lastly, we had a great few days at a Raiders Road deserted settlement last week, unearthing what&#13;
looks to be a substantial dwelling. It’s hard but rewarding work out there, and the volunteers have&#13;
been doing a great job at uncovering some more of our relatively recent history, despite yet more&#13;
‘challenging’ weather conditions!&#13;
&#13;
If you’d like to find out more about this programme, which will be continuing until at least March&#13;
2020, do contact Helen Keron, the Galloway Glens Education and Community Engagement Officer,&#13;
on helen.keron@dumgal.gov.uk or 07827 306 866.&#13;
For regular updates of upcoming events and progress reports, follow us on Facebook and Twitter –&#13;
search for CanYouDigIt (@GGLPArchaeology).&#13;
For news articles and technical reports of our work to date, look on:&#13;
•&#13;
•&#13;
&#13;
http://gallowayglens.org/resources and scroll down to Can You Dig It, and&#13;
https://gallowayglens.org/projects/community-archaeology-programme-can-you-dig-it/&#13;
&#13;
Helen Keron&#13;
Galloway Glens&#13;
21st August 2019&#13;
&#13;
21/08/2019&#13;
&#13;
CYDI update – August 2019&#13;
PUBLIC&#13;
&#13;
4&#13;
&#13;
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              <text>PUBLIC&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community Archaeology&#13;
project – Technical notes.&#13;
&#13;
Web-based Heritage Research Training Workshop Note&#13;
PUBLISHED: ·TUESDAY, 19 MARCH 2019&#13;
&#13;
There are a range of resources available which provide information on the historic&#13;
environment. Those listed here either provide all-Scotland coverage or are regional&#13;
resources specific to the Galloway Glens area. Even when a resource has national&#13;
coverage, this does not necessarily mean that the data held is of a consistent level&#13;
across the resource.&#13;
&#13;
Canmore&#13;
The ideal starting point for any web-based research is Canmore, compiled and&#13;
maintained by Historic Environment Scotland. This is an online public archive and&#13;
database, which forms a record of the archaeological and historical environment in&#13;
Scotland. It contains details of over 320,000 archaeological sites, monuments,&#13;
buildings and maritime sites - together with an index to the drawings, manuscripts&#13;
and photographs held in the National Record of the Historic Environment - which&#13;
can be searched via database query. Images of over 80,000 of the photographs or&#13;
drawings in the collection are also available in Canmore.&#13;
&#13;
PUBLIC&#13;
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The information held there has come from a range of sources, ranging from&#13;
professional archaeologists to amateur antiquarians, which has been amassed over&#13;
more than a century. It also incorporates work carried out by archaeologists working&#13;
for the Ordnance Survey. Much, however, was generated through the work of staff&#13;
working for the Royal Commission on the Ancient and Historical Monuments of&#13;
Scotland (who continue this role today as part of Historic Environment Scotland). It&#13;
is the changing character of their work which has shaped and defined the scope and&#13;
quality of the information held within the National Record of the Historic&#13;
Environment.&#13;
To understand the complexity of Canmore, it is useful to have some knowledge of the&#13;
way in which the Commission’s role has changed since their creation. For many&#13;
years, one of their primary roles was to compile and maintain an ‘Inventory’ of&#13;
monuments. These originally were comprehensive hardbound volumes, often&#13;
generated using the results of detailed field surveys produced on a county basis.&#13;
Produced from 1911 to 1992, some 25 volumes were prepared, covering&#13;
approximately 22 counties. The commission ceased production of Inventories in&#13;
1992, recognising that the format no longer met their objectives effectively.&#13;
Their focus then changed to survey and publication work specifically targeted&#13;
towards areas perceived to be under threat. These took the form of the Sites and&#13;
Monuments volumes, produced on a more expedient basis to address those areas of&#13;
Scotland experiencing rapid development pressure. Produced between 1978 and&#13;
1989, these volumes covered large areas of the north-east, central belt and northern&#13;
isles. This work was followed between 1989 and 1998 with the Afforestable Land&#13;
Survey, which targeted strategic areas where afforestation was anticipated, typically&#13;
marginal ground in upland rural areas. During this period the Commission surveyed&#13;
large areas of ground with a view to identifying and characterising the archaeology.&#13;
While all of this data fed into Canmore, some was also published in thematic or areabased volumes (e.g. Glenesslin Nithsdale)&#13;
Taking a more thematic approach was the First Edition Survey Project, a 6-year&#13;
project which covered the whole of Scotland and which identified over 26,000&#13;
unroofed buildings depicted on the first edition Ordnance Survey maps of Scotland.&#13;
&#13;
PUBLIC&#13;
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PUBLIC&#13;
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The aim was to plot the changing character of Scotland’s rural landscape during the&#13;
late 18th and 19th centuries. The summary results of the survey are published in But&#13;
the Walls Remained, together with more information about the research value of&#13;
early Ordnance Survey maps and descriptions of the common types of settlement&#13;
and landscape features. All data has been integrated into Canmore, and it can&#13;
provide a useful starting point for those embarking on a detailed study of medieval&#13;
or later rural settlement.&#13;
Now part of Historic Environment Scotland, their staff continue to develop and&#13;
undertake a range of field survey projects that seek to record endangered or poorly&#13;
understood elements of the historic environment. These projects can focus on large&#13;
survey areas such as Donside, Canna or Holyrood Park.&#13;
&#13;
PastMap&#13;
All the above have significantly enriched Canmore, but they are generated in a&#13;
geographically proscribed manner.&#13;
To the casual user, Canmore may be a difficult resource to work with, as there are so&#13;
many variables in the searches. Finding a specific site can therefore be tricky,&#13;
although for general searches, such as providing information on every Bronze Age&#13;
cairn in a certain parish, it can be useful. But there are alternative ways of accessing&#13;
this data, which some may find a more user-friendly approach. These take the forms&#13;
of map-based searches, which allow the user to identify known sites visually.&#13;
Canmore itself has a map-based websearch facility, but an alternative resource is&#13;
available in PastMap, a map-based web tool produced by Historic Environment&#13;
Scotland which - as well as providing point locations for every site, building,&#13;
maritime feature or find recorded in Canmore, displays the location of: listed&#13;
buildings; the boundaries of Scheduled Monuments; the boundaries of designed&#13;
landscapes and gardens. Here, the query system links the map depiction of each&#13;
mapped element through to the underlying data explaining what each element&#13;
represents.&#13;
&#13;
PUBLIC&#13;
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PUBLIC&#13;
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PastMap also allows access to information held by the Historic Environment&#13;
Record of Dumfries and Galloway Council. This is the database maintained by&#13;
the local authority archaeologist, and it can be accessed independently of the&#13;
Canmore site. The HER should be the first port-of-call when reporting new&#13;
information about known sites or new discoveries throughout the area covered by&#13;
the Galloway Glens Landscape Project.&#13;
So far, we have found out how to identify what sites are known, by examining&#13;
information in a database which allows us to learn what a particular site is, where it&#13;
is located, and how much - if any- archaeological work has been done previously&#13;
there in the past. We’ve examined resources which locate these sites on a modern&#13;
map, but this is merely the starting point for a much more complex and enriching&#13;
process. Let’s turn now to historic mapping - for this resource, the main repository is&#13;
undoubtedly the National Libraries of Scotland of which the National Map&#13;
Library of Scotland is a part.&#13;
&#13;
National Libraries&#13;
The National Libraries of Scotland (NLS) has its roots in the late 17th century, and&#13;
was given legal rights to claim a copy of every book published in Britain in 1710. It is&#13;
one of only 6 legal deposit libraries in Britain and Ireland, and now holds 14 million&#13;
printed items and 100,000 manuscripts, as well as maps and other items. It should&#13;
be considered a primary source of reference material for background reading&#13;
relating to the historic environment, including most – if not indeed all – of the&#13;
journal runs and major publications listed below. Its Rare Book Collections also&#13;
include works pertinent to Scotland’s history and built environment.&#13;
Forming part of the NLS is the National Map Library of Scotland. With over 2&#13;
million maps in its collections, the Map Library allows access to some of the most&#13;
important maps of Scotland produced between 1560 and 1928. Many of these are&#13;
now web-mounted – these include maps of 16th and 17th century date by the&#13;
celebrated mapmakers Pont and Blaeu, 18th century military maps; 18th and 19th&#13;
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marine maps; and Ordnance Survey large scale Scottish Town plans, printed&#13;
between 1847 and 1895.&#13;
While there are a broad range of cartographic sources available, two prominent&#13;
national survey programmes are particularly worthy of mention. The first is the&#13;
Military Survey of Scotland, which was the first systematic survey of mainland&#13;
Scotland and is an excellent source for research. The maps show settlements,&#13;
cultivation, woodland, parkland, roads and tracks in colour at a scale of one inch to&#13;
1000 yards (1:36000). This is an important source as it records the preimprovement landscape, but it should be used with caution as the mapping can be&#13;
inaccurate and inconsistent while the Gaelic place names can be unreliable. The&#13;
second is provided by the Ordnance Survey mapping programmes, which began&#13;
mapping rural Scotland in 1843, at a scale of six inches to the mile (1:10560). This&#13;
scale is large enough to show individual buildings, roads and field systems. The&#13;
country was surveyed by county, with each county then re-surveyed on two occasions&#13;
- it is the initial First Edition of this mapping sequence that provided the data for the&#13;
First Edition Survey Section which was mentioned previously in the section devoted&#13;
to Canmore.&#13;
Providing an important accessory to the First Edition Ordnance Survey maps is the&#13;
Name Book, in which surveyors recorded the authorities used for every name which&#13;
appeared on the map sheet. A short description of each feature is included (eg 'a&#13;
small farmhouse with suitable offices, one storey, thatched and in poor repair') along&#13;
with the name of the proprietor. This is a valuable resource which can assist in&#13;
understanding the rural structures and settlement depicted, and it is amongst the&#13;
varied range of resources which can be accessed via the on-line web resource&#13;
Scotland’s Places.&#13;
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Maps and Mapping&#13;
We’ll be learning more about Scotland’s Places later, but before we leave the subject&#13;
of mapping, there’s one last resource to mention. This is DAMP, the Dumfries&#13;
Archival Mapping Project which has been web-mounting estate maps and plans&#13;
throughout Nithsdale and will be doing the same for material in Stewartry and the&#13;
Galloway Glens Landscape Project area. These plans can be accessed via the National&#13;
Map Library of Scotland on-line web portal. Please bear in mind, however, that these&#13;
are organised according to parish, so you’ll have to have a broad understanding of&#13;
your location before you start using this resource.&#13;
We’ve seen already how data from historic mapping was used by staff of the thenRCAHMS to create the First Edition Survey Project; before moving on from&#13;
mapping, mention should also be made of the Historic Land Use Assessment&#13;
project, still ongoing under the direction of Historic Environment Scotland.&#13;
Developed as a map-based analysis of past and present-day land use throughout&#13;
Scotland, this resource provides a categorisation system for landscape history.&#13;
Each area with similar origins has been given one of 55 Historic Land-use Types,&#13;
which also allocates it a Category group, or a Period of origin. Wherever past landuse is detected it is recorded as a Relict Category, Period and Type. This&#13;
categorisation is largely based on cartographic sources; while ground testing is&#13;
undertaken to support the assessment where map-based research proves&#13;
inconclusive, general survey is not carried out.&#13;
Forming a modern counterpoint to traditional mapping techniques is aerial imagery.&#13;
The National Collection of Aerial Photographs. held and maintained by&#13;
Historic Environment Scotland, contains a broad range of aerial images generated&#13;
from the 1930s onwards. These include: RAF training, reconnaissance and&#13;
camouflage survey images; Luftwaffe imagery; oblique imagery from RCAHMS&#13;
sponsored flights; and late-20th century imagery from Ordnance Survey and other&#13;
mapping projects.&#13;
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Access to some aerial imagery can be carried out via Canmore, but a much broader&#13;
range can be viewed via a web-mounted application set up by the National Collection&#13;
of Aerial Photographs. This helps users to locate aerial photographs held in the&#13;
collections, containing details of flight plots which illustrate where there will be&#13;
vertical aerial photographic coverage. Images can be viewed without charge, but only&#13;
at a very small size - in order to obtain a detailed image, a visit to the Collections is&#13;
required, or a digital file must be ordered. These images can be useful when viewing&#13;
areas which were subject to afforestation in the post-war period - RAF sorties in&#13;
particular may show these locations prior to planting, and hence depopulated&#13;
settlements in particular may be revealed in some detail.&#13;
Up-to-date satellite imagery can also be a valuable source of information, via&#13;
commercial websites such as Google Earth or Google Maps. This is particularly&#13;
useful if you’re looking to find out about a particular location’s current land use.&#13;
So far, we’ve found out how to find out what known sites are present in the&#13;
landscape, and we’ve also explored the historic mapping and aerial imagery&#13;
resources which can show us how the landscape evolved in modern times, and following on from that - help us to establish how well a site may have survived to the&#13;
present. We can also use historic mapping and aerial imagery to identify potential&#13;
new sites within the landscape. All this is particularly useful for relatively ‘modern’&#13;
sites, in particular for farms and settlements of post-medieval and modern date.&#13;
We’ve also seen how this kind of data can be used to create detailed pictures of&#13;
change in the landscape, through the Historic Land Use Assessment project.&#13;
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Historic Land Use Assessment&#13;
The Historic Land Use Assessment provides a very broad overview of the landscape&#13;
and its evolution, but for those who are interested, there are web-based resources&#13;
which can provide a more specialised and localised insight into the environment.&#13;
These rely on excellent levels of preservation in the environmental data (such as&#13;
pollen) and therefore they are linked with wetland locations.&#13;
Two main specialist datasets are available, covering differing aspects of the historic&#13;
environment. The first is the Scottish Palaeoecological Archive Database produced jointly by the University of Edinburgh and the then-Historic Scotland, this&#13;
resource provides information on sites in Scotland where evidence of past&#13;
environments has been preserved in the ‘natural archives’ of peat bogs, mires and&#13;
lochs. By studying such evidence (which includes fossil plants and pollen, animal&#13;
bones and sediments), palaeoecologists can reconstruct past ecosystems and study&#13;
their change over time. To date, information relating to the area of the Galloway&#13;
Glens and its immediate environs is limited.&#13;
The Scottish Wetlands Archaeological Database is perhaps more interesting&#13;
to the general user, as it integrates archaeological information with environmental&#13;
data. It contains 6,000 records and highlights the importance of wetlands as&#13;
repositories of archaeological information. The information held in the database was&#13;
generated by combining digital overlays of wetland sites defined using information&#13;
obtained from Scottish Natural Heritage and the Macaulay Land Use Research&#13;
Institute, with archaeological information held in Canmore. Created in order to&#13;
produce a fuller understanding of the potential of Scottish wetland archaeology, it&#13;
can also be used as a management tool and a source of information for interpretative&#13;
schemes.&#13;
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Journals&#13;
Much of the emphasis so far has been on archaeological sites relating to the recent&#13;
past, but those of you with an interest in prehistory or the medieval period, we’ve&#13;
seen how Canmore and the Scottish Wetland Archaeological Database can help you&#13;
learn more. Even more detailed information is available in a number of journals&#13;
which have direct relevance to the study of the historic environment in Scotland and that’s true of the post-medieval and modern periods, too. These journals often&#13;
have extensive runs but can be difficult to source - helpfully, one of the roles of&#13;
Historic Environment Scotland is to collate, synthesise and integrate information&#13;
derived from such journals and include it within the National Record of the Historic&#13;
Environment. However, this is not a verbatim transfer of information and more data&#13;
is almost invariably retained in the primary source, which are referenced from the&#13;
Canmore entries.&#13;
A list of the better-known journals is included here, to give some idea of what is&#13;
available. Most are available only as hard copies which can be viewed in major&#13;
libraries, but some are now web-mounted. Those that can be accessed free-of-charge&#13;
as web-mounted documents can be accessed via links provided.&#13;
•&#13;
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Proceedings of the Society of Antiquaries of Scotland (1792 - present) – a&#13;
platform for the publication of articles concerned with archaeology and&#13;
antiquarian studies across Scotland&#13;
&#13;
•&#13;
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Transactions of the Dumfries and Galloway Natural History and&#13;
Antiquarian Society (1862-present) - a journal dedicated to the natural&#13;
history, archaeology and history of Dumfries and Galloway.&#13;
&#13;
•&#13;
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Council for Scottish Archaeology’s Discovery and Excavation in Scotland&#13;
(1947 - present) – this provides an annual gazetteer of archaeological projects&#13;
undertaken in Scotland;&#13;
&#13;
•&#13;
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Scottish Archaeological Journal (1969 - present) – formerly known as&#13;
Glasgow Archaeological Journal, this journal has, in recent years, transformed&#13;
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itself from a regional journal focussing mainly on western Scotland to a&#13;
publication with a broader scope of interest encompassing the whole of Scotland.&#13;
Scottish Archaeological Forum Monographs (1969 - 1981) – these&#13;
&#13;
•&#13;
&#13;
comprise the published proceedings of the various conferences&#13;
hosted by SAF. All contain some material which is relevant to&#13;
Scotland, with many volumes devoted entirely to aspects of Scottish&#13;
archaeology and the built heritage.&#13;
•&#13;
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Vernacular Buildings, Scottish Vernacular Buildings Working Group&#13;
Journal (1975 – present) – devoted to the publication of articles&#13;
relating to Scotland’s smaller traditional buildings, built using local&#13;
materials and methods.&#13;
&#13;
There are also a range of United Kingdom (or International) journals that can&#13;
include articles directly relating to the archaeology and/or built heritage of Scotland,&#13;
and its place in a wider national or even international context.&#13;
Proceedings of the Prehistoric Society – publishes papers on all aspects of&#13;
&#13;
•&#13;
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prehistory with an emphasis on the British Isles, Europe, SW Asia, and the&#13;
countries bordering the Mediterranean;&#13;
•&#13;
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Britannia – dedicated to the archaeology of Roman Britain;&#13;
&#13;
•&#13;
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Medieval Archaeology – the aims of this publication are to support and&#13;
advance the study of the medieval period (5th– 16th century AD) in Britain&#13;
and Ireland;&#13;
&#13;
•&#13;
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Post-Medieval Archaeology - a bi-annual journal devoted to the study of&#13;
the material evidence of European society wherever it is found throughout the&#13;
world;&#13;
&#13;
•&#13;
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Industrial Archaeology Review – covers all practical aspects of recording,&#13;
surveying, excavation, interpretation, conservation and protective legislation&#13;
relating to the surviving evidence of industrial activity; and&#13;
&#13;
•&#13;
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Garden History - its aim is to advance understanding of the history and&#13;
conservation of gardens and designed landscapes.&#13;
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In addition, there have been, or continue to be, a number of critical national&#13;
specialists’ syntheses or surveys that provide a valuable source of information at the&#13;
national level as to the character of the historic environment. These include:&#13;
• Pevesner Buildings of Scotland - Produced by the Buildings Books Trust&#13;
&#13;
detailing the architectural history of the regions of Scotland;&#13;
• Industrial Archaeology of Scotland – Two volumes by prominent industrial&#13;
&#13;
archaeologist, John Hume, devoted to the industrial archaeology of Scotland.&#13;
Published in the 1970’s, Volume I is devoted to Lowland, and Volume II to&#13;
Highland, Scotland. The author gives detailed but succinct summaries of a variety&#13;
of industrial buildings, presented on a county-by-county basis;&#13;
•&#13;
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A Guide to the Castellated and Domestic Architecture of Scotland – a&#13;
19th century series authored by architectural historians MacGibbon and Ross&#13;
which is still considered an important primary source and a definitive guide to&#13;
medieval and early post-medieval buildings in Scotland;&#13;
&#13;
•&#13;
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A Guide to the Ecclesiastical Architecture of Scotland – as Castellated &amp;&#13;
Domestic Architecture (above), but devoted to churches, cathedrals and other&#13;
religious buildings of medieval and early post-medieval date.&#13;
This summary of journals and syntheses shows just how diverse the study of our past&#13;
can be, and how many specialist offshoots there are. Whatever your site of interest,&#13;
it’s almost guaranteed that someone, somewhere, will have carried out a more&#13;
detailed investigation of the type or class of monument that this site represents.&#13;
Many of the journals listed above are produced by specialist societies such as the&#13;
Association for Industrial Archaeology, or the Society for Medieval Archaeology, but&#13;
others represent resources compiled by institutions or even, in some cases,&#13;
individuals.&#13;
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Other resources&#13;
For those interested in industrial archaeology, an extremely useful resource is&#13;
provided by the Scottish Mining Website, which provides detailed information&#13;
relating to all aspects of Scottish extractive industries. Another interesting site to&#13;
visit is Scotland’s Brick Manufacturing Industry, which provides information&#13;
relating to the numerous brick manufacturers operating in Scotland during the 19th&#13;
and 20th centuries.&#13;
If your interest lies in historic church sites, then the Historic Churchyards of&#13;
Dumfries and Galloway is worth exploring, while for those whose interest lies in&#13;
Medieval or Later Rural Settlement (the Raiders Road sites provide us with typical&#13;
examples of this kind of site), the website Scotland’s Rural Past project will be of&#13;
interest. Scotland’s Rural Past (SRP) was a five-year (2006-11), nationwide project,&#13;
which supported local communities across Scotland in the investigation of deserted&#13;
rural settlements dating from the medieval and post-medieval periods. The website&#13;
remains as a free resource which provides guidance of the research, identification,&#13;
recording and protection of Medieval or Later Rural Settlement.&#13;
&#13;
Museums / archives&#13;
Looking more broadly at artefacts originating from the prehistoric period onwards,&#13;
we increasingly find that the accessioned items which make up museum collections&#13;
are being more widely shared on line as digital records and - often - images. The&#13;
Future Museum initiative, which highlights the collections of museums&#13;
throughout Dumfries and Galloway and Ayrshire, has a map-based search element&#13;
which links sites and objects. The National Museums of Scotland has an on-line&#13;
search facility for its collections, but at present this is poorly populated in terms of&#13;
the images available. Also worth a look is the British Museum on-line collections&#13;
database, which holds some material from the Galloway Glens area.&#13;
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Another site which includes information and images relating to artefacts is Scran, a&#13;
learning image services which currently hosts over 490,000 images, movies and&#13;
sound clips derived from museums (including the National Museums of Scotland),&#13;
archives, galleries and other institutions. including the media. Scran - formerly part&#13;
of the Royal Commission on the Ancient and Historical Monuments of Scotland, but&#13;
now run by Historic Environment Scotland - aims to provide educational access to&#13;
digital materials representing material culture and history. This is provided through&#13;
the wholly owned trading arm Scran Ltd. They are one of the largest educational&#13;
online services in the UK supporting over 4,000 schools, libraries, colleges and&#13;
universities. It can be used as a superior form of clip art or for particular learning&#13;
applications. It uses an advanced licensing system in which the institution retains&#13;
ownership of the digitised assets but makes these available under licence to Scran,&#13;
although small versions of the images can be viewed free of charge.&#13;
Further resources are available for obtaining contemporary and historic&#13;
photographs, drawings, etc. Many feature historic buildings, archaeological sites or&#13;
artefacts, with access to the resource is obtained via subscription. These include the&#13;
image library of the University of Aberdeen, which has in its large and varying&#13;
photographic collection the George Washington Wilson Collection, which consists of&#13;
over 40,000 glass plate negatives produced by the Aberdeen photographer's&#13;
company during the second half of the 19th century. The University of St&#13;
Andrews also has an on-line image library which offers access to the photographic&#13;
material held within the Special Collections Department of the University of St&#13;
Andrews Library. The whole collection currently numbers in excess of 300,000&#13;
images, and is one of the largest and most important collections of historic&#13;
photography in Scotland, stemming primarily from the fact that St Andrews played a&#13;
vital role in the development of the photographic process.&#13;
The archive also includes large collections such as the monochrome image archive of&#13;
Valentines of Dundee, the photographic company which produced Scottish&#13;
topographical views from the 1860s, and later became internationally famous as the&#13;
producers of picture postcards. The negatives of Robert Moyes Adam, the wellknown Scottish landscape photographer whose work spans the first half of this&#13;
century, numbers some 15,000 negatives. The work of George Cowie, a local press&#13;
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photographer from 1930 to 1982, covers all aspects of life in and around St Andrews&#13;
and the East Neuk of Fife, with a considerable section on the subject of golf. Several&#13;
other collections from the later 19th century and throughout the present century&#13;
complement these major archives, with photographs covering a wide range of&#13;
locations and subject areas.&#13;
Last, but by no means least, we’re going to move from the study of places and&#13;
physical structures to people. The past as we see it today was created through the&#13;
actions and activities of people, and while it’s difficult to find evidence for&#13;
individuals throughout much of the prehistoric, Roman and medieval periods, the&#13;
post-medieval period sees the introduction of much more detailed documentary&#13;
sources. Many of these are now available on-line.&#13;
&#13;
People&#13;
General overviews of particular locations, which include information on population&#13;
and land ownership, as well as industrial and agricultural production, can be found&#13;
in the Statistical Accounts of Scotland. The First (Old) Statistical Account (17911799) was established in order to investigate the impact and effects of the&#13;
agricultural improving movement upon the contemporary Scottish countryside. It&#13;
contains many descriptions of traditional, pre-improvement farming practices, as&#13;
well as descriptions of improved and experimental methods of agriculture. The&#13;
Second (New) Statistical Account (1834-1845) was compiled when the improving&#13;
movement was in full swing and the country experiencing a period of great economic&#13;
change – the industrial revolution. As well as information about the progress of&#13;
agricultural improvements, this account contains descriptions of emigration and&#13;
famine across many parts of the Highlands. Another potential source is the&#13;
Ordnance Gazetteer of Scotland (1882-1885) by FH Groome: this is the best&#13;
Scottish gazetteer to look out for, and whoile copies of this publication, or later&#13;
editions, should be found in your local studies library or archive, the second edition&#13;
(1892-1896) has been digitised and is available on-line.&#13;
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The National Records of Scotland has a search facility which allows detailed&#13;
study of specific places or people/families, and this is particularly useful for those&#13;
interested in detailed aspects of land ownership, Now incorporated into the larger&#13;
holdings of the National Records of Scotland are records once held by the National&#13;
Registers of Scotland, the Government Agency responsible for compiling and&#13;
maintaining the registers relating to property and other legal documents. These can&#13;
provide information on land ownership. Deeds relating to rights in property were&#13;
originally held in the Register of Sasines, which was established in 1617; this was the&#13;
system in place until 1979 when the Land Register of Scotland was introduced to&#13;
replace it.&#13;
More general searches can be carried out via the Scotland’s Places portal. Run&#13;
collaboratively by the National Records of Scotland, the National Library of Scotland&#13;
and Historic Environment Scotland, this resource allows access to a variety of&#13;
material which includes maps, surveys and plans, photographs, archaeological&#13;
records, drawings, and a variety of tax rolls. These include links to Canmore, and an&#13;
ability to search the Ordnance Survey Name Books, which were mentioned&#13;
previously. The tax rolls, in particular, provide the names and details of individuals,&#13;
with records going back as far as the mid-1600s in places.&#13;
More recent information such as census returns is not included; for this, it is&#13;
necessary to visit the Scotland’s People website, which charges a fee for carrying&#13;
out an outline search of the records in any detail. The 1851 census for Dumfriesshire,&#13;
Kirkcudbrightshire and Wigtownshire has, however, been web-mounted by&#13;
Dumfries and Galloway Council: it can be accessed via the website of&#13;
Dumfries and Galloway Family History Society, which also provides&#13;
additional resources which may prove helpful to the researcher.&#13;
&#13;
Dr Louise Turner&#13;
Rathmell Archaeology&#13;
March 2019&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project.&#13;
&#13;
Survey Skills - Training&#13;
Workshop Note&#13;
Surveying&#13;
A major part of all archaeological work is to accurately record your subject&#13;
material, be that a historic standing building, a prehistoric standing stone or&#13;
whatever has been uncovered within a trench that you’ve just excavated. Most&#13;
archaeologists these days will use the most up-to-date surveying techniques&#13;
and equipment such as total stations and global positioning systems (GPS),&#13;
which are expensive and require extensive training, but they also still use&#13;
older, more simple methods such as baseline (tape and offset) and plane table&#13;
surveys.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Scale&#13;
Making sure your survey is scaled properly is important. Most archaeological&#13;
excavation drawings use large scales such as 1:10 or 1:20, but for surveying&#13;
small earthworks or historic structures in the wider landscape, a smaller scale&#13;
is often used such as 1:50 or 1:100. If you’re surveying a larger number of&#13;
structures or a large earthwork, you may opt for an even smaller scale such as&#13;
1:500 or 1:1000.&#13;
Below is a quick guide for these various scales:&#13;
•&#13;
&#13;
1:10 - 1m in the real world is 100mm on your&#13;
drawing&#13;
&#13;
•&#13;
&#13;
1:20 - 1m ... is 50mm&#13;
&#13;
•&#13;
&#13;
1:50 - 1m ... is 20mm&#13;
&#13;
•&#13;
&#13;
1:100 - 1m ... is 10mm&#13;
&#13;
•&#13;
&#13;
1:500 - 1m ... is 2mm&#13;
&#13;
•&#13;
&#13;
1:1000 - 1m ... is 1mm&#13;
&#13;
Baseline (Tape &amp; Offset) Survey&#13;
A baseline survey is a method of recording archaeological sites by creating a&#13;
scaled drawing using 30m and 50m measuring tapes, pegs and a wooden&#13;
drawing board covered with graph paper and drafting film (commonly known&#13;
as permatrace), as well as assorted stationery.&#13;
The main baseline is set out close to the subject matter (such as a ruined&#13;
medieval building or prehistoric cairn). The baseline is replicated to scale on&#13;
your drawing board and then measurements, offsets, are taken at right angles&#13;
between the baseline and the subject matter. The result of this on your&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
drawing will be, for instance, the curve of one side of a cairn or the corner or&#13;
sides of a building.&#13;
The baseline can also be easily extended using scaled ranging poles (2m high).&#13;
You simply place one at the start of your baseline and one at the end. Then&#13;
stretch out another tape from the endpoint to the desired length and use a&#13;
third pole, which will need to be lined up with the other poles on the first&#13;
stretch of the main baseline.&#13;
Judging the right angle of an offset from the baseline at short distances (2-3m)&#13;
can often be done by eye, but error can easily creep in at longer distances. To&#13;
get around this, it is sometimes best to create one or more secondary baselines&#13;
off the main or starting baseline. This can easily be done by using the&#13;
Pythagoras’ Theorem of the 3:4:5 triangle, which can be extended to create&#13;
10m or 20m baselines (6:8:10 and 12:16:20 triangles).&#13;
These secondary baselines are used in exactly the same way as the main one,&#13;
and further baselines can be extended off them too, so that the entirety of your&#13;
subject matter can be recorded from every angle.&#13;
&#13;
Baseline Survey at Old Kirk, Kelton (June 2019)&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Problems can occur where the ground is uneven, there are high walls, or the&#13;
ground slopes etc. These can be solved by using ranging poles at both ends of&#13;
the offset to raise the measuring tape (sometimes using a spirit level). This&#13;
means hard-to-access parts of your subject matter, such as the inner face of a&#13;
buildings wall, can also be surveyed.&#13;
&#13;
Plane Table Survey&#13;
A plane table survey is another method of recording archaeological sites which&#13;
utilises a drawing board (which is covered graph paper and drafting film)&#13;
attached to a survey tripod, a 30m or 50m tape, pegs, plumb bob, spirit level, a&#13;
2m ranging pole and assorted stationery. Another piece of specialist&#13;
equipment needed is an ‘alidade’, which is essentially a flat, ruler-shaped&#13;
object, which could be made from metal, wood or plastic. At both ends of the&#13;
alidade are two attached upright sights.&#13;
This type of survey has been in use from at least the 16th century in Europe,&#13;
although it may have been in use long before this. The alidade itself dates to at&#13;
least the 15th century, but again may be older, and has Arabic origins - ‘alʽiḍāda’ meaning the revolving radius of a circle.&#13;
The survey process starts with the alidade being placed flat upon the drawing&#13;
board and set against a drawing pin which marks the centre point of the board.&#13;
A plumb bob is then attached to the underside of the drawing board so that it&#13;
directly overlies a survey point on the ground (usually marked out with a&#13;
wooden or plastic peg). The end of the 30m or 50m tape is then held at the peg&#13;
at ground level or at the drawing pin marking the centre of the board. The&#13;
other end of the tape and a 2m survey pole are then placed at a point of&#13;
interest on your subject matter (e.g. the wall of a building or edge of a ditch)&#13;
and the sights of the alidade are used to line up with the survey pole. A line is&#13;
drawn along the edge of the alidade from the centre point on the drawing&#13;
board, and a scale ruler used to accurately mark the point of interest on your&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
drawing. This process continues until you have fully recorded your subject&#13;
matter, or recorded as much as can be seen from your initial survey point.&#13;
&#13;
Plane Table Survey at Polmaddy deserted settlement (July 2019)&#13;
&#13;
Further survey points on the ground can be added so that the hard-to-access&#13;
parts of your survey subject matter can be recorded, such as the rear of a tall&#13;
building or large earthwork. To do this, first ensure that both your original and&#13;
new survey points are recorded on your first drawing. Set up the plane table,&#13;
with a fresh sheet of drafting film on the board, over the new survey point and&#13;
make sure as before that both the new and old survey points are on the new&#13;
drawing. The drawings can then later be combined by overlaying them,&#13;
making sure the recorded survey points line up. This allows a final drawing of&#13;
the subject matter to be completed.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Extending your Survey Techniques&#13;
Baseline and plane table techniques are how most archaeological surveys are&#13;
carried out, but there are variations of these surveys and also other types of&#13;
field survey which you can try your hand at. For more information on&#13;
archaeological surveying, you should check out the ‘Scotland’s Rural Past’&#13;
website, a project that ran from 2006 to 2011. This project was run by the&#13;
Royal Commission for Ancient and Historical Monuments (now Historic&#13;
Environment Scotland) to help local communities across the country record&#13;
historic rural settlements. They produced an online book which shows a range&#13;
of techniques, such as baseline and plane table surveying which you can try&#13;
out.&#13;
&#13;
Tying Surveys into Ordnance Survey&#13;
Mapping&#13;
With both of the above techniques, it can be useful to tie your survey into&#13;
modern Ordnance Survey mapping. If you have a handheld GPS device which&#13;
has reasonable accuracy, then points and/or coordinates can be taken on your&#13;
survey points or at the endpoints of your baseline. A simpler method would be&#13;
to survey in existing geographic features such field boundaries, streets or&#13;
buildings and to use this data such that you can overlay your survey with&#13;
existing Ordnance Survey mapping.&#13;
&#13;
Producing an Illustration from the Survey&#13;
There are different ways in which to create a finished illustration from your&#13;
survey work. You can simply overlay the various elements of your survey and&#13;
mapping and trace with ink pens, which can take a bit of time and is easy to&#13;
make mistakes. An alternative is to use illustration software such as Adobe&#13;
Illustrator (quite expensive but there are trial &amp; student versions) or open-&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
source software (free) such as Inkscape. Note that these options require a&#13;
scanner for your computer.&#13;
&#13;
Illustration of the inn at Polmaddy from survey data using Inkscape (July 2019)&#13;
&#13;
Created by Rathmell Archaeology for the Galloway Glens, December 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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              <text>Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
3D Models from Photographs Training Workshop Note&#13;
PUBLISHED: MONDAY, 25 MARCH 2019&#13;
&#13;
What are 3D models?&#13;
3D models are used in movies, animations and video games but are also used&#13;
in many scientific fields and increasingly in recording built-heritage and&#13;
archaeological sites and artefacts. 3D modelling is the process of creating a 3D&#13;
representation or visualization of any surface or object by manipulating&#13;
polygons, edges and vertices in a simulated 3D space. A physical version of&#13;
this would be creating a papier mache model with a ridged frame of wire, over&#13;
which paper pulp and glue would be spread to create a shape which once dried&#13;
out would then be painted. This is essentially what happens virtually in your&#13;
computer while making a 3D model.&#13;
&#13;
Quick overview on Digital&#13;
Documentation&#13;
There are various forms of digital documentation which can be for the&#13;
recording of heritage objects or structures such as LIDAR (light detection and&#13;
ranging), Laser Scanning, RTI (reflectance transformation imaging) and&#13;
structure from motion (SFM) photogrammetry. All of these can produce 3D&#13;
models or visualisations of varying scales and complexity.&#13;
Lots of heritage organisations from local community groups through to the&#13;
National Museum Scotland are beginning to utilise this new technology. Some&#13;
of these technologies, such as laser scanning, can involve expensive&#13;
equipment, software and training at the start. Luckily structure from motion&#13;
photogrammetry (often called photo scanning) is a bit more accessible and&#13;
more importantly, it’s cheap.&#13;
Though you can spend a lot of money on creating 3D models through&#13;
photogrammetry it is possible to use something as simple as the camera on&#13;
your mobile, free or open source software found online and a modern pc or&#13;
laptop (though without a good graphics card in it, creating a 3D model could&#13;
take a while) and still get some pretty decent results.&#13;
Some examples of the different larger projects that have made use of digital&#13;
documentation are shown below:&#13;
•&#13;
&#13;
Forth Bridges 3D Project&#13;
&#13;
•&#13;
&#13;
3D Digital Documentation of Edinburgh Castle&#13;
Fore Well&#13;
&#13;
•&#13;
&#13;
St Andrews University’s 3D reconstructions of&#13;
parts of Edinburgh&#13;
&#13;
•&#13;
&#13;
Glasgow School of Art’s 2017 Degree Show (Shona&#13;
Noble) visualisation (with sound) of Fingal’s&#13;
Cave on the Isle of Staffa&#13;
&#13;
For more information on Digital Documentation you can download and read&#13;
Historic Environment Scotland’s short guide.&#13;
&#13;
How do you create 3D&#13;
models?&#13;
3D models can be created either manually (like papier mache models or&#13;
sculpting with clay) using specialized 3D production software such as Blender&#13;
or Maya that let users create and manipulate polygonal surfaces, or by&#13;
scanning real-world objects through photogrammetry or laser scanning&#13;
software, such as 3DF Zephyr, Agisoft Metashape or Meshroom, into a set of&#13;
data points that can be used to represent the object digitally.&#13;
With photogrammetry, the 3D model is created by first taking a series of&#13;
overlapping photographs from as many different angles as possible of say, a&#13;
tree stump, which you will then upload to your computer and process using&#13;
the photogrammetry software of your choice. Depending on the software you&#13;
use it is possible to edit your photos and set how detailed you want the&#13;
resultant 3D model to be.&#13;
General Rules for Data Capture for Photogrammetry are:&#13;
•&#13;
&#13;
Do your best to keep the object or structure centred while framing&#13;
your photos&#13;
&#13;
•&#13;
&#13;
With photogrammetry outdoors, it is best to avoid direct light&#13;
sources (i.e. very sunny days) that may cast shadows and hide parts&#13;
of the object or structure’s surface areas. With photogrammetry&#13;
inside, you may have to add diffuse light sources, use a plain&#13;
backdrop and possibly use a turntable for smaller portable objects in&#13;
order to get good results&#13;
&#13;
•&#13;
&#13;
Try to avoid high ISO values on your camera as it can create a noisy&#13;
background which will confuse photogrammetry software packages.&#13;
&#13;
An ISO value of 200-600 is a good rule of thumb, although usually&#13;
the lower the better&#13;
•&#13;
&#13;
Use a high aperture value (F/8 – F/16) for your camera as this will&#13;
help with obtaining a deep depth of field for your photos&#13;
&#13;
•&#13;
&#13;
Keep your shutter speed at a higher value: 1/125 or more&#13;
&#13;
•&#13;
&#13;
Try not to take blurry photos. Using better quality cameras, having&#13;
the right type of light or using a tripod can help reduce this risk&#13;
&#13;
•&#13;
&#13;
One of the most important rules is that you make sure your&#13;
photos have at least a 60% overlap (though 70-80% would be&#13;
better). Try to shoot as many photos you can. If you think you’re&#13;
finished, take some more!&#13;
&#13;
•&#13;
&#13;
For an object like a statue or gravestone, you will need to circle it,&#13;
taking photographs at 10° intervals, which will mean 36 photos for&#13;
each circle. You should repeat this with the camera at different&#13;
height levels (for instance crouching or standing) and at different&#13;
distances from the object (sometimes getting very close if there are&#13;
details on the object such as carvings on a gravestone). The number&#13;
of photos you can use within the software may be hampered by the&#13;
type of software you’re using (e.g. 3DF Zephyr Free only allows 50&#13;
photos)&#13;
&#13;
•&#13;
&#13;
You should also keep in mind when taking your photographs UK law&#13;
with regards to privacy (near privately owned property) and/or&#13;
protection of children (near schools or nurseries). It’s also a good&#13;
idea to seek permission before you start to snap away.&#13;
&#13;
Listed below are the different types of software which can be used for&#13;
photogrammetry and 3D modelling once you’ve acquired your&#13;
photogrammetry data. There are also others available.&#13;
&#13;
Free Software:&#13;
•&#13;
&#13;
3DF Zephyr Free - Has a limit of 50 photos per model but other than&#13;
that, perfect for starting out.&#13;
&#13;
•&#13;
&#13;
Meshroom - Very new software which is very good but you need to&#13;
use other software to upload to Sketchfab. Hopefully new versions&#13;
will allow this in the future.&#13;
&#13;
•&#13;
&#13;
3D Regard - Good, but slow, free software, though needs to be edited&#13;
in other software.&#13;
&#13;
•&#13;
&#13;
Visual SFM - Good, but slow, free software though needs to be edited&#13;
in other software.&#13;
&#13;
Paid Software:&#13;
•&#13;
&#13;
3DF Zephyr (Lite &amp; Pro) - Fast software though the Lite version is&#13;
limited to 500 photos (permanent licence £127-£3,300)&#13;
&#13;
•&#13;
&#13;
Agisoft MetaShape - Fast software though the standard version has&#13;
limited functionality (permanent licence £135-£2,634)&#13;
&#13;
•&#13;
&#13;
Reality Capture - One of the fastest softwares out there with plenty of&#13;
functionality (£85 for 3 months or £3,420-£13,000 for a permanent&#13;
licence)&#13;
&#13;
•&#13;
&#13;
Pix4Dmodel - Good software with plenty of functionality. Cloud&#13;
processing allows people with older computers to create 3D models&#13;
online (£36 a month &amp; free trial)&#13;
&#13;
•&#13;
&#13;
PhotoModeler - Good software with plenty of functionality (£37 a&#13;
month, £750 for a permanent licence &amp; free trial)&#13;
&#13;
•&#13;
&#13;
AutoDesk ReCap - Fast software with plenty of functionality (£42 a&#13;
month &amp; free trial)&#13;
&#13;
3D modelling software (for editing &amp; uploading):&#13;
•&#13;
&#13;
Blender - Allows the creation of 3D models from scratch, editing of&#13;
3D models, upload to SketchFab and many other uses (free)&#13;
&#13;
•&#13;
&#13;
Maya - Allows the creation of 3D models from scratch, editing of 3D&#13;
models, upload to SketchFab and many other uses (£216 a month &amp;&#13;
free trial)&#13;
&#13;
•&#13;
&#13;
Meshlab - Allows the editing of 3D models and upload to SketchFab.&#13;
Difficult interface (free)&#13;
&#13;
•&#13;
&#13;
3DS Max - Similar software &amp; pricing as Maya.&#13;
&#13;
What Equipment do you&#13;
need to do Photogrammetry?&#13;
As mentioned above, it is possible to create 3D models with as much or as little&#13;
equipment as is available or affordable. It is easy to create a basic model say of&#13;
a gravestone or small statue using the camera on your smartphone or a point&#13;
and click camera. Many phones and basic cameras allow you to change ISO&#13;
and/or shutter speed so it is possible to get good results. It is also possible to&#13;
get a good result using the automatic settings on your phone or camera&#13;
without having to go into the settings of your device. To get better results,&#13;
using a DSLR camera is your best option, particularly where the lighting&#13;
conditions are trickier such as a dimly lit interior.&#13;
To stop your phone or camera from shaking it is a good idea to set it on a&#13;
tripod which will reduce the chance of blurry photos. It is also possible to&#13;
mount your camera on an extendable pole (or even a selfie stick for your&#13;
phone) which is useful when the object is larger, for instance a building or tall&#13;
statue. Care should be taken with these as they could be dropped in windy&#13;
conditions, and you should check there are no overhead services.&#13;
&#13;
Below is a list of what you need for carrying out photogrammetry for a simple&#13;
object outdoors:&#13;
•&#13;
&#13;
Smartphone or point and click camera with over 5 megapixels&#13;
(though 8 megapixels would be best)&#13;
&#13;
•&#13;
&#13;
Free or open source photogrammetry software&#13;
&#13;
•&#13;
&#13;
A computer with decent specs (at least 8GB RAM and a dedicated&#13;
graphics card)&#13;
&#13;
To get better results the following would come in handy depending on what&#13;
you’re trying to achieve:&#13;
•&#13;
&#13;
DSLR or Bridge camera&#13;
&#13;
•&#13;
&#13;
Paid unlimited photogrammetry software&#13;
&#13;
•&#13;
&#13;
Portable LED lighting&#13;
&#13;
•&#13;
&#13;
Tripod, camera pole, selfie stick&#13;
&#13;
•&#13;
&#13;
Portable camera tent and neutral backdrop&#13;
&#13;
•&#13;
&#13;
Turntable (for smaller object photogrammetry)&#13;
&#13;
Where can you display your&#13;
3D Models?&#13;
Though there are a number of online websites where 3D models can be&#13;
uploaded and displayed, by far and away the best is Sketchfab. Sketchfab is&#13;
like the YouTube for 3D models and though there are yearly and monthly paid&#13;
plans to use it, there is an unlimited free plan which meets the needs of most&#13;
users. Sketchfab allows the editing of 3D models and the use of text captions,&#13;
animation and sound so that it’s possible to present a professional looking 3D&#13;
model.&#13;
&#13;
Many of the photogrammetry and 3D modelling software packages allow you&#13;
to create basic animations with your 3D models which can be uploaded to&#13;
YouTube or other similar websites. This is useful as sometimes more&#13;
complicated models are hard to view on some computers, phones or tablets. It&#13;
is also possible to link or embed 3D models and videos of them onto a website,&#13;
blog post or social media.&#13;
Below are some suggested links to collections of 3D models by:&#13;
•&#13;
&#13;
Thomas Flynn on Monuments &amp; Sites and on&#13;
Museums, Galleries &amp; Exhibitions;&#13;
&#13;
•&#13;
&#13;
the National Museum of Scotland on Scottish&#13;
History and Archaeology; and&#13;
&#13;
•&#13;
&#13;
Dr Hugo Anderson-Whymark on Skara Brae :&#13;
Structures.&#13;
&#13;
Case Study 1 – Cadder&#13;
Parish Church, East&#13;
Dunbartonshire&#13;
My first attempt at photogrammetry was at Cadder Parish Church, East&#13;
Dunbartonshire. The work was carried out as part of a small project which&#13;
involved researching some of the history of the church and the village of&#13;
Cadder. We brought in photogrammetry to help record architectural elements&#13;
of the church, gravestones and other structures within the graveyard, such as a&#13;
mortsafe and watch house used to stop grave robbing in the early 19th century.&#13;
The resulting article shows the results that can be achieved using just a&#13;
smartphone and free software to produce the model collection, though a&#13;
higher spec computer was still needed to process the data. If high spec&#13;
computers are not available then photogrammetry software such as&#13;
&#13;
Pix4Dmodel could be used, as it can be processed online via cloud processing&#13;
meaning any computer can be used (though it has a monthly cost to it).&#13;
&#13;
Case Study 2 – Culzean&#13;
Castle, South Ayrshire&#13;
Rathmell Archaeology’s first use of photogrammetry was during excavations to&#13;
look for the early 17th century walled garden within the Fountain Court of&#13;
Culzean Castle. The excavation identified the SSW corner of the wall and the&#13;
National Trust for Scotland asked for photogrammetry to be carried out for&#13;
the excavated area.&#13;
&#13;
Aerial photo of the excavations at Fountain Court during the excavations.&#13;
&#13;
The on-site data was captured using a DSLR Camera after the excavation had&#13;
just finished up. The photos were taken by circling the excavated area at a&#13;
crouched and standing level with all of the photographs overlapping each&#13;
other by at least 60%. The model was created with 3DF Zephyr Lite using&#13;
over 200 of the photographs which were taken on site. The editing of&#13;
&#13;
photographs and processing of the images took 3-4 hours (using a PC with an&#13;
NVidia Graphics Card).&#13;
&#13;
Screen Capture of the finished 3D Model&#13;
&#13;
Case Study 3 – 18th century&#13;
Well at Levengrove Park,&#13;
Dumbarton&#13;
One of Rathmell Archaeology’s most recent uses of photogrammetry and 3D&#13;
modelling was during the excavation of an 18th century well which had been&#13;
exposed at Levengrove Park, Dumbarton after the storms of September 2018&#13;
blew over a tree (over a hundred years old) which had grown over it. The&#13;
excavation involved the usual archaeological techniques such as shovelling&#13;
and trowelling but also involved the clearing out of debris and water from the&#13;
bottom of the well. The latter work was luckily carried out by West&#13;
Dunbartonshire Council.&#13;
&#13;
View of the Levengrove well after excavation&#13;
&#13;
The on-site data was captured using a DSLR Camera after the excavation had&#13;
just finished up. The photos were taken by circling the excavated area at a&#13;
crouched and standing level. A series of higher angled photos were obtained&#13;
using a 2-3m pole which the DSLR was mounted on. The camera mounted&#13;
pole was also lowered carefully into the bottom of the well to capture data&#13;
there. All of the photographs taken overlapped each other by at least 60% and&#13;
a number of close up shots were also taken to try and get more detail of the&#13;
stonework used in the well’s construction. The model was created with 3DF&#13;
Zephyr Lite using over 300 of the photographs which were taken on site. The&#13;
editing of photographs and processing of the images took 4-5 hours (using a&#13;
PC with an NVidia Graphics Card).&#13;
&#13;
Using Camera mounted on pole to record the bottom of the well with mobile for DSLR remote.&#13;
&#13;
Another 3D model was taken after restoration works were completed at&#13;
Levengrove Park so that the well could be displayed to the public safely.&#13;
&#13;
Screen capture of the 3D model of the well&#13;
&#13;
Created by Rathmell Archaeology for the Galloway Glens, March 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
#7: The Hut Circles of Moss&#13;
Raploch – Reconstructing the&#13;
Iron Age&#13;
Located within the Galloway Forest Park, the original site of Moss Raploch is&#13;
within north-east corner of Clatteringshaws Loch (NX 55307765) east of the&#13;
A712. Parking is available at the Forestry &amp; Land Scotland visitor centre,&#13;
located at Clatteringshaws Farm. Walking the path to Moss Raploch, you pass&#13;
the remnants of the reconstruction.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
The discovery of submerged houses&#13;
Clatteringshaws Loch was created in 1937 by the damming of the Black Water&#13;
of Dee. This process flooded the surrounding landscape, including the bog at&#13;
Moss Raploch. Progressive erosion over the following decades revealed in May&#13;
1974, during drainage operations, two hut circles on the bed of the reservoir at&#13;
Moss Raploch.&#13;
The Moss Raploch hut circles lay 80m apart on level ground on the east side of&#13;
the valley, at a point where Clatteringshaws Lane flows westwards towards the&#13;
Black Water of Dee. Both hut circles appeared as penannular stone banks 1.4m&#13;
broad enclosing an area 5.5m in diameter.&#13;
&#13;
The excavations&#13;
During July and August 1974 the more readily accessible hut circle was&#13;
excavated due to the danger of further erosion damaging the archaeological&#13;
site. The excavation, which covered an area 10m square, removed a residual&#13;
thin layer of silt and peat to reveal over a brown loam extensively flecked with&#13;
charcoal. Stripping off this loam revealed the floor plan of the hut.&#13;
The circular interior contained as slight platform to the rear, defined by an arc&#13;
of stones. A central hearth was identified formed by a 0.2m deep patch of&#13;
reddened, heat affected clay. This clay, set into a pit, contained small&#13;
fragments of burnt bone. The hearth was surrounded by a small area of&#13;
paving, slightly recessed into the ground. The entrance the hut was located to&#13;
the south-east arc of the structure, it was paved with a raised sill-stone that&#13;
was embedded in the subsoil. The sill stone aligned with a possible setting of&#13;
upright stones which projected towards the hearth creating a possible porch&#13;
area.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Excavation plan of hut circle&#13;
&#13;
The hut’s wall, sectioned in the north and south, was shown to have a width of&#13;
1.4m. The wall was formed by kerb stones on the outer face, these were more&#13;
evident in the southern arc, with a rubble core behind. There was no evidence&#13;
that this wall was at any point more than a single course high. Post holes were&#13;
uncovered on the inner face of this wall in the north, west and south of the&#13;
interior, these post holes ranged from 0.25m-0.30m in diameter and were&#13;
stone packed. The posts that would have rested in these holes presumably&#13;
supporting the roof.&#13;
Works outside the entrance revealed a narrow spread of rough paving forming&#13;
a causeway that extended towards the course of the burn - though at the point&#13;
where the ground falls to the burn the paving petered out. There was also a&#13;
small cobbled surface that formed a rubble foundation measuring 0.8m by&#13;
1.2m in plan outside the entrance, extending from the hut in an irregular arc.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Finds&#13;
There were very few finds from the excavation, suggesting that the occupants&#13;
had regularly cleared the interior and that the structure had not been used for&#13;
dumping after its abandonment. A small selection was recovered: from the&#13;
cobbled foundation outside the hut a fragment of a blue glass ring and a flake&#13;
of flint thought to be a scraper; from the causeway a fragment of white glass&#13;
ring, streaked with blue and green; amongst the stones overlying the hearth a&#13;
minute fragment of bone with incised cross hatching; and from the loam over&#13;
the northwest arc of the hut wall a grooved whetstone of micaceous mudstone.&#13;
The two glass ring fragments were tentatively ascribed a 1st to 2nd century AD&#13;
date, suggesting a late Iron Age date for the settlement - during the Roman&#13;
campaigns in Scotland.&#13;
&#13;
Grooved Whetstone&#13;
&#13;
Discussion&#13;
Unenclosed round houses such as that at Moss Raploch are typically ascribed&#13;
to the Bronze Age, the marked tendency being for round houses in the Iron&#13;
Age to be sited within enclosures or to be of overly robust character. The&#13;
dating evidence at Moss Raploch places this unenclosed round house in the&#13;
late Iron Age, making the unenclosed and slight character of the site notable -&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
perhaps a reminder that general trends in settlement do not constrain all&#13;
settlement.&#13;
In terms of the use of space, the Moss Raploch house exhibits many common&#13;
characteristics from later prehistory. A circular floor plan with the entrance in&#13;
the south east; interior space focused on a central hearth which has been&#13;
formally constructed. There are no clear radial divisions, though the edge set&#13;
stones forming the ‘porch’ do suggest some internal partitions. The raised&#13;
platform to the rear is proposed by the excavator as for storage, though a&#13;
sleeping platform has equal merit.&#13;
The slight, but broad, form of the wall suggests the potential for turves to have&#13;
been used in the superstructure. Equally the presence of only three earthfast&#13;
timbers to support the roof (assuming all timbers were earthfast and not&#13;
supported by heel stones) suggests that the typical architectural form of the&#13;
time - a ring beam to support rafters forming a conical roof - is not credible.&#13;
The overall picture is of a conventional floor plan and use of space, but with an&#13;
unusual, slighter superstructure compared to most excavated examples of later&#13;
prehistoric round houses.&#13;
&#13;
From Reconstructed Round House to&#13;
Hut Circle&#13;
The Forestry Commission (as they then were) decided to build a&#13;
reconstruction of the Moss Raploch site next to the visitor centre at&#13;
Clatteringshaws Loch. Given the uncertainty as to the roofing and form of the&#13;
walls, a liberal interpretation was followed with the reconstruction owing more&#13;
to better understood more substantial round houses. Over time the thatched&#13;
roof was not renewed, the timber roof structure was removed and now only&#13;
the stone wall remains - a modern hut circle, though still much more robust&#13;
and substantial than the excavated site.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Reconstruction partway through loss of the superstructure&#13;
&#13;
Conclusion&#13;
Moss Raploch provides us with a glimpse into a domestic native structure&#13;
during the Roman campaigns in Galloway, challenging some of the easy&#13;
assumptions as to the character and form of these buildings. The surviving&#13;
reconstructed hut circle, while not representative in terms of its robustness,&#13;
offers the ability to consider the use of space within such a home.&#13;
&#13;
Further Reading&#13;
Condry, J &amp; Ansell, M (1978) ‘The Excavation of a Hut Circle at Moss&#13;
Raploch', Trans Dumfriesshire Galloway Natur Hist Antiq Soc, 3rd, vol. 53,&#13;
1977-8. Page(s): 103-113&#13;
Created by Rathmell Archaeology for the Galloway Glens, August 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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