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                  <text>The ‘Can You Dig It’ Community Archaeology Programme was a four year Galloway Glens Landscape Partnership project, providing engaging and educational archaeology activities, which ranged from community digs and community driven research projects, to dual-language archaeology inspired poetry.</text>
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              <text>PUBLIC&#13;
&#13;
Galloway Glens Landscape Partnership&#13;
Can You Dig It – Community Archaeology Project&#13;
&#13;
Update – August 2019&#13;
As we come to the end of the summer, it’s a good time to look back on the work we’ve done as part&#13;
of our Community Archaeology programme in July and August 2019. Thanks to our funders, Historic&#13;
Environment Scotland and the Heritage Lottery Fund, we’ve been able to make all of these learning&#13;
experiences free for our volunteers. Big thanks are also due of course to the volunteers, who are&#13;
making this into a fabulous programme, full of hard work, fun and finds, and also to Rathmell&#13;
Archaeology, whose team remain most professional and enthusiastic, even in the face of some&#13;
rather challenging weather conditions!&#13;
The Polmaddy survey in mid-July was undertaken on two such ‘challenging’ days, but the&#13;
volunteers persevered undaunted and created an excellent survey of the inn of the deserted&#13;
settlement, which will hopefully add a lot of value to any further interpretation or exploration of&#13;
the site.&#13;
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21/08/2019&#13;
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CYDI update – August 2019&#13;
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This was followed by the Castledykes excavation – our first proper dig! There were ‘finds galore’&#13;
and also the chance to see a special exhibition put on for us at the Stewartry Museum from the&#13;
1910s Castledykes excavations – fabulous to see our work set in a wider context.&#13;
&#13;
We then had a second very successful guided walk up Corserine to survey the remains of the WWII&#13;
high-ground wrecks there – a fascinating aspect of our more recent history, and also a chance to&#13;
see the Galloway Glens from a new perspective!&#13;
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21/08/2019&#13;
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CYDI update – August 2019&#13;
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A third Survey Skills workshop was held in St Cuthbert’s Kirkyard at the end of July, including the&#13;
chance to join in on the regular guided tours of the Kirkyard hosted by the Kirkcudbright History&#13;
Society – thanks for inviting us along guys!&#13;
&#13;
In August, we were delighted to be a venue at the Kirkcudbright Arts and Craft Trail for our Moat&#13;
Brae excavation – we certainly got lots of interested visitors as well as volunteers, which was&#13;
excellent to see. We’ve also been really pleased this summer holiday to have plenty of family&#13;
groups along – it’s never too soon to recruit the next generation of enthusiasts!&#13;
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CYDI update – August 2019&#13;
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Lastly, we had a great few days at a Raiders Road deserted settlement last week, unearthing what&#13;
looks to be a substantial dwelling. It’s hard but rewarding work out there, and the volunteers have&#13;
been doing a great job at uncovering some more of our relatively recent history, despite yet more&#13;
‘challenging’ weather conditions!&#13;
&#13;
If you’d like to find out more about this programme, which will be continuing until at least March&#13;
2020, do contact Helen Keron, the Galloway Glens Education and Community Engagement Officer,&#13;
on helen.keron@dumgal.gov.uk or 07827 306 866.&#13;
For regular updates of upcoming events and progress reports, follow us on Facebook and Twitter –&#13;
search for CanYouDigIt (@GGLPArchaeology).&#13;
For news articles and technical reports of our work to date, look on:&#13;
•&#13;
•&#13;
&#13;
http://gallowayglens.org/resources and scroll down to Can You Dig It, and&#13;
https://gallowayglens.org/projects/community-archaeology-programme-can-you-dig-it/&#13;
&#13;
Helen Keron&#13;
Galloway Glens&#13;
21st August 2019&#13;
&#13;
21/08/2019&#13;
&#13;
CYDI update – August 2019&#13;
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              <text>PUBLIC&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community Archaeology&#13;
project – Technical notes.&#13;
&#13;
Web-based Heritage Research Training Workshop Note&#13;
PUBLISHED: ·TUESDAY, 19 MARCH 2019&#13;
&#13;
There are a range of resources available which provide information on the historic&#13;
environment. Those listed here either provide all-Scotland coverage or are regional&#13;
resources specific to the Galloway Glens area. Even when a resource has national&#13;
coverage, this does not necessarily mean that the data held is of a consistent level&#13;
across the resource.&#13;
&#13;
Canmore&#13;
The ideal starting point for any web-based research is Canmore, compiled and&#13;
maintained by Historic Environment Scotland. This is an online public archive and&#13;
database, which forms a record of the archaeological and historical environment in&#13;
Scotland. It contains details of over 320,000 archaeological sites, monuments,&#13;
buildings and maritime sites - together with an index to the drawings, manuscripts&#13;
and photographs held in the National Record of the Historic Environment - which&#13;
can be searched via database query. Images of over 80,000 of the photographs or&#13;
drawings in the collection are also available in Canmore.&#13;
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The information held there has come from a range of sources, ranging from&#13;
professional archaeologists to amateur antiquarians, which has been amassed over&#13;
more than a century. It also incorporates work carried out by archaeologists working&#13;
for the Ordnance Survey. Much, however, was generated through the work of staff&#13;
working for the Royal Commission on the Ancient and Historical Monuments of&#13;
Scotland (who continue this role today as part of Historic Environment Scotland). It&#13;
is the changing character of their work which has shaped and defined the scope and&#13;
quality of the information held within the National Record of the Historic&#13;
Environment.&#13;
To understand the complexity of Canmore, it is useful to have some knowledge of the&#13;
way in which the Commission’s role has changed since their creation. For many&#13;
years, one of their primary roles was to compile and maintain an ‘Inventory’ of&#13;
monuments. These originally were comprehensive hardbound volumes, often&#13;
generated using the results of detailed field surveys produced on a county basis.&#13;
Produced from 1911 to 1992, some 25 volumes were prepared, covering&#13;
approximately 22 counties. The commission ceased production of Inventories in&#13;
1992, recognising that the format no longer met their objectives effectively.&#13;
Their focus then changed to survey and publication work specifically targeted&#13;
towards areas perceived to be under threat. These took the form of the Sites and&#13;
Monuments volumes, produced on a more expedient basis to address those areas of&#13;
Scotland experiencing rapid development pressure. Produced between 1978 and&#13;
1989, these volumes covered large areas of the north-east, central belt and northern&#13;
isles. This work was followed between 1989 and 1998 with the Afforestable Land&#13;
Survey, which targeted strategic areas where afforestation was anticipated, typically&#13;
marginal ground in upland rural areas. During this period the Commission surveyed&#13;
large areas of ground with a view to identifying and characterising the archaeology.&#13;
While all of this data fed into Canmore, some was also published in thematic or areabased volumes (e.g. Glenesslin Nithsdale)&#13;
Taking a more thematic approach was the First Edition Survey Project, a 6-year&#13;
project which covered the whole of Scotland and which identified over 26,000&#13;
unroofed buildings depicted on the first edition Ordnance Survey maps of Scotland.&#13;
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The aim was to plot the changing character of Scotland’s rural landscape during the&#13;
late 18th and 19th centuries. The summary results of the survey are published in But&#13;
the Walls Remained, together with more information about the research value of&#13;
early Ordnance Survey maps and descriptions of the common types of settlement&#13;
and landscape features. All data has been integrated into Canmore, and it can&#13;
provide a useful starting point for those embarking on a detailed study of medieval&#13;
or later rural settlement.&#13;
Now part of Historic Environment Scotland, their staff continue to develop and&#13;
undertake a range of field survey projects that seek to record endangered or poorly&#13;
understood elements of the historic environment. These projects can focus on large&#13;
survey areas such as Donside, Canna or Holyrood Park.&#13;
&#13;
PastMap&#13;
All the above have significantly enriched Canmore, but they are generated in a&#13;
geographically proscribed manner.&#13;
To the casual user, Canmore may be a difficult resource to work with, as there are so&#13;
many variables in the searches. Finding a specific site can therefore be tricky,&#13;
although for general searches, such as providing information on every Bronze Age&#13;
cairn in a certain parish, it can be useful. But there are alternative ways of accessing&#13;
this data, which some may find a more user-friendly approach. These take the forms&#13;
of map-based searches, which allow the user to identify known sites visually.&#13;
Canmore itself has a map-based websearch facility, but an alternative resource is&#13;
available in PastMap, a map-based web tool produced by Historic Environment&#13;
Scotland which - as well as providing point locations for every site, building,&#13;
maritime feature or find recorded in Canmore, displays the location of: listed&#13;
buildings; the boundaries of Scheduled Monuments; the boundaries of designed&#13;
landscapes and gardens. Here, the query system links the map depiction of each&#13;
mapped element through to the underlying data explaining what each element&#13;
represents.&#13;
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PastMap also allows access to information held by the Historic Environment&#13;
Record of Dumfries and Galloway Council. This is the database maintained by&#13;
the local authority archaeologist, and it can be accessed independently of the&#13;
Canmore site. The HER should be the first port-of-call when reporting new&#13;
information about known sites or new discoveries throughout the area covered by&#13;
the Galloway Glens Landscape Project.&#13;
So far, we have found out how to identify what sites are known, by examining&#13;
information in a database which allows us to learn what a particular site is, where it&#13;
is located, and how much - if any- archaeological work has been done previously&#13;
there in the past. We’ve examined resources which locate these sites on a modern&#13;
map, but this is merely the starting point for a much more complex and enriching&#13;
process. Let’s turn now to historic mapping - for this resource, the main repository is&#13;
undoubtedly the National Libraries of Scotland of which the National Map&#13;
Library of Scotland is a part.&#13;
&#13;
National Libraries&#13;
The National Libraries of Scotland (NLS) has its roots in the late 17th century, and&#13;
was given legal rights to claim a copy of every book published in Britain in 1710. It is&#13;
one of only 6 legal deposit libraries in Britain and Ireland, and now holds 14 million&#13;
printed items and 100,000 manuscripts, as well as maps and other items. It should&#13;
be considered a primary source of reference material for background reading&#13;
relating to the historic environment, including most – if not indeed all – of the&#13;
journal runs and major publications listed below. Its Rare Book Collections also&#13;
include works pertinent to Scotland’s history and built environment.&#13;
Forming part of the NLS is the National Map Library of Scotland. With over 2&#13;
million maps in its collections, the Map Library allows access to some of the most&#13;
important maps of Scotland produced between 1560 and 1928. Many of these are&#13;
now web-mounted – these include maps of 16th and 17th century date by the&#13;
celebrated mapmakers Pont and Blaeu, 18th century military maps; 18th and 19th&#13;
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marine maps; and Ordnance Survey large scale Scottish Town plans, printed&#13;
between 1847 and 1895.&#13;
While there are a broad range of cartographic sources available, two prominent&#13;
national survey programmes are particularly worthy of mention. The first is the&#13;
Military Survey of Scotland, which was the first systematic survey of mainland&#13;
Scotland and is an excellent source for research. The maps show settlements,&#13;
cultivation, woodland, parkland, roads and tracks in colour at a scale of one inch to&#13;
1000 yards (1:36000). This is an important source as it records the preimprovement landscape, but it should be used with caution as the mapping can be&#13;
inaccurate and inconsistent while the Gaelic place names can be unreliable. The&#13;
second is provided by the Ordnance Survey mapping programmes, which began&#13;
mapping rural Scotland in 1843, at a scale of six inches to the mile (1:10560). This&#13;
scale is large enough to show individual buildings, roads and field systems. The&#13;
country was surveyed by county, with each county then re-surveyed on two occasions&#13;
- it is the initial First Edition of this mapping sequence that provided the data for the&#13;
First Edition Survey Section which was mentioned previously in the section devoted&#13;
to Canmore.&#13;
Providing an important accessory to the First Edition Ordnance Survey maps is the&#13;
Name Book, in which surveyors recorded the authorities used for every name which&#13;
appeared on the map sheet. A short description of each feature is included (eg 'a&#13;
small farmhouse with suitable offices, one storey, thatched and in poor repair') along&#13;
with the name of the proprietor. This is a valuable resource which can assist in&#13;
understanding the rural structures and settlement depicted, and it is amongst the&#13;
varied range of resources which can be accessed via the on-line web resource&#13;
Scotland’s Places.&#13;
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Maps and Mapping&#13;
We’ll be learning more about Scotland’s Places later, but before we leave the subject&#13;
of mapping, there’s one last resource to mention. This is DAMP, the Dumfries&#13;
Archival Mapping Project which has been web-mounting estate maps and plans&#13;
throughout Nithsdale and will be doing the same for material in Stewartry and the&#13;
Galloway Glens Landscape Project area. These plans can be accessed via the National&#13;
Map Library of Scotland on-line web portal. Please bear in mind, however, that these&#13;
are organised according to parish, so you’ll have to have a broad understanding of&#13;
your location before you start using this resource.&#13;
We’ve seen already how data from historic mapping was used by staff of the thenRCAHMS to create the First Edition Survey Project; before moving on from&#13;
mapping, mention should also be made of the Historic Land Use Assessment&#13;
project, still ongoing under the direction of Historic Environment Scotland.&#13;
Developed as a map-based analysis of past and present-day land use throughout&#13;
Scotland, this resource provides a categorisation system for landscape history.&#13;
Each area with similar origins has been given one of 55 Historic Land-use Types,&#13;
which also allocates it a Category group, or a Period of origin. Wherever past landuse is detected it is recorded as a Relict Category, Period and Type. This&#13;
categorisation is largely based on cartographic sources; while ground testing is&#13;
undertaken to support the assessment where map-based research proves&#13;
inconclusive, general survey is not carried out.&#13;
Forming a modern counterpoint to traditional mapping techniques is aerial imagery.&#13;
The National Collection of Aerial Photographs. held and maintained by&#13;
Historic Environment Scotland, contains a broad range of aerial images generated&#13;
from the 1930s onwards. These include: RAF training, reconnaissance and&#13;
camouflage survey images; Luftwaffe imagery; oblique imagery from RCAHMS&#13;
sponsored flights; and late-20th century imagery from Ordnance Survey and other&#13;
mapping projects.&#13;
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Access to some aerial imagery can be carried out via Canmore, but a much broader&#13;
range can be viewed via a web-mounted application set up by the National Collection&#13;
of Aerial Photographs. This helps users to locate aerial photographs held in the&#13;
collections, containing details of flight plots which illustrate where there will be&#13;
vertical aerial photographic coverage. Images can be viewed without charge, but only&#13;
at a very small size - in order to obtain a detailed image, a visit to the Collections is&#13;
required, or a digital file must be ordered. These images can be useful when viewing&#13;
areas which were subject to afforestation in the post-war period - RAF sorties in&#13;
particular may show these locations prior to planting, and hence depopulated&#13;
settlements in particular may be revealed in some detail.&#13;
Up-to-date satellite imagery can also be a valuable source of information, via&#13;
commercial websites such as Google Earth or Google Maps. This is particularly&#13;
useful if you’re looking to find out about a particular location’s current land use.&#13;
So far, we’ve found out how to find out what known sites are present in the&#13;
landscape, and we’ve also explored the historic mapping and aerial imagery&#13;
resources which can show us how the landscape evolved in modern times, and following on from that - help us to establish how well a site may have survived to the&#13;
present. We can also use historic mapping and aerial imagery to identify potential&#13;
new sites within the landscape. All this is particularly useful for relatively ‘modern’&#13;
sites, in particular for farms and settlements of post-medieval and modern date.&#13;
We’ve also seen how this kind of data can be used to create detailed pictures of&#13;
change in the landscape, through the Historic Land Use Assessment project.&#13;
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Historic Land Use Assessment&#13;
The Historic Land Use Assessment provides a very broad overview of the landscape&#13;
and its evolution, but for those who are interested, there are web-based resources&#13;
which can provide a more specialised and localised insight into the environment.&#13;
These rely on excellent levels of preservation in the environmental data (such as&#13;
pollen) and therefore they are linked with wetland locations.&#13;
Two main specialist datasets are available, covering differing aspects of the historic&#13;
environment. The first is the Scottish Palaeoecological Archive Database produced jointly by the University of Edinburgh and the then-Historic Scotland, this&#13;
resource provides information on sites in Scotland where evidence of past&#13;
environments has been preserved in the ‘natural archives’ of peat bogs, mires and&#13;
lochs. By studying such evidence (which includes fossil plants and pollen, animal&#13;
bones and sediments), palaeoecologists can reconstruct past ecosystems and study&#13;
their change over time. To date, information relating to the area of the Galloway&#13;
Glens and its immediate environs is limited.&#13;
The Scottish Wetlands Archaeological Database is perhaps more interesting&#13;
to the general user, as it integrates archaeological information with environmental&#13;
data. It contains 6,000 records and highlights the importance of wetlands as&#13;
repositories of archaeological information. The information held in the database was&#13;
generated by combining digital overlays of wetland sites defined using information&#13;
obtained from Scottish Natural Heritage and the Macaulay Land Use Research&#13;
Institute, with archaeological information held in Canmore. Created in order to&#13;
produce a fuller understanding of the potential of Scottish wetland archaeology, it&#13;
can also be used as a management tool and a source of information for interpretative&#13;
schemes.&#13;
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Journals&#13;
Much of the emphasis so far has been on archaeological sites relating to the recent&#13;
past, but those of you with an interest in prehistory or the medieval period, we’ve&#13;
seen how Canmore and the Scottish Wetland Archaeological Database can help you&#13;
learn more. Even more detailed information is available in a number of journals&#13;
which have direct relevance to the study of the historic environment in Scotland and that’s true of the post-medieval and modern periods, too. These journals often&#13;
have extensive runs but can be difficult to source - helpfully, one of the roles of&#13;
Historic Environment Scotland is to collate, synthesise and integrate information&#13;
derived from such journals and include it within the National Record of the Historic&#13;
Environment. However, this is not a verbatim transfer of information and more data&#13;
is almost invariably retained in the primary source, which are referenced from the&#13;
Canmore entries.&#13;
A list of the better-known journals is included here, to give some idea of what is&#13;
available. Most are available only as hard copies which can be viewed in major&#13;
libraries, but some are now web-mounted. Those that can be accessed free-of-charge&#13;
as web-mounted documents can be accessed via links provided.&#13;
•&#13;
&#13;
Proceedings of the Society of Antiquaries of Scotland (1792 - present) – a&#13;
platform for the publication of articles concerned with archaeology and&#13;
antiquarian studies across Scotland&#13;
&#13;
•&#13;
&#13;
Transactions of the Dumfries and Galloway Natural History and&#13;
Antiquarian Society (1862-present) - a journal dedicated to the natural&#13;
history, archaeology and history of Dumfries and Galloway.&#13;
&#13;
•&#13;
&#13;
Council for Scottish Archaeology’s Discovery and Excavation in Scotland&#13;
(1947 - present) – this provides an annual gazetteer of archaeological projects&#13;
undertaken in Scotland;&#13;
&#13;
•&#13;
&#13;
Scottish Archaeological Journal (1969 - present) – formerly known as&#13;
Glasgow Archaeological Journal, this journal has, in recent years, transformed&#13;
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itself from a regional journal focussing mainly on western Scotland to a&#13;
publication with a broader scope of interest encompassing the whole of Scotland.&#13;
Scottish Archaeological Forum Monographs (1969 - 1981) – these&#13;
&#13;
•&#13;
&#13;
comprise the published proceedings of the various conferences&#13;
hosted by SAF. All contain some material which is relevant to&#13;
Scotland, with many volumes devoted entirely to aspects of Scottish&#13;
archaeology and the built heritage.&#13;
•&#13;
&#13;
Vernacular Buildings, Scottish Vernacular Buildings Working Group&#13;
Journal (1975 – present) – devoted to the publication of articles&#13;
relating to Scotland’s smaller traditional buildings, built using local&#13;
materials and methods.&#13;
&#13;
There are also a range of United Kingdom (or International) journals that can&#13;
include articles directly relating to the archaeology and/or built heritage of Scotland,&#13;
and its place in a wider national or even international context.&#13;
Proceedings of the Prehistoric Society – publishes papers on all aspects of&#13;
&#13;
•&#13;
&#13;
prehistory with an emphasis on the British Isles, Europe, SW Asia, and the&#13;
countries bordering the Mediterranean;&#13;
•&#13;
&#13;
Britannia – dedicated to the archaeology of Roman Britain;&#13;
&#13;
•&#13;
&#13;
Medieval Archaeology – the aims of this publication are to support and&#13;
advance the study of the medieval period (5th– 16th century AD) in Britain&#13;
and Ireland;&#13;
&#13;
•&#13;
&#13;
Post-Medieval Archaeology - a bi-annual journal devoted to the study of&#13;
the material evidence of European society wherever it is found throughout the&#13;
world;&#13;
&#13;
•&#13;
&#13;
Industrial Archaeology Review – covers all practical aspects of recording,&#13;
surveying, excavation, interpretation, conservation and protective legislation&#13;
relating to the surviving evidence of industrial activity; and&#13;
&#13;
•&#13;
&#13;
Garden History - its aim is to advance understanding of the history and&#13;
conservation of gardens and designed landscapes.&#13;
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In addition, there have been, or continue to be, a number of critical national&#13;
specialists’ syntheses or surveys that provide a valuable source of information at the&#13;
national level as to the character of the historic environment. These include:&#13;
• Pevesner Buildings of Scotland - Produced by the Buildings Books Trust&#13;
&#13;
detailing the architectural history of the regions of Scotland;&#13;
• Industrial Archaeology of Scotland – Two volumes by prominent industrial&#13;
&#13;
archaeologist, John Hume, devoted to the industrial archaeology of Scotland.&#13;
Published in the 1970’s, Volume I is devoted to Lowland, and Volume II to&#13;
Highland, Scotland. The author gives detailed but succinct summaries of a variety&#13;
of industrial buildings, presented on a county-by-county basis;&#13;
•&#13;
&#13;
A Guide to the Castellated and Domestic Architecture of Scotland – a&#13;
19th century series authored by architectural historians MacGibbon and Ross&#13;
which is still considered an important primary source and a definitive guide to&#13;
medieval and early post-medieval buildings in Scotland;&#13;
&#13;
•&#13;
&#13;
A Guide to the Ecclesiastical Architecture of Scotland – as Castellated &amp;&#13;
Domestic Architecture (above), but devoted to churches, cathedrals and other&#13;
religious buildings of medieval and early post-medieval date.&#13;
This summary of journals and syntheses shows just how diverse the study of our past&#13;
can be, and how many specialist offshoots there are. Whatever your site of interest,&#13;
it’s almost guaranteed that someone, somewhere, will have carried out a more&#13;
detailed investigation of the type or class of monument that this site represents.&#13;
Many of the journals listed above are produced by specialist societies such as the&#13;
Association for Industrial Archaeology, or the Society for Medieval Archaeology, but&#13;
others represent resources compiled by institutions or even, in some cases,&#13;
individuals.&#13;
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Other resources&#13;
For those interested in industrial archaeology, an extremely useful resource is&#13;
provided by the Scottish Mining Website, which provides detailed information&#13;
relating to all aspects of Scottish extractive industries. Another interesting site to&#13;
visit is Scotland’s Brick Manufacturing Industry, which provides information&#13;
relating to the numerous brick manufacturers operating in Scotland during the 19th&#13;
and 20th centuries.&#13;
If your interest lies in historic church sites, then the Historic Churchyards of&#13;
Dumfries and Galloway is worth exploring, while for those whose interest lies in&#13;
Medieval or Later Rural Settlement (the Raiders Road sites provide us with typical&#13;
examples of this kind of site), the website Scotland’s Rural Past project will be of&#13;
interest. Scotland’s Rural Past (SRP) was a five-year (2006-11), nationwide project,&#13;
which supported local communities across Scotland in the investigation of deserted&#13;
rural settlements dating from the medieval and post-medieval periods. The website&#13;
remains as a free resource which provides guidance of the research, identification,&#13;
recording and protection of Medieval or Later Rural Settlement.&#13;
&#13;
Museums / archives&#13;
Looking more broadly at artefacts originating from the prehistoric period onwards,&#13;
we increasingly find that the accessioned items which make up museum collections&#13;
are being more widely shared on line as digital records and - often - images. The&#13;
Future Museum initiative, which highlights the collections of museums&#13;
throughout Dumfries and Galloway and Ayrshire, has a map-based search element&#13;
which links sites and objects. The National Museums of Scotland has an on-line&#13;
search facility for its collections, but at present this is poorly populated in terms of&#13;
the images available. Also worth a look is the British Museum on-line collections&#13;
database, which holds some material from the Galloway Glens area.&#13;
&#13;
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Another site which includes information and images relating to artefacts is Scran, a&#13;
learning image services which currently hosts over 490,000 images, movies and&#13;
sound clips derived from museums (including the National Museums of Scotland),&#13;
archives, galleries and other institutions. including the media. Scran - formerly part&#13;
of the Royal Commission on the Ancient and Historical Monuments of Scotland, but&#13;
now run by Historic Environment Scotland - aims to provide educational access to&#13;
digital materials representing material culture and history. This is provided through&#13;
the wholly owned trading arm Scran Ltd. They are one of the largest educational&#13;
online services in the UK supporting over 4,000 schools, libraries, colleges and&#13;
universities. It can be used as a superior form of clip art or for particular learning&#13;
applications. It uses an advanced licensing system in which the institution retains&#13;
ownership of the digitised assets but makes these available under licence to Scran,&#13;
although small versions of the images can be viewed free of charge.&#13;
Further resources are available for obtaining contemporary and historic&#13;
photographs, drawings, etc. Many feature historic buildings, archaeological sites or&#13;
artefacts, with access to the resource is obtained via subscription. These include the&#13;
image library of the University of Aberdeen, which has in its large and varying&#13;
photographic collection the George Washington Wilson Collection, which consists of&#13;
over 40,000 glass plate negatives produced by the Aberdeen photographer's&#13;
company during the second half of the 19th century. The University of St&#13;
Andrews also has an on-line image library which offers access to the photographic&#13;
material held within the Special Collections Department of the University of St&#13;
Andrews Library. The whole collection currently numbers in excess of 300,000&#13;
images, and is one of the largest and most important collections of historic&#13;
photography in Scotland, stemming primarily from the fact that St Andrews played a&#13;
vital role in the development of the photographic process.&#13;
The archive also includes large collections such as the monochrome image archive of&#13;
Valentines of Dundee, the photographic company which produced Scottish&#13;
topographical views from the 1860s, and later became internationally famous as the&#13;
producers of picture postcards. The negatives of Robert Moyes Adam, the wellknown Scottish landscape photographer whose work spans the first half of this&#13;
century, numbers some 15,000 negatives. The work of George Cowie, a local press&#13;
&#13;
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photographer from 1930 to 1982, covers all aspects of life in and around St Andrews&#13;
and the East Neuk of Fife, with a considerable section on the subject of golf. Several&#13;
other collections from the later 19th century and throughout the present century&#13;
complement these major archives, with photographs covering a wide range of&#13;
locations and subject areas.&#13;
Last, but by no means least, we’re going to move from the study of places and&#13;
physical structures to people. The past as we see it today was created through the&#13;
actions and activities of people, and while it’s difficult to find evidence for&#13;
individuals throughout much of the prehistoric, Roman and medieval periods, the&#13;
post-medieval period sees the introduction of much more detailed documentary&#13;
sources. Many of these are now available on-line.&#13;
&#13;
People&#13;
General overviews of particular locations, which include information on population&#13;
and land ownership, as well as industrial and agricultural production, can be found&#13;
in the Statistical Accounts of Scotland. The First (Old) Statistical Account (17911799) was established in order to investigate the impact and effects of the&#13;
agricultural improving movement upon the contemporary Scottish countryside. It&#13;
contains many descriptions of traditional, pre-improvement farming practices, as&#13;
well as descriptions of improved and experimental methods of agriculture. The&#13;
Second (New) Statistical Account (1834-1845) was compiled when the improving&#13;
movement was in full swing and the country experiencing a period of great economic&#13;
change – the industrial revolution. As well as information about the progress of&#13;
agricultural improvements, this account contains descriptions of emigration and&#13;
famine across many parts of the Highlands. Another potential source is the&#13;
Ordnance Gazetteer of Scotland (1882-1885) by FH Groome: this is the best&#13;
Scottish gazetteer to look out for, and whoile copies of this publication, or later&#13;
editions, should be found in your local studies library or archive, the second edition&#13;
(1892-1896) has been digitised and is available on-line.&#13;
&#13;
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PUBLIC&#13;
&#13;
The National Records of Scotland has a search facility which allows detailed&#13;
study of specific places or people/families, and this is particularly useful for those&#13;
interested in detailed aspects of land ownership, Now incorporated into the larger&#13;
holdings of the National Records of Scotland are records once held by the National&#13;
Registers of Scotland, the Government Agency responsible for compiling and&#13;
maintaining the registers relating to property and other legal documents. These can&#13;
provide information on land ownership. Deeds relating to rights in property were&#13;
originally held in the Register of Sasines, which was established in 1617; this was the&#13;
system in place until 1979 when the Land Register of Scotland was introduced to&#13;
replace it.&#13;
More general searches can be carried out via the Scotland’s Places portal. Run&#13;
collaboratively by the National Records of Scotland, the National Library of Scotland&#13;
and Historic Environment Scotland, this resource allows access to a variety of&#13;
material which includes maps, surveys and plans, photographs, archaeological&#13;
records, drawings, and a variety of tax rolls. These include links to Canmore, and an&#13;
ability to search the Ordnance Survey Name Books, which were mentioned&#13;
previously. The tax rolls, in particular, provide the names and details of individuals,&#13;
with records going back as far as the mid-1600s in places.&#13;
More recent information such as census returns is not included; for this, it is&#13;
necessary to visit the Scotland’s People website, which charges a fee for carrying&#13;
out an outline search of the records in any detail. The 1851 census for Dumfriesshire,&#13;
Kirkcudbrightshire and Wigtownshire has, however, been web-mounted by&#13;
Dumfries and Galloway Council: it can be accessed via the website of&#13;
Dumfries and Galloway Family History Society, which also provides&#13;
additional resources which may prove helpful to the researcher.&#13;
&#13;
Dr Louise Turner&#13;
Rathmell Archaeology&#13;
March 2019&#13;
&#13;
PUBLIC&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project.&#13;
&#13;
Survey Skills - Training&#13;
Workshop Note&#13;
Surveying&#13;
A major part of all archaeological work is to accurately record your subject&#13;
material, be that a historic standing building, a prehistoric standing stone or&#13;
whatever has been uncovered within a trench that you’ve just excavated. Most&#13;
archaeologists these days will use the most up-to-date surveying techniques&#13;
and equipment such as total stations and global positioning systems (GPS),&#13;
which are expensive and require extensive training, but they also still use&#13;
older, more simple methods such as baseline (tape and offset) and plane table&#13;
surveys.&#13;
&#13;
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OFFICIAL&#13;
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Scale&#13;
Making sure your survey is scaled properly is important. Most archaeological&#13;
excavation drawings use large scales such as 1:10 or 1:20, but for surveying&#13;
small earthworks or historic structures in the wider landscape, a smaller scale&#13;
is often used such as 1:50 or 1:100. If you’re surveying a larger number of&#13;
structures or a large earthwork, you may opt for an even smaller scale such as&#13;
1:500 or 1:1000.&#13;
Below is a quick guide for these various scales:&#13;
•&#13;
&#13;
1:10 - 1m in the real world is 100mm on your&#13;
drawing&#13;
&#13;
•&#13;
&#13;
1:20 - 1m ... is 50mm&#13;
&#13;
•&#13;
&#13;
1:50 - 1m ... is 20mm&#13;
&#13;
•&#13;
&#13;
1:100 - 1m ... is 10mm&#13;
&#13;
•&#13;
&#13;
1:500 - 1m ... is 2mm&#13;
&#13;
•&#13;
&#13;
1:1000 - 1m ... is 1mm&#13;
&#13;
Baseline (Tape &amp; Offset) Survey&#13;
A baseline survey is a method of recording archaeological sites by creating a&#13;
scaled drawing using 30m and 50m measuring tapes, pegs and a wooden&#13;
drawing board covered with graph paper and drafting film (commonly known&#13;
as permatrace), as well as assorted stationery.&#13;
The main baseline is set out close to the subject matter (such as a ruined&#13;
medieval building or prehistoric cairn). The baseline is replicated to scale on&#13;
your drawing board and then measurements, offsets, are taken at right angles&#13;
between the baseline and the subject matter. The result of this on your&#13;
&#13;
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drawing will be, for instance, the curve of one side of a cairn or the corner or&#13;
sides of a building.&#13;
The baseline can also be easily extended using scaled ranging poles (2m high).&#13;
You simply place one at the start of your baseline and one at the end. Then&#13;
stretch out another tape from the endpoint to the desired length and use a&#13;
third pole, which will need to be lined up with the other poles on the first&#13;
stretch of the main baseline.&#13;
Judging the right angle of an offset from the baseline at short distances (2-3m)&#13;
can often be done by eye, but error can easily creep in at longer distances. To&#13;
get around this, it is sometimes best to create one or more secondary baselines&#13;
off the main or starting baseline. This can easily be done by using the&#13;
Pythagoras’ Theorem of the 3:4:5 triangle, which can be extended to create&#13;
10m or 20m baselines (6:8:10 and 12:16:20 triangles).&#13;
These secondary baselines are used in exactly the same way as the main one,&#13;
and further baselines can be extended off them too, so that the entirety of your&#13;
subject matter can be recorded from every angle.&#13;
&#13;
Baseline Survey at Old Kirk, Kelton (June 2019)&#13;
&#13;
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OFFICIAL&#13;
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Problems can occur where the ground is uneven, there are high walls, or the&#13;
ground slopes etc. These can be solved by using ranging poles at both ends of&#13;
the offset to raise the measuring tape (sometimes using a spirit level). This&#13;
means hard-to-access parts of your subject matter, such as the inner face of a&#13;
buildings wall, can also be surveyed.&#13;
&#13;
Plane Table Survey&#13;
A plane table survey is another method of recording archaeological sites which&#13;
utilises a drawing board (which is covered graph paper and drafting film)&#13;
attached to a survey tripod, a 30m or 50m tape, pegs, plumb bob, spirit level, a&#13;
2m ranging pole and assorted stationery. Another piece of specialist&#13;
equipment needed is an ‘alidade’, which is essentially a flat, ruler-shaped&#13;
object, which could be made from metal, wood or plastic. At both ends of the&#13;
alidade are two attached upright sights.&#13;
This type of survey has been in use from at least the 16th century in Europe,&#13;
although it may have been in use long before this. The alidade itself dates to at&#13;
least the 15th century, but again may be older, and has Arabic origins - ‘alʽiḍāda’ meaning the revolving radius of a circle.&#13;
The survey process starts with the alidade being placed flat upon the drawing&#13;
board and set against a drawing pin which marks the centre point of the board.&#13;
A plumb bob is then attached to the underside of the drawing board so that it&#13;
directly overlies a survey point on the ground (usually marked out with a&#13;
wooden or plastic peg). The end of the 30m or 50m tape is then held at the peg&#13;
at ground level or at the drawing pin marking the centre of the board. The&#13;
other end of the tape and a 2m survey pole are then placed at a point of&#13;
interest on your subject matter (e.g. the wall of a building or edge of a ditch)&#13;
and the sights of the alidade are used to line up with the survey pole. A line is&#13;
drawn along the edge of the alidade from the centre point on the drawing&#13;
board, and a scale ruler used to accurately mark the point of interest on your&#13;
&#13;
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OFFICIAL&#13;
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drawing. This process continues until you have fully recorded your subject&#13;
matter, or recorded as much as can be seen from your initial survey point.&#13;
&#13;
Plane Table Survey at Polmaddy deserted settlement (July 2019)&#13;
&#13;
Further survey points on the ground can be added so that the hard-to-access&#13;
parts of your survey subject matter can be recorded, such as the rear of a tall&#13;
building or large earthwork. To do this, first ensure that both your original and&#13;
new survey points are recorded on your first drawing. Set up the plane table,&#13;
with a fresh sheet of drafting film on the board, over the new survey point and&#13;
make sure as before that both the new and old survey points are on the new&#13;
drawing. The drawings can then later be combined by overlaying them,&#13;
making sure the recorded survey points line up. This allows a final drawing of&#13;
the subject matter to be completed.&#13;
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OFFICIAL&#13;
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Extending your Survey Techniques&#13;
Baseline and plane table techniques are how most archaeological surveys are&#13;
carried out, but there are variations of these surveys and also other types of&#13;
field survey which you can try your hand at. For more information on&#13;
archaeological surveying, you should check out the ‘Scotland’s Rural Past’&#13;
website, a project that ran from 2006 to 2011. This project was run by the&#13;
Royal Commission for Ancient and Historical Monuments (now Historic&#13;
Environment Scotland) to help local communities across the country record&#13;
historic rural settlements. They produced an online book which shows a range&#13;
of techniques, such as baseline and plane table surveying which you can try&#13;
out.&#13;
&#13;
Tying Surveys into Ordnance Survey&#13;
Mapping&#13;
With both of the above techniques, it can be useful to tie your survey into&#13;
modern Ordnance Survey mapping. If you have a handheld GPS device which&#13;
has reasonable accuracy, then points and/or coordinates can be taken on your&#13;
survey points or at the endpoints of your baseline. A simpler method would be&#13;
to survey in existing geographic features such field boundaries, streets or&#13;
buildings and to use this data such that you can overlay your survey with&#13;
existing Ordnance Survey mapping.&#13;
&#13;
Producing an Illustration from the Survey&#13;
There are different ways in which to create a finished illustration from your&#13;
survey work. You can simply overlay the various elements of your survey and&#13;
mapping and trace with ink pens, which can take a bit of time and is easy to&#13;
make mistakes. An alternative is to use illustration software such as Adobe&#13;
Illustrator (quite expensive but there are trial &amp; student versions) or open-&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
source software (free) such as Inkscape. Note that these options require a&#13;
scanner for your computer.&#13;
&#13;
Illustration of the inn at Polmaddy from survey data using Inkscape (July 2019)&#13;
&#13;
Created by Rathmell Archaeology for the Galloway Glens, December 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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              <text>Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
3D Models from Photographs Training Workshop Note&#13;
PUBLISHED: MONDAY, 25 MARCH 2019&#13;
&#13;
What are 3D models?&#13;
3D models are used in movies, animations and video games but are also used&#13;
in many scientific fields and increasingly in recording built-heritage and&#13;
archaeological sites and artefacts. 3D modelling is the process of creating a 3D&#13;
representation or visualization of any surface or object by manipulating&#13;
polygons, edges and vertices in a simulated 3D space. A physical version of&#13;
this would be creating a papier mache model with a ridged frame of wire, over&#13;
which paper pulp and glue would be spread to create a shape which once dried&#13;
out would then be painted. This is essentially what happens virtually in your&#13;
computer while making a 3D model.&#13;
&#13;
Quick overview on Digital&#13;
Documentation&#13;
There are various forms of digital documentation which can be for the&#13;
recording of heritage objects or structures such as LIDAR (light detection and&#13;
ranging), Laser Scanning, RTI (reflectance transformation imaging) and&#13;
structure from motion (SFM) photogrammetry. All of these can produce 3D&#13;
models or visualisations of varying scales and complexity.&#13;
Lots of heritage organisations from local community groups through to the&#13;
National Museum Scotland are beginning to utilise this new technology. Some&#13;
of these technologies, such as laser scanning, can involve expensive&#13;
equipment, software and training at the start. Luckily structure from motion&#13;
photogrammetry (often called photo scanning) is a bit more accessible and&#13;
more importantly, it’s cheap.&#13;
Though you can spend a lot of money on creating 3D models through&#13;
photogrammetry it is possible to use something as simple as the camera on&#13;
your mobile, free or open source software found online and a modern pc or&#13;
laptop (though without a good graphics card in it, creating a 3D model could&#13;
take a while) and still get some pretty decent results.&#13;
Some examples of the different larger projects that have made use of digital&#13;
documentation are shown below:&#13;
•&#13;
&#13;
Forth Bridges 3D Project&#13;
&#13;
•&#13;
&#13;
3D Digital Documentation of Edinburgh Castle&#13;
Fore Well&#13;
&#13;
•&#13;
&#13;
St Andrews University’s 3D reconstructions of&#13;
parts of Edinburgh&#13;
&#13;
•&#13;
&#13;
Glasgow School of Art’s 2017 Degree Show (Shona&#13;
Noble) visualisation (with sound) of Fingal’s&#13;
Cave on the Isle of Staffa&#13;
&#13;
For more information on Digital Documentation you can download and read&#13;
Historic Environment Scotland’s short guide.&#13;
&#13;
How do you create 3D&#13;
models?&#13;
3D models can be created either manually (like papier mache models or&#13;
sculpting with clay) using specialized 3D production software such as Blender&#13;
or Maya that let users create and manipulate polygonal surfaces, or by&#13;
scanning real-world objects through photogrammetry or laser scanning&#13;
software, such as 3DF Zephyr, Agisoft Metashape or Meshroom, into a set of&#13;
data points that can be used to represent the object digitally.&#13;
With photogrammetry, the 3D model is created by first taking a series of&#13;
overlapping photographs from as many different angles as possible of say, a&#13;
tree stump, which you will then upload to your computer and process using&#13;
the photogrammetry software of your choice. Depending on the software you&#13;
use it is possible to edit your photos and set how detailed you want the&#13;
resultant 3D model to be.&#13;
General Rules for Data Capture for Photogrammetry are:&#13;
•&#13;
&#13;
Do your best to keep the object or structure centred while framing&#13;
your photos&#13;
&#13;
•&#13;
&#13;
With photogrammetry outdoors, it is best to avoid direct light&#13;
sources (i.e. very sunny days) that may cast shadows and hide parts&#13;
of the object or structure’s surface areas. With photogrammetry&#13;
inside, you may have to add diffuse light sources, use a plain&#13;
backdrop and possibly use a turntable for smaller portable objects in&#13;
order to get good results&#13;
&#13;
•&#13;
&#13;
Try to avoid high ISO values on your camera as it can create a noisy&#13;
background which will confuse photogrammetry software packages.&#13;
&#13;
An ISO value of 200-600 is a good rule of thumb, although usually&#13;
the lower the better&#13;
•&#13;
&#13;
Use a high aperture value (F/8 – F/16) for your camera as this will&#13;
help with obtaining a deep depth of field for your photos&#13;
&#13;
•&#13;
&#13;
Keep your shutter speed at a higher value: 1/125 or more&#13;
&#13;
•&#13;
&#13;
Try not to take blurry photos. Using better quality cameras, having&#13;
the right type of light or using a tripod can help reduce this risk&#13;
&#13;
•&#13;
&#13;
One of the most important rules is that you make sure your&#13;
photos have at least a 60% overlap (though 70-80% would be&#13;
better). Try to shoot as many photos you can. If you think you’re&#13;
finished, take some more!&#13;
&#13;
•&#13;
&#13;
For an object like a statue or gravestone, you will need to circle it,&#13;
taking photographs at 10° intervals, which will mean 36 photos for&#13;
each circle. You should repeat this with the camera at different&#13;
height levels (for instance crouching or standing) and at different&#13;
distances from the object (sometimes getting very close if there are&#13;
details on the object such as carvings on a gravestone). The number&#13;
of photos you can use within the software may be hampered by the&#13;
type of software you’re using (e.g. 3DF Zephyr Free only allows 50&#13;
photos)&#13;
&#13;
•&#13;
&#13;
You should also keep in mind when taking your photographs UK law&#13;
with regards to privacy (near privately owned property) and/or&#13;
protection of children (near schools or nurseries). It’s also a good&#13;
idea to seek permission before you start to snap away.&#13;
&#13;
Listed below are the different types of software which can be used for&#13;
photogrammetry and 3D modelling once you’ve acquired your&#13;
photogrammetry data. There are also others available.&#13;
&#13;
Free Software:&#13;
•&#13;
&#13;
3DF Zephyr Free - Has a limit of 50 photos per model but other than&#13;
that, perfect for starting out.&#13;
&#13;
•&#13;
&#13;
Meshroom - Very new software which is very good but you need to&#13;
use other software to upload to Sketchfab. Hopefully new versions&#13;
will allow this in the future.&#13;
&#13;
•&#13;
&#13;
3D Regard - Good, but slow, free software, though needs to be edited&#13;
in other software.&#13;
&#13;
•&#13;
&#13;
Visual SFM - Good, but slow, free software though needs to be edited&#13;
in other software.&#13;
&#13;
Paid Software:&#13;
•&#13;
&#13;
3DF Zephyr (Lite &amp; Pro) - Fast software though the Lite version is&#13;
limited to 500 photos (permanent licence £127-£3,300)&#13;
&#13;
•&#13;
&#13;
Agisoft MetaShape - Fast software though the standard version has&#13;
limited functionality (permanent licence £135-£2,634)&#13;
&#13;
•&#13;
&#13;
Reality Capture - One of the fastest softwares out there with plenty of&#13;
functionality (£85 for 3 months or £3,420-£13,000 for a permanent&#13;
licence)&#13;
&#13;
•&#13;
&#13;
Pix4Dmodel - Good software with plenty of functionality. Cloud&#13;
processing allows people with older computers to create 3D models&#13;
online (£36 a month &amp; free trial)&#13;
&#13;
•&#13;
&#13;
PhotoModeler - Good software with plenty of functionality (£37 a&#13;
month, £750 for a permanent licence &amp; free trial)&#13;
&#13;
•&#13;
&#13;
AutoDesk ReCap - Fast software with plenty of functionality (£42 a&#13;
month &amp; free trial)&#13;
&#13;
3D modelling software (for editing &amp; uploading):&#13;
•&#13;
&#13;
Blender - Allows the creation of 3D models from scratch, editing of&#13;
3D models, upload to SketchFab and many other uses (free)&#13;
&#13;
•&#13;
&#13;
Maya - Allows the creation of 3D models from scratch, editing of 3D&#13;
models, upload to SketchFab and many other uses (£216 a month &amp;&#13;
free trial)&#13;
&#13;
•&#13;
&#13;
Meshlab - Allows the editing of 3D models and upload to SketchFab.&#13;
Difficult interface (free)&#13;
&#13;
•&#13;
&#13;
3DS Max - Similar software &amp; pricing as Maya.&#13;
&#13;
What Equipment do you&#13;
need to do Photogrammetry?&#13;
As mentioned above, it is possible to create 3D models with as much or as little&#13;
equipment as is available or affordable. It is easy to create a basic model say of&#13;
a gravestone or small statue using the camera on your smartphone or a point&#13;
and click camera. Many phones and basic cameras allow you to change ISO&#13;
and/or shutter speed so it is possible to get good results. It is also possible to&#13;
get a good result using the automatic settings on your phone or camera&#13;
without having to go into the settings of your device. To get better results,&#13;
using a DSLR camera is your best option, particularly where the lighting&#13;
conditions are trickier such as a dimly lit interior.&#13;
To stop your phone or camera from shaking it is a good idea to set it on a&#13;
tripod which will reduce the chance of blurry photos. It is also possible to&#13;
mount your camera on an extendable pole (or even a selfie stick for your&#13;
phone) which is useful when the object is larger, for instance a building or tall&#13;
statue. Care should be taken with these as they could be dropped in windy&#13;
conditions, and you should check there are no overhead services.&#13;
&#13;
Below is a list of what you need for carrying out photogrammetry for a simple&#13;
object outdoors:&#13;
•&#13;
&#13;
Smartphone or point and click camera with over 5 megapixels&#13;
(though 8 megapixels would be best)&#13;
&#13;
•&#13;
&#13;
Free or open source photogrammetry software&#13;
&#13;
•&#13;
&#13;
A computer with decent specs (at least 8GB RAM and a dedicated&#13;
graphics card)&#13;
&#13;
To get better results the following would come in handy depending on what&#13;
you’re trying to achieve:&#13;
•&#13;
&#13;
DSLR or Bridge camera&#13;
&#13;
•&#13;
&#13;
Paid unlimited photogrammetry software&#13;
&#13;
•&#13;
&#13;
Portable LED lighting&#13;
&#13;
•&#13;
&#13;
Tripod, camera pole, selfie stick&#13;
&#13;
•&#13;
&#13;
Portable camera tent and neutral backdrop&#13;
&#13;
•&#13;
&#13;
Turntable (for smaller object photogrammetry)&#13;
&#13;
Where can you display your&#13;
3D Models?&#13;
Though there are a number of online websites where 3D models can be&#13;
uploaded and displayed, by far and away the best is Sketchfab. Sketchfab is&#13;
like the YouTube for 3D models and though there are yearly and monthly paid&#13;
plans to use it, there is an unlimited free plan which meets the needs of most&#13;
users. Sketchfab allows the editing of 3D models and the use of text captions,&#13;
animation and sound so that it’s possible to present a professional looking 3D&#13;
model.&#13;
&#13;
Many of the photogrammetry and 3D modelling software packages allow you&#13;
to create basic animations with your 3D models which can be uploaded to&#13;
YouTube or other similar websites. This is useful as sometimes more&#13;
complicated models are hard to view on some computers, phones or tablets. It&#13;
is also possible to link or embed 3D models and videos of them onto a website,&#13;
blog post or social media.&#13;
Below are some suggested links to collections of 3D models by:&#13;
•&#13;
&#13;
Thomas Flynn on Monuments &amp; Sites and on&#13;
Museums, Galleries &amp; Exhibitions;&#13;
&#13;
•&#13;
&#13;
the National Museum of Scotland on Scottish&#13;
History and Archaeology; and&#13;
&#13;
•&#13;
&#13;
Dr Hugo Anderson-Whymark on Skara Brae :&#13;
Structures.&#13;
&#13;
Case Study 1 – Cadder&#13;
Parish Church, East&#13;
Dunbartonshire&#13;
My first attempt at photogrammetry was at Cadder Parish Church, East&#13;
Dunbartonshire. The work was carried out as part of a small project which&#13;
involved researching some of the history of the church and the village of&#13;
Cadder. We brought in photogrammetry to help record architectural elements&#13;
of the church, gravestones and other structures within the graveyard, such as a&#13;
mortsafe and watch house used to stop grave robbing in the early 19th century.&#13;
The resulting article shows the results that can be achieved using just a&#13;
smartphone and free software to produce the model collection, though a&#13;
higher spec computer was still needed to process the data. If high spec&#13;
computers are not available then photogrammetry software such as&#13;
&#13;
Pix4Dmodel could be used, as it can be processed online via cloud processing&#13;
meaning any computer can be used (though it has a monthly cost to it).&#13;
&#13;
Case Study 2 – Culzean&#13;
Castle, South Ayrshire&#13;
Rathmell Archaeology’s first use of photogrammetry was during excavations to&#13;
look for the early 17th century walled garden within the Fountain Court of&#13;
Culzean Castle. The excavation identified the SSW corner of the wall and the&#13;
National Trust for Scotland asked for photogrammetry to be carried out for&#13;
the excavated area.&#13;
&#13;
Aerial photo of the excavations at Fountain Court during the excavations.&#13;
&#13;
The on-site data was captured using a DSLR Camera after the excavation had&#13;
just finished up. The photos were taken by circling the excavated area at a&#13;
crouched and standing level with all of the photographs overlapping each&#13;
other by at least 60%. The model was created with 3DF Zephyr Lite using&#13;
over 200 of the photographs which were taken on site. The editing of&#13;
&#13;
photographs and processing of the images took 3-4 hours (using a PC with an&#13;
NVidia Graphics Card).&#13;
&#13;
Screen Capture of the finished 3D Model&#13;
&#13;
Case Study 3 – 18th century&#13;
Well at Levengrove Park,&#13;
Dumbarton&#13;
One of Rathmell Archaeology’s most recent uses of photogrammetry and 3D&#13;
modelling was during the excavation of an 18th century well which had been&#13;
exposed at Levengrove Park, Dumbarton after the storms of September 2018&#13;
blew over a tree (over a hundred years old) which had grown over it. The&#13;
excavation involved the usual archaeological techniques such as shovelling&#13;
and trowelling but also involved the clearing out of debris and water from the&#13;
bottom of the well. The latter work was luckily carried out by West&#13;
Dunbartonshire Council.&#13;
&#13;
View of the Levengrove well after excavation&#13;
&#13;
The on-site data was captured using a DSLR Camera after the excavation had&#13;
just finished up. The photos were taken by circling the excavated area at a&#13;
crouched and standing level. A series of higher angled photos were obtained&#13;
using a 2-3m pole which the DSLR was mounted on. The camera mounted&#13;
pole was also lowered carefully into the bottom of the well to capture data&#13;
there. All of the photographs taken overlapped each other by at least 60% and&#13;
a number of close up shots were also taken to try and get more detail of the&#13;
stonework used in the well’s construction. The model was created with 3DF&#13;
Zephyr Lite using over 300 of the photographs which were taken on site. The&#13;
editing of photographs and processing of the images took 4-5 hours (using a&#13;
PC with an NVidia Graphics Card).&#13;
&#13;
Using Camera mounted on pole to record the bottom of the well with mobile for DSLR remote.&#13;
&#13;
Another 3D model was taken after restoration works were completed at&#13;
Levengrove Park so that the well could be displayed to the public safely.&#13;
&#13;
Screen capture of the 3D model of the well&#13;
&#13;
Created by Rathmell Archaeology for the Galloway Glens, March 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
#7: The Hut Circles of Moss&#13;
Raploch – Reconstructing the&#13;
Iron Age&#13;
Located within the Galloway Forest Park, the original site of Moss Raploch is&#13;
within north-east corner of Clatteringshaws Loch (NX 55307765) east of the&#13;
A712. Parking is available at the Forestry &amp; Land Scotland visitor centre,&#13;
located at Clatteringshaws Farm. Walking the path to Moss Raploch, you pass&#13;
the remnants of the reconstruction.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
The discovery of submerged houses&#13;
Clatteringshaws Loch was created in 1937 by the damming of the Black Water&#13;
of Dee. This process flooded the surrounding landscape, including the bog at&#13;
Moss Raploch. Progressive erosion over the following decades revealed in May&#13;
1974, during drainage operations, two hut circles on the bed of the reservoir at&#13;
Moss Raploch.&#13;
The Moss Raploch hut circles lay 80m apart on level ground on the east side of&#13;
the valley, at a point where Clatteringshaws Lane flows westwards towards the&#13;
Black Water of Dee. Both hut circles appeared as penannular stone banks 1.4m&#13;
broad enclosing an area 5.5m in diameter.&#13;
&#13;
The excavations&#13;
During July and August 1974 the more readily accessible hut circle was&#13;
excavated due to the danger of further erosion damaging the archaeological&#13;
site. The excavation, which covered an area 10m square, removed a residual&#13;
thin layer of silt and peat to reveal over a brown loam extensively flecked with&#13;
charcoal. Stripping off this loam revealed the floor plan of the hut.&#13;
The circular interior contained as slight platform to the rear, defined by an arc&#13;
of stones. A central hearth was identified formed by a 0.2m deep patch of&#13;
reddened, heat affected clay. This clay, set into a pit, contained small&#13;
fragments of burnt bone. The hearth was surrounded by a small area of&#13;
paving, slightly recessed into the ground. The entrance the hut was located to&#13;
the south-east arc of the structure, it was paved with a raised sill-stone that&#13;
was embedded in the subsoil. The sill stone aligned with a possible setting of&#13;
upright stones which projected towards the hearth creating a possible porch&#13;
area.&#13;
&#13;
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&#13;
OFFICIAL&#13;
&#13;
Excavation plan of hut circle&#13;
&#13;
The hut’s wall, sectioned in the north and south, was shown to have a width of&#13;
1.4m. The wall was formed by kerb stones on the outer face, these were more&#13;
evident in the southern arc, with a rubble core behind. There was no evidence&#13;
that this wall was at any point more than a single course high. Post holes were&#13;
uncovered on the inner face of this wall in the north, west and south of the&#13;
interior, these post holes ranged from 0.25m-0.30m in diameter and were&#13;
stone packed. The posts that would have rested in these holes presumably&#13;
supporting the roof.&#13;
Works outside the entrance revealed a narrow spread of rough paving forming&#13;
a causeway that extended towards the course of the burn - though at the point&#13;
where the ground falls to the burn the paving petered out. There was also a&#13;
small cobbled surface that formed a rubble foundation measuring 0.8m by&#13;
1.2m in plan outside the entrance, extending from the hut in an irregular arc.&#13;
&#13;
OFFICIAL&#13;
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OFFICIAL&#13;
&#13;
Finds&#13;
There were very few finds from the excavation, suggesting that the occupants&#13;
had regularly cleared the interior and that the structure had not been used for&#13;
dumping after its abandonment. A small selection was recovered: from the&#13;
cobbled foundation outside the hut a fragment of a blue glass ring and a flake&#13;
of flint thought to be a scraper; from the causeway a fragment of white glass&#13;
ring, streaked with blue and green; amongst the stones overlying the hearth a&#13;
minute fragment of bone with incised cross hatching; and from the loam over&#13;
the northwest arc of the hut wall a grooved whetstone of micaceous mudstone.&#13;
The two glass ring fragments were tentatively ascribed a 1st to 2nd century AD&#13;
date, suggesting a late Iron Age date for the settlement - during the Roman&#13;
campaigns in Scotland.&#13;
&#13;
Grooved Whetstone&#13;
&#13;
Discussion&#13;
Unenclosed round houses such as that at Moss Raploch are typically ascribed&#13;
to the Bronze Age, the marked tendency being for round houses in the Iron&#13;
Age to be sited within enclosures or to be of overly robust character. The&#13;
dating evidence at Moss Raploch places this unenclosed round house in the&#13;
late Iron Age, making the unenclosed and slight character of the site notable -&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
perhaps a reminder that general trends in settlement do not constrain all&#13;
settlement.&#13;
In terms of the use of space, the Moss Raploch house exhibits many common&#13;
characteristics from later prehistory. A circular floor plan with the entrance in&#13;
the south east; interior space focused on a central hearth which has been&#13;
formally constructed. There are no clear radial divisions, though the edge set&#13;
stones forming the ‘porch’ do suggest some internal partitions. The raised&#13;
platform to the rear is proposed by the excavator as for storage, though a&#13;
sleeping platform has equal merit.&#13;
The slight, but broad, form of the wall suggests the potential for turves to have&#13;
been used in the superstructure. Equally the presence of only three earthfast&#13;
timbers to support the roof (assuming all timbers were earthfast and not&#13;
supported by heel stones) suggests that the typical architectural form of the&#13;
time - a ring beam to support rafters forming a conical roof - is not credible.&#13;
The overall picture is of a conventional floor plan and use of space, but with an&#13;
unusual, slighter superstructure compared to most excavated examples of later&#13;
prehistoric round houses.&#13;
&#13;
From Reconstructed Round House to&#13;
Hut Circle&#13;
The Forestry Commission (as they then were) decided to build a&#13;
reconstruction of the Moss Raploch site next to the visitor centre at&#13;
Clatteringshaws Loch. Given the uncertainty as to the roofing and form of the&#13;
walls, a liberal interpretation was followed with the reconstruction owing more&#13;
to better understood more substantial round houses. Over time the thatched&#13;
roof was not renewed, the timber roof structure was removed and now only&#13;
the stone wall remains - a modern hut circle, though still much more robust&#13;
and substantial than the excavated site.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Reconstruction partway through loss of the superstructure&#13;
&#13;
Conclusion&#13;
Moss Raploch provides us with a glimpse into a domestic native structure&#13;
during the Roman campaigns in Galloway, challenging some of the easy&#13;
assumptions as to the character and form of these buildings. The surviving&#13;
reconstructed hut circle, while not representative in terms of its robustness,&#13;
offers the ability to consider the use of space within such a home.&#13;
&#13;
Further Reading&#13;
Condry, J &amp; Ansell, M (1978) ‘The Excavation of a Hut Circle at Moss&#13;
Raploch', Trans Dumfriesshire Galloway Natur Hist Antiq Soc, 3rd, vol. 53,&#13;
1977-8. Page(s): 103-113&#13;
Created by Rathmell Archaeology for the Galloway Glens, August 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
#6: Castledykes – The Castle of&#13;
the King&#13;
PUBLISHED TUESDAY, 2 JULY 2019&#13;
&#13;
Castledykes (NX 6771 5088) is located within Kirkcudbright, lying to the west&#13;
of Kirkcudbright Academy and southeast of the sewage works. The monument&#13;
is accessible by Castledykes road. It appears as a series of grassy banks with&#13;
scrub woodland covering some portions of the site.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
It’s History&#13;
The first mention of the castle at Kirkcudbright was in 1288, when John&#13;
Comyn, sheriff of Wigtown, was noted as being the guardian of ‘the castle and&#13;
lands which belonged to the King in Kirkcudbright’. This castle was probably&#13;
the structure erected at Castledykes. The office of guardian was combined with&#13;
that of Dumfries and Wigtown in 1291-2.&#13;
&#13;
Castledykes (centre) from an aerial image&#13;
&#13;
During the first phase of the Wars of Independence, Edward I evidently&#13;
intended Kirkcudbright as a supply port when his fleet lay off the Dee estuary&#13;
in 1300. The castle was held by the English throughout this period, with&#13;
Edward I camping at Kirkcudbright for ten days in the summer of that year.&#13;
Thereafter the king turned his attention to the east of Scotland, leaving the&#13;
west to his son Edward who may have come to Kirkcudbright in July 1301.&#13;
Kirkcudbright appears to have been used as supply base again in 1306.&#13;
&#13;
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&#13;
OFFICIAL&#13;
&#13;
After Edward I’s death in 1307, the castle is unlikely to have been significantly&#13;
used by the English, and the town was reported as waste in 1335-6. The castle&#13;
of Kirkcudbright was included in a grant of the lordship of Galloway to&#13;
Edward Bruce, brother of the king, in the early 14th century, but virtually&#13;
nothing was heard of the castle after that date. There is no record that the&#13;
castle was used at all by the Douglas family up until their forfeiture in 1455&#13;
and the castle probably lay in ruins. Sir Thomas Maclellan acquired the site in&#13;
1577 and he appears to have used much of the material from the castle to build&#13;
his house (Maclellan’s Castle) which still stands within the town.&#13;
In 1964 Castledykes was recognised as a nationally important site with the&#13;
motte being designated (and so protected) as a scheduled monument&#13;
&#13;
The Excavations&#13;
The motte at Castledykes was investigated through substantial excavation&#13;
works by Robison in the 1911, 1912 and 1913. These works were successful in&#13;
recording the foundation courses for the curtain wall and corner towers of&#13;
what appeared to be the late 13th to early 14th century castle.&#13;
The layout was revealed to be a rubble-built rectangular enclosure with a&#13;
round tower at each corner. The eastern tower formed one side of two&#13;
externally buttressed gatehouse towers, with the other sitting along the&#13;
northeastern wall, placing the entrance for the castle as coming from the&#13;
northeast. The buttresses on the gatehouse towers and the adjacent curtain&#13;
wall are unusual for this period but it is possible that they were designed to&#13;
carry machicolations near the wall-top, perhaps even arched, as seen at&#13;
Haughton Castle, Northumberland.&#13;
The footings at the western corner revealed this tower to be larger in size and&#13;
it probably represented the keep. The plan reproduced by the excavators&#13;
represents this tower as a later addition buttressing that corner of the&#13;
enclosure inside and out, but this may perhaps represent the sequence of&#13;
construction.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Plan showing Castledykes in relation to earthwork&#13;
&#13;
The latter tower and the one to the north both contained the remains of spiral&#13;
staircases, which presumably gave access to the upper floors. Robison wrote&#13;
that the defences of the outer bailey had disappeared but that he presumed&#13;
they would have been on a stockade principle and, if so, that no trace of them&#13;
would remain.&#13;
These excavations followed the approach of ‘wall chasing’ - excavating a series&#13;
of narrow linear trenches that followed obvious structures. While this was a&#13;
common approach in the early 20th century, it is now considered a poor&#13;
strategy as it fails to examine, in plan, the sequential development of sites.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Wall chasing trench from 1911&#13;
&#13;
Since Robison’s work, there has only been two further instances of&#13;
archaeological interventions at Castledykes, both of which were small-scale. In&#13;
2002, Brann monitored civil engineering test pits and boreholes in advance of&#13;
a proposed expansion of the Waste Water Treatment Works. Another&#13;
watching brief by Rathmell Archaeology in 2005 supported the construction of&#13;
a pipeline running to the works close to the access road. No significant&#13;
archaeological features or deposits were recorded by either.&#13;
&#13;
The Finds&#13;
Artefacts recovered from the 1911-13 excavations included pottery sherds,&#13;
fragments of ironwork and a small-toothed comb made from bone. The finds&#13;
were discussed in more detail by Dunning, Hodges and Jope in 1957-58.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Depiction of imported jugs from Dunning, Hodges &amp; Jope&#13;
&#13;
The pottery represented at least 50 jugs and four cooking pots. There were no&#13;
dishes, bowls or more specialised shapes. At least six (and probably eight) of&#13;
the jugs were imports from southwest France. Of the remaining, a variety of&#13;
styles and fabrics suggested several different sources, some probably being&#13;
brought from England. A number showed an underlying uniformity of fabric&#13;
which could have been made at or near Kirkcudbright. The French pottery was&#13;
identified as being late 13th to early 14th century in date, with one fragment&#13;
coming from a medieval polychrome pitcher - the only example of this type&#13;
from Scotland at the time of the article. The transport of this pottery has been&#13;
associated with the extensive Gascon wine trade to Britain.&#13;
These artefacts are held by Dumfries and Galloway Council within the&#13;
collections of the Stewartry Museum.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Conclusion&#13;
No upstanding structures remain of the castle and the site survives as a&#13;
massive earthwork comprising a roughly oblong mound surrounded by a&#13;
ditch. Excavations undertaken in the 1910s revealed the layout of the castle as&#13;
a rectangular enclosure with a round tower at each corner and a substantial&#13;
gatehouse to the northeast.&#13;
Pottery sherds recovered from the excavations were dated to the late 13th to&#13;
early 14th century, which matches with the short-lived period of use suggested&#13;
by the historic references.&#13;
&#13;
Modern interpretation of the Motte placed in the Outer Bailey&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Further Reading&#13;
Robison, J 1914 ‘Account of the excavation of the Edwardian Castle at&#13;
Castledykes, Kirkcudbright’, Proceedings of the Society of Antiquaries of&#13;
Scotland Vol. 48 pp 381-394&#13;
Dunning, G C, Hodges, H W M and Jope, E M 1957-58 ‘Kirkcudbright Castle,&#13;
its Pottery and Ironwork’, Proceedings of the Society of Antiquaries of&#13;
Scotland Vol. 91 pp 117-138&#13;
Created by Rathmell Archaeology for the Galloway Glens, July 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
#5: Glenlochar Roman Fort “Great empires are not&#13;
maintained by timidity” Tacitus&#13;
PLUBLISHED TUESDAY, 4 JUNE 2019&#13;
&#13;
Glenlochar Roman Fort is located on the east bank of the River Dee two miles&#13;
north of Castle Douglas and approximately one mile north Threave Castle. The&#13;
site is bisected by the modern day B795. It has had two residential properties&#13;
constructed within what was the interior and has been overlain by rich arable&#13;
fields.&#13;
&#13;
OFFICIAL&#13;
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OFFICIAL&#13;
&#13;
Its History&#13;
Originally misinterpreted as the remains of an Abbey, Glenlochar Roman Fort&#13;
was first identified in 1949 by Dr Kenneth St. Joseph through the presence of&#13;
cropmarks. St Joseph was an early pioneer of aerial photographic techniques,&#13;
assisting in identifying countless sites across the British Isles. Five camps were&#13;
also identified by St Joseph attesting the importance of this location for&#13;
Roman activity in Scotland.&#13;
&#13;
Aerial photograph of Glenlochar Roman fort&#13;
&#13;
It was known at the time of discovery of the fort that there were a series of&#13;
Roman sites lying along an east-west road running along the Solway coast. To&#13;
the east on the Nith there are sites at Carzield from the Antonine period and at&#13;
Dalswinton from the Flavian period. Further west there was a smaller fort at&#13;
Gatehouse of Fleet, which was also discovered by St Joseph using aerial&#13;
&#13;
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OFFICIAL&#13;
&#13;
photography. The location of these forts along this westward road, coupled&#13;
with the Roman road from Glenlochar, towards Ayrshire suggests the&#13;
development of the Roman system of cordon control.&#13;
&#13;
The excavations&#13;
The excavation at Glenlochar took place across March and April 1952. The&#13;
excavation consisted of one main trench and two minor trenches. The trenches&#13;
were laid out to assess the nature of the defences and to assess the layout of&#13;
structures within the interior of the fort.&#13;
&#13;
Trench excavated during the 1952 season&#13;
&#13;
The excavated trenches revealed that there had been a series of three&#13;
superimposed forts, which for the most part retained common alignments.&#13;
The first had been constructed in the Flavian period and may have been&#13;
&#13;
OFFICIAL&#13;
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OFFICIAL&#13;
&#13;
destroyed by fire. The second was constructed in the Antonine period, while&#13;
the third represented later improvements also during the Antonine period.&#13;
To the north of this known fort, there is the suggestion there was an earlier&#13;
Flavian (Agricolan) fort on a different site: a large ditch, visible on the aerial&#13;
photographs at the northern end beyond the limits of the Antonine phases.&#13;
This suggests that an earlier site may be situated just north of the B795 on the&#13;
higher ground.&#13;
Five Roman camps are also known at Glenlochar - showing the temporary&#13;
encampment of military units - suggesting the importance of this location on&#13;
the eastern bank of the Dee throughout the Roman campaigns in Scotland.&#13;
&#13;
The Finds&#13;
65 fragments of pottery were unearthed during the excavation in 1952. They&#13;
came from 17 different vessels, of which it was possible to create drawings of 6&#13;
of the vessels. Of those 6 vessels which were reconstructed, 3 were coarse ware&#13;
vessels, while the remaining 3 were of samian ware. The pottery recovered was&#13;
able to assist in determining the stratigraphy and chronology of the site, with&#13;
there being two distinct dated pottery types: a Flavian group and an early&#13;
Antonine group.&#13;
&#13;
Conclusion&#13;
The Roman activity is a reminder of the an Age of Invasion when the Roman&#13;
empire controlled the indigenous populations of south west Scotland. The site&#13;
represents repeated and continued attempts to assert some form of&#13;
control/presence within the Galloway Glens area. The excavations have given&#13;
us the briefest of insights into the importance of Glenlochar locally, but also&#13;
suggest its importance in the large national narrative of the Roman occupation&#13;
of Scotland.&#13;
&#13;
OFFICIAL&#13;
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OFFICIAL&#13;
&#13;
Further Reading&#13;
Richmond and St Joseph, I A and J K (1953) 'The Roman fort at&#13;
Glenlochar, Kirkcudbrightshire', Trans Dumfriesshire Galloway Natur Hist&#13;
Antiq Soc, 3rd, vol. 30, 1951-2. Page(s): 1-16&#13;
Jones, R (2011) Roman Camps in Scotland, Society of Antiquaries of&#13;
Scotland. Page(s): 215-6&#13;
Created by Rathmell Archaeology for the Galloway Glens, June 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
#4: Excavation at Threave Castle&#13;
– The Stronghold of the Black&#13;
Douglases&#13;
PUBLISHED TUESDAY, 7 MAY 2019&#13;
&#13;
Threave Castle (NX 73920 62282) is located on a 10ha low-lying island within&#13;
the River Dee, approximately 1.5m West of Castle Douglas. The Castle is in the&#13;
care of Historic Environment Scotland and there are car parking facilities off&#13;
the A75 at Kelton Mains.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
It’s History&#13;
Threave Castle is not mention in the written records until 1400 when&#13;
Archibald ‘The Grim’, the third Earl of Douglas died on the site. It is thought&#13;
that Archibald The Grim commissioned the construction of the tower house in&#13;
1369 on the island after his elevation to the Lord of Galloway. Threave Castle&#13;
remained the stronghold of the ‘Black Douglas’ family throughout the 15th&#13;
century.&#13;
&#13;
The growing influence and power of the ‘Black Douglas’ family became a&#13;
perceived threat to the Scottish Crown, which prompted extreme action by&#13;
King James II, starting with the annexation of the Earldom of Wigtown in&#13;
1450. Then in 1452, James II murdered William, the 8th Earl of Douglas while&#13;
he dined at Stirling Castle. In the summer of 1455 James laid siege to Threave&#13;
Castle but failed to inflict substantial damage upon the Douglas’s stronghold.&#13;
Only after a long siege and by bribing the garrison was James able to take the&#13;
castle. Threave Castle and the lordship was taken into crown ownership and&#13;
the ‘Black Douglas’ family destroyed.&#13;
Through the subsequent centuries, Threave Castle waned in significance and&#13;
was reported to have fallen to disrepair. In 1638 the Threave Castle was in the&#13;
hands of Robert Maxwell, Earl of Nithsdale and keeper of Threave. Maxwell&#13;
garrisoned a small number of men with a large amount of arms, ammunition&#13;
and provisions within it to withstand a lengthy siege. This was in response to&#13;
&#13;
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&#13;
OFFICIAL&#13;
&#13;
concerns about the Covenanters, who would ultimately lay siege to the Castle&#13;
in 1640. Despite the improved heavy ordnance of the day at the disposal of the&#13;
Covenanter force, they found that the defences at Threave Castle held fast, and&#13;
the siege was broken only after the garrison were given royal permission to&#13;
surrender.&#13;
The War Committee of the Covenanters decided to systematically dismantle&#13;
Threave Castle. Its stone was used in other construction projects and&#13;
thereafter it was allowed to decay, apart from work being completed in the&#13;
19th century to enable the Tower House to house French prisoners of war.&#13;
&#13;
The Excavations&#13;
The excavations at Threave Castle took place between 1974 and 1978,&#13;
extensive trenching was conducted across the whole site, which covered both&#13;
the landward and river defences, various structures and enclosure both&#13;
external and internal. The excavations were too extensive to go into detail in&#13;
this piece.&#13;
The first phase of Douglas occupation saw the construction of a tower house in&#13;
the 14th century, the excavation produced evidence that suggested that during&#13;
the ‘Black Douglas’ Families occupation that Threave Castle was largely selfsufficient if evidence for activities such as wood-turning, smithing, lead&#13;
smelting being carried out on the island. It was also suggested from the data&#13;
gathered during the excavation that there was little in the way of new&#13;
construction after the Threave Castle was removed from the Douglas family,&#13;
the excavation showed that during the 16th century the turf bank of the N side&#13;
of the tower-house was rebuilt and the main ditch was re-instated. During the&#13;
17th the main was recut again with an outer bank to the N and E, 2 new&#13;
buildings were constructed and down pipe added to the tower house serving as&#13;
a latrine.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
The Finds&#13;
There was a large assemblage of finds recovered from Threave Castle, the&#13;
assemblage was made up of a broad array of artefacts which were placed into 4&#13;
distinct phases to help create a material chronology for the site:&#13;
Phase 1: Pre – Douglas (- 1370)&#13;
Phase 2: Douglas era (1370 - 1455)&#13;
Phase 3: Post – Douglas era (1455 - 1640)&#13;
Phase 4: 1640 onwards&#13;
&#13;
Silver locket and seal of Douglas family crest from Threave Castle&#13;
&#13;
Numerous worked metal objects were recovered during the excavation many&#13;
of these items were utilitarian in design knifes, handles from cooking pots,&#13;
keys giving insight into a functioning community at the castle. There were also&#13;
a small number of precious silver and gold artefacts recovered, including a&#13;
silver Maltese cross and locket along with a gold earring and strap-end.&#13;
Wooden objects were prominent in the assemble with many wooden vessels&#13;
being discovered along with carpentry timbers, a wooden rudder was&#13;
recovered from the harbour area, along with many leather finds such as shoes&#13;
and off cuts. For a more detailed assessment of the artefacts please see the&#13;
further reading.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Conclusion&#13;
Threave Castle was the power base of the Black Douglases during the 15th&#13;
century, the family rose to such prominence that it their influence became of&#13;
concern to James II which ultimately led to the families demise, the castle&#13;
sphere influence also waned shortly after, also with standing multiple sieges&#13;
the changing political and military climate ultimately lead to the castle being&#13;
put out of commission on purpose. The archaeological data from Threave&#13;
Castle provides an insight to the workings of a medieval castle with evidence&#13;
suggesting that the level of self-sufficiency on the island help make it the&#13;
stronghold it was.&#13;
&#13;
Further Reading&#13;
Good and Tabraham, G L and C J.(1981) 'Excavations at Threave Castle,&#13;
Galloway, 1974-78', Medieval Archaeology, vol. 25, 1981. Page(s): 90-140&#13;
&#13;
Created by Rathmell Archaeology for the Galloway Glens, May 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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              <text>Galloway Glens ‘Can You Dig It’ Community&#13;
Archaeology project – Technical notes.&#13;
&#13;
#3: Park of Tongland Bronze Age&#13;
cremation cemetery – A complex&#13;
prehistoric site with unusual&#13;
pottery…&#13;
PUBLISHED: MONDAY, 1 APRIL 2019&#13;
&#13;
Located west of the A711 and northwest of Tongland Park, Tongland Cemetery&#13;
and standing stones occupies a small terrace overlooking the River Dee. The&#13;
site’s location can be characterised as an undulating plateau which features a&#13;
number of linear, north-south running rocky outcrops. The land is currently&#13;
used as pasture.&#13;
&#13;
Its History&#13;
The site was first interpreted as a stone circle by Coles in 1895, who noted on&#13;
his plan a potential for the existence of an outer circle made up of much&#13;
smaller stones. The outer circle was later dismissed by the Royal Commission&#13;
on the Ancient and Historical Monuments of Scotland in 1914, on the basis&#13;
&#13;
that the smaller stones could not be absolutely associated with the standing&#13;
stones. It was not until 1971 that Aubrey Burl classified the site as a ‘four&#13;
poster’ stone circle.&#13;
&#13;
The Excavation&#13;
The excavation by McCullagh of Tongland cemetery took place in 1987. The&#13;
excavation area incorporated all three of the standing stones which made up&#13;
the possible outer ring of stones first noted by Coles. It was deemed necessary&#13;
at the time to undertake a full excavation, as there had already been&#13;
considerable disturbance to the site.&#13;
&#13;
Plan from McCullagh excavations&#13;
&#13;
The excavation indicated that there were four sequential phases of activity.&#13;
The first two phases were the most distinct, with the first phase consisting of&#13;
the excavation of a series of burial pits and the erection of two standing stones.&#13;
One of the standing stones had fallen before the second phase, which involved&#13;
&#13;
the construction of a cairn and the erection of two further standing stones. It&#13;
should be noted that at no point were there more than three stones standing&#13;
upright at any one time at Tongland.&#13;
Radiocarbon dates recovered from the site supported the argument that the&#13;
site was sequential, as opposed to multi-phase, as the dates were very close&#13;
together. The burial rite exclusively involved cremation, with the large&#13;
quantities of charcoal suggesting that these cremations would have taken place&#13;
within the immediate surroundings of the site. The incomplete nature of the&#13;
funerary deposits suggests that only a token deposit of bone from the&#13;
cremated body was necessary to complete the funerary rite.&#13;
&#13;
The Finds&#13;
The 1987 excavation unearthed a significant addition to the known Bronze Age&#13;
pottery corpus from the south west of Scotland with the discovery of two&#13;
collared urns and an accessory vessel. The materials used to manufacture&#13;
them came from the local area, and it was suggested that their poor quality&#13;
and mediocre character meant they may have been made by the same&#13;
individual.&#13;
&#13;
The lattice decorated collared urn&#13;
&#13;
One of the funerary urns exhibited a repeated lattice pattern which had been&#13;
incised into the surface of the clay before firing. This was unusual; while the&#13;
pattern itself is not rare, it tends to be made by pressing a twisted cord into the&#13;
clay rather than cutting into it.&#13;
The morphology and decorative pattern of the two collared urns meant that&#13;
they were interpreted as later in the sequence: an estimated date age range of&#13;
c.1450 – 1250 BC was attributed to these objects on typological grounds, but&#13;
unfortunately no radiocarbon dates were recovered which could support this.&#13;
&#13;
Its Current Status&#13;
The excavations at Tongland Cemetery provided us with a rare excavated&#13;
example of a Bronze Age cremation cemetery, giving us a glimpse into the&#13;
funerary rites and traditions in the southwest of Scotland at this time. The&#13;
work involved during the excavation and post-excavation phases, and the site’s&#13;
subsequent publication, was part funded by Historic Scotland.&#13;
&#13;
The access route to the stones is signposted&#13;
&#13;
Three of the four standing stones can still be seen at the site today. It is still&#13;
accessible through the farm via a route signposted on a barn as you approach.&#13;
The site can be accessed using gate which respects the existing field boundary.&#13;
No climbing is required.&#13;
This archaeological site is protected as a Scheduled Monument and must not&#13;
be disturbed.&#13;
&#13;
Further Reading&#13;
Burl, A. (1976) The stone circles of the British Isles. London and New Haven&#13;
Coles, F R. (1895) 'The stone circles of the Stewartry of Kirkcudbright',&#13;
Proceedings of the Society of Antiquarians of Scotland, vol. 29&#13;
McCullagh, R. P. J. (1992). The Excavation of the Bronze Age Cemetery and&#13;
Standing Stones at Park of Tongland, Kirkcudbright Dumfries and Galloway,&#13;
Proceedings of the Prehistoric Society, vol 58&#13;
&#13;
Created by Rathmell Archaeology for the Galloway Glens, April 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
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              <text>OFFICIAL&#13;
&#13;
Galloway Glens ‘Can You Dig It’ Community Archaeology&#13;
project – Technical notes.&#13;
&#13;
#2: Carminnow Fort – A footnote in&#13;
the career of V.G. Childe&#13;
PULISHED: ·FRIDAY, 8 MARCH 2019&#13;
&#13;
Located west of the B729 at Glenkens Fish Farm, just southeast of Carsphairn, are&#13;
the remains of Carminnow Fort. The site lies within an area of rough pasture on the&#13;
edge of the Galloway Forest Park, and is bounded to the southwest by Kendoon Loch.&#13;
Today the site can be viewed via access through the fish farm. It was excavated and&#13;
recorded by Australian-born archaeologist Vere Gordon Childe. Appointed&#13;
Abercrombie Professor of Archaeology at Edinburgh University in 1927, Childe&#13;
remained in this post for a further twenty years, during which time he worked&#13;
extensively in Scotland.&#13;
&#13;
Its History&#13;
The fort was first recorded in the 1890s as a ‘supposed Roman camp’ by Fredrick R.&#13;
Coles: his survey, which provided descriptions and illustrations of motes and forts&#13;
throughout the Mid Stewartry of Kirkudbright, was published in the 1892 volume of&#13;
the Proceedings of the Society of Scotland. 1935 saw the excavations by Childe: these&#13;
were followed in 1951 by a survey, conducted by the Royal Commission on the&#13;
Ancient and Historical Monuments of Scotland (RCAHMS).&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
V. Gordon Childe 1852-1957&#13;
&#13;
Vere Gordon Childe&#13;
&#13;
One of the most widely known archaeologists of the twentieth century, Childe was&#13;
respected for his work in incorporating regional research into the broader picture of&#13;
European and Near Eastern prehistory. With emphasis placed on technological&#13;
advancement and the development of economic structures within human society, he&#13;
become celebrated in particular for his theories of the Neolithic Revolution and the&#13;
Urban Revolution. He also excavated some well-known Neolithic sites on Orkney,&#13;
including the settlement of Skara Brae and the chambered tombs of Maeshowe and&#13;
Quoyness.&#13;
Childe was a known socialist, at a time when this was viewed with suspicion, and his&#13;
work was deeply influenced by Marxist ideas, particularly with regard to how&#13;
societies developed and changed over time. His penchant for poetry and fast cars was&#13;
also widely known. Today, his theories have been largely disproved, but he remains a&#13;
highly respected figure.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Coles' 1892 plan of Carminnow&#13;
&#13;
The site&#13;
Carminnow provides us with an example of a promontory fort with triple ramparts:&#13;
in plan, its interior is lozenge-shaped, measuring 45m x 59m in extent. The curving&#13;
ramparts, which cut across the promontory, measure a maximum distance of 55m in&#13;
length. The eastern edge of the promontory is the best preserved: here, two ramparts&#13;
survive, standing 2.1m high to either side of an intervening ditch. To the west, both&#13;
promontory and rampart are difficult to see. The site is not so well preserved now as&#13;
it was in 1892, as at no point do all three ramparts survive together.&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
Section from the 1935 excavation&#13;
&#13;
The excavations&#13;
Childe’s 1935 excavations of Carminnow Fort took place with funding assistance&#13;
from Sir Alexander Gibb and Sir Robert Macalpine &amp; Sons. Sections were cut&#13;
through the inner rampart, revealing a core of large stones surrounded by earth and&#13;
rubble packing. Childe notes that during the excavation, no evidence of any kind of&#13;
structures was obtained from the fort’s interior. A small and modest selection of&#13;
artefacts were recovered, including fragments of bone, two flint chips and a minute&#13;
fragment of what was thought to be pottery. Although not the most glamorous of&#13;
&#13;
OFFICIAL&#13;
&#13;
OFFICIAL&#13;
&#13;
finds, they still indicted some form of occupation on the site. The results of the&#13;
excavation were published in the Proceedings of the Society of Antiquaries of&#13;
Scotland.&#13;
&#13;
Its Current Status&#13;
On the 14th of December 1994, Carminnow was removed from the list of scheduled&#13;
monuments as it no longer fulfilled the criteria for being of national importance.&#13;
This was due in part to the raising of the water level of Kendoon Loch, which had&#13;
caused much of the promontory to become submerged, leaving only fragments of the&#13;
defensive ramparts exposed. These can still be viewed today. Despite the fort’s&#13;
change in status, it remains an important site as the information obtained through&#13;
excavation and recording is still invaluable in assisting archaeologists to research&#13;
and categorise similar sites today.&#13;
&#13;
Further Reading&#13;
Childe, V G. (1936b) '(1) Carminnow Fort; (2) Supplementary excavations at the&#13;
vitrified fort of Finavon, Angus; and (3) some Bronze Age vessels from Angus', Proc&#13;
Soc Antiq Scot, vol. 70, 1935-6. Page(s): 341-7&#13;
Coles, F R. (1892) 'The motes, forts, and doons of the Stewartry of&#13;
Kirkcudbrightshire', Proc Soc Antiq Scot, vol. 26, 1891-2. Page(s): 166-9 fig.71&#13;
&#13;
Created by Rathmell Archaeology for the Galloway Glens, March 2019.&#13;
http://www.rathmell-arch.co.uk/&#13;
&#13;
OFFICIAL&#13;
&#13;
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